Both clothing and gifts in the ancient world have separately been the subject of much scholarly discussion because they were an integral part of Greek and Roman society and identity, creating and reinforcing the relationships which kept a community together, as well as delineating status and even symbolising society as a whole. They have, however, rarely been studied together despite the prevalence of clothing gifts in many ancient texts. This book addresses a gap in scholarship by focusing on gifts of elite male clothing in late antique literature in order to show that, when they appeared in texts, these items were not only functioning in an historical or 'real-life' sphere but also as a literary space within which authors could discuss ideas of social relationships and authority. This book suggests that authors used items which usually formed part of the costume of authority of the period - the trabea of the consul, the chlamys of the imperial court and the emperor, and the pallium of the Christian bishops - to 'over-write' wearers and donors as confident figures of 'official' authority when this may have been open to doubt.

Both clothing and gifts in the ancient world have separately been the subject of much scholarly discussion because they were an integral part of Greek and Roman society and identity, creating and reinforcing the relationships which kept a community together, as well as delineating status and even symbolising society as a whole. They have, however, rarely been studied together despite the prevalence of clothing gifts in many ancient texts. This book addresses a gap in scholarship by focusing on gifts of elite male clothing in late antique literature in order to show, that when they appeared in texts, these items were not only functioning in an historical or a 'real-life' sphere but also as a literary space within which authors could discuss ideas of social relationships and authority. This book suggests that authors used items which usually formed part of the costume of authority of the period - the trabea of the consul, the chlamys of the imperial court and the emperor, and the pallium of the Christian bishops - to 'over-write' wearers and donors as confident figures of 'official' authority when this may have been open to doubt.

Both clothing and gifts in the ancient world have separately been the subject of much scholarly discussion because they were an integral part of Greek and Roman society and identity, creating and reinforcing the relationships which kept a community together, as well as delineating status and even symbolising society as a whole. They have, however, rarely been studied together despite the prevalence of clothing gifts in many ancient texts. This book addresses a gap in scholarship by focusing on gifts of elite male clothing in late antique literature in order to show that, when they appeared in texts, these items were not only functioning in an historical or 'real-life' sphere but also as a literary space within which authors could discuss ideas of social relationships and authority. This book suggests that authors used items which usually formed part of the costume of authority of the period - the trabea of the consul, the chlamys of the imperial court and the emperor, and the pallium of the Christian bishops - to 'over-write' wearers and donors as confident figures of 'official' authority when this may have been open to doubt.

Arranged in sections such as concrete, wood, stone metal, plastic, ceramic, paint, moisture barriers, sealants, and glass, provides information on specification and performance for over 200 architectural building materials. Sections also discuss the benefits and pitfalls of combining different materials, taking into account safety criteria, toxicity, and environmental impact. Annotation copyright by Book News, Inc., Portland, OR

Noted scholars in the field explore the rich variety of late antique literature With contributions from leading scholars in the field, A Companion to Late Antique Literature presents a broad review of late antique literature. The late antique period encompasses a significant transitional era in literary history from the mid-third century to the early seventh century. The Companion covers notable Greek and Latin texts of the period and provides a varied overview of literature written in six other late antique languages. Comprehensive in scope, this important volume presents new research, methodologies, and significant debates in the field. The Companion explores the histories, forms, features, audiences, and uses of the literature of the period. This authoritative text: Provides an inclusive overview of late antique literature Offers the widest survey to date of the literary traditions and forms of the period, including those in several languages other than Greek and Latin Presents the most current research and new methodologies in the field Contains contributions from an international group of contributors Written for students and scholars of late antiquity, this comprehensive volume provides an authoritative review of the literature from the era.

Dress and Personal Appearance in Late Antiquity. The Clothing of the Middle and Lower Classes examines written, art historical and archaeological evidence to understand the way that cloth and clothing was made, embellished, cared for and recycled during this period.

Whilst seemingly simple garments such as the tunic remained staples of the classical wardrobe, sources from the period reveal a rich variety of changing styles and attitudes to clothing across the ancient world. Covering the period 500 BCE to 800 CE and drawing on sources ranging from extant garments and architectural iconography to official edicts and literature, this volume reveals Antiquity's preoccupation with dress, which was matched by an appreciation of the processes of production rarely seen in later periods. From a courtesan's sheer faux-silk garb to the sumptuous purple dyes of an emperor's finery, clothing was as much a marker of status and personal expression as it was a site of social control and anxiety. Contemporary commentators expressed alarm in equal measure at the over-dressed, the excessively ascetic or at 'barbarian' silhouettes. Richly illustrated with 100 images, A Cultural History of Dress and Fashion in Antiquity presents an overview of the period with essays on textiles, production and distribution, the body, belief, gender and sexuality, status, ethnicity, visual representations, and literary representations.