When you lose your voice, who will speak for you? When it all seems hopeless, how do you get through each day? In the New York Times bestseller Ghost Boy, Martin Pistorius tells the harrowing story of his return to life through the healing power of love and faith. In January 1988, a happy, healthy twelve-year-old Martin Pistorius came home from school with a sore throat. Soon, he was sleeping all day, refusing meals, and starting to lose his voice. His doctors were mystified. Within eighteen months, his voice fell silent and his developing mind became trapped inside a body he couldn't control. Martin's parents were told that the unknown degenerative disease he was struggling with would mean that he had less than two years to live. He felt invisible--like a ghost of himself. The stress and heartache shook his family to the core, bringing his parents to the brink of separation. Their boy was gone--or so they thought. Martin started to come back to life. He couldn't make a sign or a sound, but he'd become aware of the world around him again and was finally finding his way back to himself. In these pages, you'll hear the highs and lows of Martin's journey from his own perspective, including: A family's resilience in the face of hardship The consequences of misdiagnosis The gift of a wild imagination Ghost Boy shares the beautiful, heart-wrenching story of a life reclaimed, a business created, a family transformed, and a new love that's blossomed. Martin's emergence from his own darkness invites us to celebrate our own lives and fight for a better life for those around us.

A heartbreaking and powerful story about a black boy killed by a police officer, drawing connections through history, from award-winning author Jewell Parker Rhodes. Only the living can make the world better. Live and make it better. Twelve-year-old Jerome is shot by a police officer who mistakes his toy gun for a real threat. As a ghost, he observes the devastation that's been unleashed on his family and community in the wake of what they see as an unjust and brutal killing. Soon Jerome meets another ghost: Emmett Till, a boy from a very different time but similar circumstances. Emmett helps Jerome process what has happened, on a journey towards recognizing how historical racism may have led to the events that ended his life. Jerome also meets Sarah, the daughter of the police officer, who grapples with her father's actions. Once again Jewell Parker Rhodes deftly weaves historical and socio-political layers into a gripping and poignant story about how children and families face the complexities of today's world, and how one boy grows to understand American blackness in the aftermath of his own death.

Harold Kline is an albino—an outcast. Folks stare and taunt, calling him Ghost Boy. It’s been that way for all of his 14 years. So when the circus comes to town, Harold runs off to join it. Full of colorful performers, the circus seems like the answer to Harold’s loneliness. He’s eager to meet the Cannibal King, a sideshow attraction who’s an albino, too. He’s touched that Princess Minikin and the Fossil Man, two other sideshow curiosities, embrace him like a son. He’s in love with Flip, the pretty and beguiling horse trainer, and awed by the all-knowing Gypsy Magda. Most of all, Harold is proud of training the elephants, and of earning respect and a sense of normalcy. Even at the circus, though, two groups exist—the freaks, and everyone else. Harold straddles both groups. But fitting in comes at a price, and Harold must recognize the truth beneath what seems apparent before he can find a place to call home.

Tad must cross time and space to tell the secrets of the past... Froggy dreams of drowning. Just as his nightmare is coming true, he is saved by a ghost boy, Tad. But is Tad telling him the truth, and why can Froggy now see back to the past - to 1881, when Sydney was gripped by a smallpox outbreak and the Quarantine Station was full of the stench of death? With Cassie's help, Tad and Froggy realise they must trust each other in order to find what has been lost for more than one hundred years ... and allow both boys to be set free.

A swashbuckling thriller, part three of THE HIGH SEAS ADVENTURES, set on the oceans at the turn of the nineteenth century -- drama, horror, adventure... There's pirates in the West Indies. Cannibals. They cook you alive. They shrink your head to the size of a walnut, says Mr Spencer to his son. These words will haunt sixteen-year-old John Spencer as he embarks on his first voyage to foreign lands. Carrying cargo destined for Jamaica, John and his Dragon crew set off from London for waters few of them have sailed before. When they come upon a lifeboat adrift at sea, some are wary of the sailor aboard. His name is Horn, and something about this imposing and mysterious sailor isn't right. He carries a chest full of clinking glass, and his story doesn't quite make sense. Still, John respects the stranger's awe-inspiring seamanship. With Horn on deck, both John and the ship's captain believe the Dragon is in the best of hands. But is Horn to be trusted? real -- and very dangerous -- pirate ship. Now John starts to believe his father's warnings, especially after he becomes separated from his shipmates and is stranded on an island reputed to conceal buried treasure. A place teeming with buccaneers... Brimming with furious high-seas adventure, this companion to The Wreckers and The Smugglers concludes with a bloodcurdling tale of pirates -- and a surprise ending...

From award-winning and bestselling author, Jewell Parker Rhodes comes a powerful coming-of-age story about two brothers, one who presents as white, the other as black, and the complex ways in which they are forced to navigate the world, all while training for a fencing competition. Framed. Bullied. Disliked. But I know I can still be the best. Sometimes, 12-year-old Donte wishes he were invisible. As one of the few black boys at Middlefield Prep, most of the students don't look like him. They don't like him either. Dubbing him "Black Brother," Donte's teachers and classmates make it clear they wish he were more like his lighter-skinned brother, Trey. When he's bullied and framed by the captain of the fencing team, "King" Alan, he's suspended from school and arrested. Terrified, searching for a place where he belongs, Donte joins a local youth center and meets former Olympic fencer Arden Jones. With Arden's help, he begins training as a competitive fencer, setting his sights on taking down the fencing team captain, no matter what. As Donte hones his fencing skills and grows closer to achieving his goal, he learns the fight for justice is far from over. Now Donte must confront his bullies, racism, and the corrupt systems of power that led to his arrest. Powerful and emotionally gripping, Black Brother, Black Brother is a careful examination of the school-to-prison pipeline and follows one boy's fight against racism and his empowering path to finding his voice.

Winner, Quebec Writers' Federation Janet Savage Blachford Prize for Children and Young Adult Literature Finalist, Governor General’s Literary Award for Young People’s Literature In this sequel to the award-winning A Boy Is Not a Bird, a boy is exiled to Siberia during World War II. Based on a true story. Torn from his home in Eastern Europe, with his father imprisoned in a Siberian gulag, twelve-year-old Natt finds himself stranded with other deportees in a schoolyard in Novosibirsk. And he is about to discover that life can indeed get worse than the horrific two months he and his mother have spent being transported on a bug-infested livestock train. He needs to write to his best friend, Max, but he knows the Soviet police reads everyone’s mail. So Natt decides to write in code, and his letters are a lifeline, even though he never knows whether Max will receive them. Every day becomes a question of survival, and where they might be shunted to next. When his mother is falsely arrested for stealing potatoes, Natt is truly on his own and must learn how to live the uncertain life of an exile. Practice being invisible as a ghost, change your name and identity if you have to, watch out for spies, and never draw the attention of the authorities. Even then, he will need luck on his side if he is ever going to be reunited with his family. Key Text Features author's note Illustrations map Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.4.3 Describe in depth a character, setting, or event in a story or drama, drawing on specific details in the text (e.g., a character's thoughts, words, or actions). CCSS.ELA-LITERACY.RL.5.3 Compare and contrast two or more characters, settings, or events in a story or drama, drawing on specific details in the text (e.g., how characters interact). CCSS.ELA-LITERACY.RL.5.4 Determine the meaning of words and phrases as they are used in a text, including figurative language such as metaphors and similes. CCSS.ELA-LITERACY.RL.5.6 Describe how a narrator's or speaker's point of view influences how events are described. CCSS.ELA-LITERACY.RL.5.7 Analyze how visual and multimedia elements contribute to the meaning, tone, or beauty of a text (e.g., graphic novel, multimedia presentation of fiction, folktale, myth, poem).