Poetry. LGBT Studies. In GEPHYROMANIA (literally, an addiction to or an obsession with bridges), Tolbert's choice isn't between female and male, lover and self, or loss and relief, but rather to live (willingly, intentionally) in the places where those binaries meet. Questions arise: Is a bridge simply an attempt to connect one (seemingly) stable body back to itself? Whose body which embodiment is absent when we say "I miss you"? And who is adored when we say "I love"? Sensing the parallels between a lover who leaves and his own female body as it chooses (as he chooses for it) to recede, the poems in GEPHYROMANIA explore the spaces between, among, across, and even within bodies."

A reprint of trans poet, activist, and teacher TC Tolbert's beloved debut collection of poetry. In Gephyromania (literally, an addiction to or an obsession with bridges), Tolbert's choice isn't between female and male, lover and self, or loss and relief, but rather to live in the places where those binaries meet. Is a bridge simply an attempt to connect one body back to itself? Sensing the parallels between a lover who leaves and his own female body as it chooses to recede, the poems in Gephyromania explore the spaces between, among, across, and even within bodies.

The first-ever collection of poetry by trans and genderqueer writers

The best contemporary American poets are represented in this essential anthology.

Body of Render explores the internal and external impacts of societal and national decisions that strip away our basic human rights through a collection of poems that carve at the physical, the political, the intimate, and the structural, where poems simultaneously create and encourage voice to seek a path toward collective mending.

In his follow-up to This Wound is a World, Billy-Ray Belcourt’s Griffin Poetry Prize–winning collection, NDN Coping Mechanisms: Notes from the Field is a provocative, powerful, and genre-bending new work that uses the modes of accusation and interrogation. He aims an anthropological eye at the realities of everyday life to show how they house the violence that continues to reverberate from the long twentieth century. In a genre-bending constellation of poetry, photography, redaction, and poetics, Belcourt ultimately argues that if signifiers of Indigenous suffering are everywhere, so too is evidence of Indigenous peoples’ rogue possibility, their utopian drive. In NDN Coping Mechanisms: Notes from the Field, the poet takes on the political demands of queerness, mainstream portrayals of Indigenous life, love and its discontents, and the limits and uses of poetry as a vehicle for Indigenous liberation. In the process, Belcourt once again demonstrates his extraordinary craft, guile, and audacity, and the sheer dexterity of his imagination.