Gendering the Master Narrative asks whether a female tradition of power might have existed distinct from the male one, and how such a tradition might have been transmitted. It describes women's progress toward power as a push-pull movement, showing how practices and institutions that ostensibly enabled women in the Middle Ages could sometimes erode their authority as well.This book provides a much-needed theoretical and historical reassessment of medieval women's power. It updates the conclusions from the editors' essential volume on that topic, Women and Power in the Middle Ages, which was published in 1988 and altered the prevailing view of female subservience by correcting the nearly ubiquitous equation of "power" with "public authority." Most scholars now accept a broader definition of power based on the interactions between men and women.In their Introduction, Mary C. Erler and Maryanne Kowaleski survey the directions in which the study of medieval women's agency has developed in the past fifteen years. Like its predecessor, this volume is richly interdisciplinary. It contains essays by highly regarded scholars of history, literature, and art history, and features seventeen black-and-white illustrations and two maps.

A new economy of power relations: female agency in the middle ages / Mary C. Erler and Maryanne Kowaleski -- Women and power through the family revisited / Jo Ann McNamara -- Women and confession: from empowerment to pathology / Dyan Elliott -- "With the heat of the hungry heart": empowerment and Ancrene wisse / Nicholas Watson -- Powers of record, powers of example: hagiography and women's history / Jocelyn Wogan-Browne -- Who is the master of this narrative? Maternal patronage of the cult of St. Margaret / Wendy R. Larson -- "The wise mother": the image of St. Anne teaching the Virgin Mary / Pamela Sheingorn -- Did goddesses empower women? the case of dame nature / Barbara Newman -- Women in the late medieval English parish / Katherine L. French -- Public exposure? consorts and ritual in late medieval Europe: the example of the entrance of the dogaresse of Venice / Holly S. Hurlburt -- Women's influence on the design of urban homes / Sarah Rees Jones -- Looking closely: authority and intimacy in the late medieval urban home / Felicity Riddy.

The current study builds upon existing work that defines master narratives (McLean & Syed, 2016), and explores master narratives relating to gender (McLean, Syed, & Shucard, 2016). The specific question addressed in this thesis is, how does one's sociocultural context relate to the individual process of identity construction, in the domain of gender identity? I examined biographical master narratives, or those that describe cultural expectations for a life course, in the context of gender identity. I used narrative and survey methodologies to describe the American biographical master narratives for men and women, and whether and how individuals deviate from these narratives. I examined how these deviations are incorporated into one's identity and if these deviations are related to psychological distress. Men and women reported similar expected life courses. Gender differences emerged for the importance of selected life events and the content of narratives describing either deviation from or conformity to cultural expectations relating to gender. As hypothesized, elaboration of an alternative narrative was associated with the presence of self-event connections and identity exploration. Not as hypothesized, elaboration of an alternative narrative was not associated with psychological distress. These findings have implications for both the cultural expectations for men and women within America and the processes by which men and women construct their identities in context of these expectations, as well as broader implications for the study of gender identity.

Social historians today are calling into question the persuasiveness of the master narratives that have dominated our stories about the past. Motivated now by personal and professional commitments to solving problems by telling stories, not by epistemological and ontological certitude, social historians are constructing alternative narratives relevant to an expanded, more inclusive audience. The essays in this thoughtful volume reflect an explicit self-consciousness about historians' choices of narrative strategies, a new skepticism of the rhetorical strategies embedded in all scholarly arguments, and a recognition that every historian has a point of view. Critically examining past master narratives in light of emerging alternatives, these essayists ask us to reevaluate the stories we tell, the narrative traditions within which they are situated, and the audiences they are designed to persuade. The first essays explore the gendered character of social history rhetoric by exposing alternative, feminist traditions of social scientific and social historical writing. The second section focuses on alternative narrative traditions of historical writing in non-European contexts, specifically India, Japan, and China. And the third group spotlights the rhetorical uses of synthesis in the writings of social historians. The essays feature the range of narrative possibilities available to historians who have become self-critical about the pervasive use of unexamined master narratives; they show how limited that tradition can be compared with the diverse alternatives derived from, for example, gendered traditions of Latin American travel writers of the nineteenth century, Victorian women's historical writing, or the lively subaltern tradition in Indian social history. Together they argue not for the abandonment of historical materialism or the elimination of all master narratives but for the reinvigoration of social history through the use of new and more persuasive arguments based on alternative narratives.

Feminist scholars have demonstrated how ‘dominant discourses’ and ‘master narratives’ frequently reflect patriarchal influence, thereby distorting and depoliticizing women’s storying of their own lives. In this groundbreaking volume a number of internationally recognized researchers, working across a range of disciplines, provide a detailed examination of women’s attempts to counter-story their lives when prevailing discourses are unhelpful or, indeed, harmful. As such, it is an exploration of women’s agency and resistance, which highlights the challenges and complexities of such discursive work. The chapters explore women’s resistance across a wide range of experiences, including: intimate partner violence, casual sex, depression, premenstrual change, disordered eating, lesbian identity, women’s work in male-dominated spaces, rape, and child birth. Each chapter combines theoretical analyses with illuminating first-hand accounts, and elaborates practical implications that provide directions for individual and social change. Providing an incisive and comprehensive exploration of discourse, oppression and resistance, that cuts across domains of women’s everyday lives, Women Voicing Resistance will be of great interest to students, scholars and practitioners in the fields of psychology, gender studies, women’s studies, sociology, and social work.

"In the past quarter-century, gender has emerged as a lively area of inquiry for historians and other scholars, and gender analysis has suggested important revisions of the “master narratives” of national histories—the dominant, often celebratory tales of the successes of a nation and its leaders. Although modern Japanese history has not yet been restructured by a foregrounding of gender, historians of Japan have begun to embrace gender as an analytic category. The sixteen chapters in this volume treat men as well as women, theories of sexuality as well as gender prescriptions, and same-sex as well as heterosexual relations in the period from 1868 to the present. All of them take the position that history is gendered; that is, historians invariably, perhaps unconsciously, construct a gendered notion of past events, people, and ideas. Together, these essays construct a history informed by the idea that gender matters because it was part of the experience of people and because it often has been a central feature in the construction of modern ideologies, discourses, and institutions. Separately, each chapter examines how Japanese have (en)gendered their ideas, institutions, and society. "

This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Elleke Boehmer's work on the crucial intersections between independence, nationalism and gender has already proved canonical in the field. 'Stories of women' combines her keynote essays on the mother figure and the postcolonial nation, with incisive new work on male autobiography, 'daughter' writers, the colonial body, the trauma of the post-colony, and the nation in a transnational context. Focusing on Africa as well as South Asia, and sexuality as well as gender, Boehmer offers fine close readings of writers ranging from Achebe, Okri and Mandela to Arundhati Roy and Yvonne Vera, shaping these into a critical engagement with theorists of the nation like Fredric Jameson and Partha Chatterjee. This edition will be of interest to readers and researchers of postcolonial, international and women's writing; of nation theory, colonial history and historiography; of Indian, African, migrant and diasporic literatures, and is likely to prove a landmark study in the field.