"The contributors to this volume offer an explicitly intersectional and transnational perspective on contemporary South Korean gender and class relations and structures"--

Since the late 1960s, the lives of south Koreans have been reconstructed on the shifting ground of urbanization, industrialization, military authoritarianism, democratic reform, and social liberalization. Class and gender identities have been modified in relation to a changing modernity and new definitions of home and family, work and leisure, husband and wife. Under Construction provides an illuminating portrait of south Koreans in the 1990s--a decade that saw a return to civilian rule, a loosening of censorship and social control, and the emergence of a full-blown consumer culture. It shows how these changes impacted the lives of Korean men and women and the very definition of what it means to be "male" and "female" in Korea. In a series of provocative essays written by Korean and Western scholars, we see how Korean women and men actively engage, and at times openly contest, the limitations of gender. Under Construction is part of a decisive turn in the anthropology of gender--from its early quest for the causes of female subordination to a finely tuned analysis of the historical, cultural, and class-based specificities of gender relations and the tension between gender as an ideological construct and as a lived experience. Firmly grounded in the political and economic history of south Korea, this long-awaited volume fills an important gap in Korean studies and East Asia gender studies in English. Contributors: Nancy Abelmann, Cho Haejoang, Roger L. Janelli, Laurel Kendall, June Lee, So-Hee Lee, Seungsook Moon, Dawnhee Yim.

How do people make sense of their world in the face of the breakneck speed of contemporary social change? Through the lives and narratives of eight women, The Melodrama of Mobility chronicles South Korea's experience of just such dizzyingly rapid development. Abelmann captures the mood, feeling, and language of a generation and an era while providing a rare window on the personal and social struggles of South Korean modernity. Drawing also from television soap operas and films, she argues that a melodramatic sensibility speaks to South Korea's transformation because it preserves the tension and ambivalence of daily life in unsettled times. The melodramatic mode helps people to wonder: Can individuals be blamed for their social fates? How should we live? Who can say who is good or bad? By combining the ethnographic tools of anthropology, an engagement with prevailing sociological questions, and a literary approach to personal narratives, The Melodrama of Mobility offers a rich portrait of the experience of compressed modernity in the non-West.

This pathbreaking study presents a feminist analysis of the politics of membership in the South Korean nation over the past four decades. Seungsook Moon examines the ambitious effort by which South Korea transformed itself into a modern industrial and militarized nation. She demonstrates that the pursuit of modernity in South Korea involved the construction of the anticommunist national identity and a massive effort to mold the populace into useful, docile members of the state. This process, which she terms “militarized modernity,” treated men and women differently. Men were mobilized for mandatory military service and then, as conscripts, utilized as workers and researchers in the industrializing economy. Women were consigned to lesser factory jobs, and their roles as members of the modern nation were defined largely in terms of biological reproduction and household management. Moon situates militarized modernity in the historical context of colonialism and nationalism in the twentieth century. She follows the course of militarized modernity in South Korea from its development in the early 1960s through its peak in the 1970s and its decline after rule by military dictatorship ceased in 1987. She highlights the crucial role of the Cold War in South Korea’s militarization and the continuities in the disciplinary tactics used by the Japanese colonial rulers and the postcolonial military regimes. Moon reveals how, in the years since 1987, various social movements—particularly the women’s and labor movements—began the still-ongoing process of revitalizing South Korean civil society and forging citizenship as a new form of membership in the democratizing nation.

This book discusses perceptions of ‘femininity’ in contemporary South Korea and the extent to which fictional representations in South Korean women’s fiction of the 1990s challenges the enduring association of the feminine with domesticity, docility and passivity.

The growing importance of the Korean economy in the global arena and the spread of the so-called 'Korean wave' in Asia mean there is an increasing desire to understand contemporary Korean Society. To this end, this book provides a critical and progressive analysis of the diverse issues that impact on and shape contemporary Korean society at both local and national levels. The contributors address issues and movements which include: The state and regime Human rights Gender Civil society and social movements Culture Religion Domestic and migrant labour Welfare The chapters in this volume provide a critical perspective on Korean society, and draw upon interdisciplinary research from across the social sciences. With contributions from leading Korean scholars and academics from around the world, this is a welcome addition to the growing field of Korean Studies, and will be of great interest to students and scholars interested in Korean studies, Korean and Asian culture and society, and Asian studies more generally.