Penguin presents I'm Not Here to Give a Speech, the complete speeches of Nobel laureate and beloved novelist Gabriel García Márquez collected and published in English for the first time. Gabriel García Márquez has charmed generations of readers with his distinctive and richly expressive style. His talent for language is seen here as never before, in the public speeches he gave throughout his extraordinary life. These speeches chart Márquez's growth as a writer and orator, from an early talk given as a teenager graduating high school to his acceptance speech for the Nobel Prize. They offer new insight into the workings of the author's mind, drawing a portrait of Marquez as a writer and as a man. This is a rare gem from a writer who touched readers across the globe. I Am Not Here to Give a Speech is a must-buy for anyone who ever fell in love with Macondo or cherished a battered copy of Love in the Time of Cholera. Praise for Gabriel García Márquez: 'The greatest novel in any language of the last fifty years' Salman Rushdie on One Hundred Years of Solitude 'Should be required reading for the entire human race' New York Times on One Hundred Years of Solitude 'A masterpiece' Evening Standard on Chronicle of a Death Foretold 'As a reading experience it is completely magical' Observer on Living to Tell the Tale 'It asks to be read more than twice, and the rewards are dazzling' Observer on The Autumn of the Patriarch 'Márquez writes in this lyrical, magical language that no-one else can do' Salman Rusdhie on Collected Stories

This book focuses on Gabriel Garcia Marquez's relations with the world of cinema. Far from being an occasional occupation, García Márquez's film work forms an intrinsic part of his overall aesthetic and literary poetics. The book's primary aim is to present a detailed study of Garcia Márquez's wide-ranging filmography, which has never received a comprehensive, systematic analysis. Rocco argues that it should be recognised as an integral part of the author's narrative output, and brought into the mainstream of studies concerning his literary activity. The first part of the book reconstructs the trajectory of Garcia Marquez's career in cinema and his connections with the world of film. The second part looks at all the screenplays written by García Márquez on which actual films have been based. These are examined chronologically, but also analysed according to thematic and aesthetic concerns and placed in relation to the novels and short stories with which they are 'twinned' in terms of the film product. Book jacket.

ABOUT THE BOOK Colombian-born author Gabriel García Márquez, or "Gabo" as he is known, is the preeminent figure among Latin American writers and an internationally recognized leader in contemporary literature. García Márquez, a writer, journalist, political activist and screenwriter, is considered the "father of magical realism," spawning a new genre of literature forty five years ago with a solitary composition. To date, the Nobel Prize-winning author has written more than twenty works, including novels, novellas, short stories, and nonfiction, which have resulted in numerous adaptations as plays and films. One Hundred Years of Solitude alone has sold more than thirty million copies throughout the world, with translations of his works appearing in thirty five languages. In this compact volume, gain an understanding of García Márquez the man and his most respected works. MEET THE AUTHOR Angela Bussone received a juris doctor and Advanced Legal Research, Writing and Drafting Certificate from Florida Coastal School of Law, where she served on the Law Review Board as technical editor. She also holds a Bachelor of Arts in English from the University of North Florida, where she was president of the Playwrights' Club, Features Editor for the school's newspaper, and wrote a play selected for the New South Young Playwrights Festival at the Horizon Theatre Co. Her writings have appeared in The Florida Times-Union, where she was a writer; the Florida Coastal Law Review, and in various publications and academic journals. She lives in a small coastal town in Northeast Florida with her husband and six-pound Persian cat, where she performs as violinist and composes songs for an Americana band, supports the local symphony and artists, and volunteers her time with organizations devoted to encouraging literacy, protection and enjoyment of the ocean, and preventing homelessness. EXCERPT FROM THE BOOK Although García Márquez has permeated the literary world and has been just as equally embraced, his career has not been without controversy. Last September of 2011, The Guardian reported copies of García Márquez's book, News of a Kidnapping, had sold out in Iran because of comments by opposition leader Mir Hossein Mousavi, who was reported in The Guardian as saying the book's account of kidnappings in Colombia as "an accurate reflection of his life under house arrest." News of a Kidnapping gives the account of the kidnappings of prominent Colombians in the 1990s under the direction of Pablo Escobar. A piece in The Atlantic by William Kennedy uncovers the financial strain during this period for the family, and how Mercedes got the family through it by selling most of the couple's possessions and borrowing twelve thousand dollars from family and friends. García Márquez told Kennedy he was unaware of how Mercedes was able to provide during this time, but never asked any questions. Yet a supply of whiskey and "[g]ood Scotch" was always on hand for the writer and future Nobel Prize winner in his Mexico City "Cave of the Mafia" writing space, where he spent eight to ten hours a day writing. CHAPTER OUTLINE Background and Basics + Introduction + Family and upbringing Public and Private Persona + Major accomplishments and awards + Personal life + Recent News + Public Statements and Attributed Quotes + ...and much more Extras + Trivia and Facts + Sources and Further Reading ...buy the book to continue reading!

'My mother asked me to go with her to sell the house'. Gabriel Garcia Marquez was twenty-three, emerging as a young man and experimenting as a writer, when his mother asked him to come with her, back to the village of Aracataca, back to his grandparents' house and the memories of his Colombian childhood. In this first part of Gabriel Garcia Marquez's memoir, the Nobel prize-winning author returns to the atmosphere and influences that shaped his formidable imagination and formed the basis of his world-famous, and much-loved, fiction.

Together with the late Jorge Luis Borges, Gabriel García Márquez, the 1982 Nobel laureate, stands at the pinnacle of Latin American literature. His work, in the words of Julio Ortega, "contains its own 'deconstructive' force—a literary power capable of reshaping natural order and rhetorical tradition in order to 'carnivalize' the Borges' library and allow us to hear the voices—and the laughter—of a culture, that of Latin America." This reshaping force invites us to read the works of García Márquez in a new way, one that bypasses the traditional, inadequate approaches through Latin American politics, history, and "magical realism." In Gabriel García Márquez and the Powers of Fiction, noted scholars Julio Ortega, Ricardo Gutiérrez Mouat, Michael Palencia-Roth, Aníbal González, and Gonzalo Díaz-Migoyo offer English-speaking readers a new approach to García Márquez's work. Their poststructuralist readings focus on the peculiar sign-system, formal configuration, intradiscursivity, and unfolding representation in the novels One Hundred Years of Solitude, No One Writes to the Colonel, In Evil Hour, The Autumn of the Patriarch, and Chronicle of a Death Foretold and in several of the author's short stories. Also included as an appendix is a translation of García Márquez's Nobel Prize acceptance speech, "The Solitude of Latin America."

Gabriel Garcia Marquez in Retrospect provides a multifaceted, backward glance at García Márquez and his output as a writer. The essays examine his cultural background and influence, take a close look at One Hundred Years of Solitude as well as at several of his later works, and consider his relationship to film and theater.