The conclusion to the New York Times–bestselling trilogy of ancient Greece by the author Hilary Mantel calls “a shining light.” By the end of his reign, Alexander the Great had seized control of an empire that extended from the Adriatic Sea to the Indus River. When he died in 323 BC, a fervent scramble for power ensued. Funeral Games is Mary Renault’s remarkable novel of this turmoil and the gradual erosion of the Greek empire. The power players include Ptolemy, two father-son teams, and a cadre of influential women—not least of whom is Eurydike, whose plan is to marry Alexander’s disabled brother, Arridaios. Brimming with outsize personalities, brazen plots, and a sweeping sense of history, Funeral Games brings to vivid life the world of Alexander the Great, and the seismic tumult in the wake of his death. Funeral Games is the final volume of the Novels of Alexander the Great trilogy, which begins with The Persian Boy and Fire from Heaven. This ebook features an illustrated biography of Mary Renault including rare images of the author. “Mary Renault is a shining light to both historical novelists and their readers. She does not pretend the past is like the present, or that the people of ancient Greece were just like us. She shows us their strangeness; discerning, sure-footed, challenging our values, piquing our curiosity, she leads us through an alien landscape that moves and delights us.” —Hilary Mantel

This unique collaboration between a classicist and physicist at the University of Illinois at Chicago is the first work to combine the evidence from both China and Rome for the spectacular daylight comet of 44 BC, perhaps the most famous comet in antiquity. This investigation, which alsoexamines allusions to this comet in astrological literature from later antiquity, sheds new light on the significance of the comet as a powerful symbol in the political propaganda that launched Augustus' career.

Funeral Games in Honor of Arthur Vincent Lourié explores the varied aesthetic impulses and ever-evolving personal motivations of Russian composer Arthur Lourié. A St. Petersburg native allied with the Futurist movement and profoundly sympathetic to Silver Age decadence, Lourié was swept away by the Revolution; he surfaced as a Communist commissar of music before landing in Europe and America, where his career foundered. Making his way by serving others, he became Stravinsky's right-hand man, Serge Koussevitsky's ghostwriter, and philosopher Jacques Maritain's muse. Lourié left his mark on the poems of Anna Akhmatova, on the neoclassical aesthetics of Stravinsky, on Eurasianism, and on Maritain's NeoThomist musings about music. Lourié serves as a flawless lens through which aspects of Silver Age Russia, early Bolshevik rule, and the cultural space of exile come into sharper focus. But this interdisciplinary collection of essays, edited by musicologists Klára Móricz and Simon Morrison, also looks at Lourié himself as an artist and intellectual in his own right. Much of the aesthetic and technical discussion concerns his grandly eulogistic opera The Blackamoor of Peter the Great, understood as both a belated Symbolist work and as a NeoThomist exercise. Despite the importance Lourié attached to the opera as his masterwork, Blackamoor has never been performed, its fate thus serving as an emblem of Lourié's own. Yet even if Lourié seems to have been destined to be but a footnote in the pages of music history, he looms large in studies of emigration and cultural memory. Here Lourié's life, like his last opera, is presented as a meditation on the circumstances and psychology of exile. Ultimately, these essays recover a lost realm of musical and aesthetic possibilities-a Russia that Lourié, and the world, saw disappear.

Reprint of the original, first published in 1865. Translated into English Verse in the Spenserian Stanza.

Losing has never been easy for a Maddox, but death always wins. Eleven years to the day after eloping with Abby in Vegas, Special Agent Travis Maddox delivers his own brand of vigilante justice to mob boss Benny Carlisi. Vegas's oldest and most violent crime family is now preparing for vengeance, and the entire Maddox family is a target. The secret Thomas and Travis have kept for a decade will be revealed to the rest of the family, and for the first time the Maddoxes will be at odds. While none of them are strangers to loss, the family has grown, and the risk is higher than ever. With brothers against brothers and wives taking sides, each member will make a choice—let the fear tear them apart, or make them stronger.

The battle for the unification and rule of the Far Stars Confederation will be decided in this exhilarating third and final book in the swashbuckling space saga begun with Shadow of Empire and Enemy in the Dark. The Far Stars stands on the edge of a precipice. The forces of Governor Vos have surged forth, conquering worlds and imposing the emperor’s brutal rule over millions. Only one thing stands in the way of total victory: Marshal Augustin Lucerne and his newly created Confederation. Vos has a simple plan: assassinate the marshal, and manipulate his generals to fight over his legacy, destroying each other in the process. But another threat lurks: Arkarin Blackhawk. The smuggler and mercenary has been the marshal’s ally, working in the shadows and unraveling Vos’ plans. The governor can only hope the mysterious adventurer continues to resist a formal position in the Confederation. Or he can have Blackhawk assassinated, too. Because with Blackhawk succeeding Lucerne, the black and gold imperial flags will be stained red with blood. For his is a dark and dangerous past, and if he is put at the helm of the Confederation armies, the brutal imperial general he once had been may rise once again. The Far Stars are facing the final battle. The Imperials seem unstoppable. But if Blackhawk somehow survives—and can come to grips with the horror deep within him—he just might be able to save the Far Stars from the iron hand of empire.