Despite being neighbouring provinces with long ranching histories, British Columbia and Alberta saw their ranching techniques develop quite differently. As most ranching styles were based on one of the two dominant styles in use south of the border, BC ranchers tended to adopt the California style whereas Alberta took its lead from Texas. But the different practices actually go back much further. Cattle cultures in southwestern Spain, sub-Saharan Africa and the British highlands all shaped the basis of North American ranching. Digging deep into the origins of cowboy culture, Ken Mather tells the stories of men and women on the ranching frontiers of British Columbia and Alberta and reveals little-known details that help us understand the beginnings of ranching in these two provinces.

A visually rich, historically epic tale of cattle ranching in southern Alberta, focusing on multi-generational family-owned ranches that are still in existence today. In the 1880s, a group of fledgling cattle ranchers descended on the plains of southern Alberta. They were drawn by the promise of the West, where the grass seemed endless and they could ranch under the arch of the Chinook-the warm Pacific wind that swooped down the eastern slopes of the Rockies to melt the snow and clear the land for year-round grazing. They came with wild optimism, but their ambition was soon tempered by the brutal reality of a frontier land. Ranching under the Arch is a tale of survival, perseverance, and prosperity in the face of struggle, loss, and loneliness. Following over a dozen ranches still in operation that have roots dating to the late nineteenth century, historian D. Larraine Andrews recounts the culture that developed around this unique vocation. These ranches have endured as vibrant enterprises, sometimes into the fifth generation of the same family, sometimes with new faces and dreams to change the focus of the narrative. Drawing from historical archives, diaries, and personal accounts, and illustrated by informative maps, fascinating archival imagery, and stunning contemporary photography, Ranching under the Arch is an epic portrait of the "Cattle Kingdom" and its place in Alberta history.

The Black Prairie Archives: An Anthology recovers a new regional archive of “black prairie” literature, and includes writing that ranges from work by nineteenth-century black fur traders and pioneers, all of it published here for the first time, to contemporary writing of the twenty-first century. This anthology establishes a new black prairie literary tradition and transforms inherited understandings of what prairie literature looks and sounds like. It collects varied and unique work by writers who were both conscious and unconscious of themselves as black writers or as “prairie” people. Their letters, recipes, oral literature, autobiographies, rap, and poetry- provide vivid glimpses into the reality of their lived experiences and give meaning to them. The book includes introductory notes for each writer in non-specialist language, and notes to assist readers in their engagement with the literature. This archive and its supporting text offer new scholarly and pedagogical possibilities by expanding the nation’s and the region’s archives. They enrich our understanding of black Canada by bringing to light the prairies' black histories, cultures, and presences.

A brief introduction to the day-to-day life of cowboys in the American West.

In Across the Great Divide, some of our leading historians look to both the history of masculinity in the West and to the ways that this experience has been represented in movies, popular music, dimestore novels, and folklore.

“An important, persuasive, and fascinating intervention in the literature on the American frontier." —Lisa Duggan, author of The Twilight of Equality? Neoliberalism, Cultural Politics, and the Attack on Democracy “Peter Boag's Re-dressing America's Frontier Past does just that: it re-imagines the American West as a place where cross-dressing is abundant and its meanings are as varied as the individuals themselves. Vividly written and broad in scope, Boag's compelling narrative debunks the gendered myths of the west and writes hundreds of stories back into history.” —Nan Alamilla Boyd, author of Wide-Open Town: A History of Queer San Francisco to 1965 “Peter Boag’s Re-Dressing America’s Frontier Past invites readers to reimagine fundamental ideas about sex, gender, and the history of the American West. Brilliant and perceptive, Boag rediscovers a past that once existed but that was forgotten as new ideas about sexuality emerged in the early twentieth century. Boag makes the lives of the West’s many cross-dressers central to his narrative, and the world they reveal gives us an opportunity to understand history in ways that are more comprehensive and humane. Boag's book sheds new light on the American frontier as well as the history of sex and gender.” —Albert Hurtado, author of Intimate Frontiers: Sex, Gender, and Culture in Old California “Peter Boag uncovers the rich and heretofore hidden history of cross dressers with wit and wisdom, humor and humanity. He adds another crucial layer to our understanding of the West's complicated gendered past and in the process demolishes the region's mythical identity as a virile, white, masculine, heterosexual frontier. The book illuminates the sources of that limited view and liberates us from it.” —Sherry L. Smith, author of Reimaging Indians: Native Americans Through Anglo Eyes, 1880-1940 “A fascinating excursion into a side of western life rarely acknowledged today but surprisingly open and remarked upon at the time. Boag's thoughts on the reasons for the historical blurring are as provocative as his stories are intriguing and often poignant.” —Elliott West, author of The Last Indian War: The Nez Perce Story “This book by the foremost historian of sexuality in the American West is a classic before its time. The history of Westerns cross-dressing is placed within numerous historical contexts, deeply researched, and presented with multiple nuances and thorough analysis. At the same time, we learn of the personal, of the many people who might never have had their significant stories. A stellar and stunning work!” —John R. Wunder, author of “Writing of Race, Class, Gender, and Power in the American West” in North America: Tensions and (Re)Solutions “Original and provocative—Boag finds ample evidence of women and men in western towns and cities who challenged familiar binaries of heteronormative manhood and womanhood through cross-dressing, same-sex intimacy, and trans-gendered identities. But the real story is how communities made meaning of these identities. Boag links sexologists’ promotion of heteronormativity with notions of a redemptive frontier, anti-modernism, and national identity. The results are entirely new perspectives on the imagined West and its place in American history.” —Dee Garceau-Hagen, editor of Across the Great Divide: Cultures of Manhood in the American West

Bronc Busters and Hay Sloops tells the story of ranching in the West from the beginning of the Great War until 1960. Cowboy soldiers, bronc busters, First Nations, upper-crust Englishmen and the strong, capable women of ranching country . . . theirs are the stories told in this book. Some of these characters are larger than life, such as: Joe Coutlee, cow boss of the Douglas Lake Ranch, whose booming voice gave him the nickname "Roaring Bill"; Grover Hance, who roped one of his men and tied him to a tree until he sobered up; Florence "Bunch" Trudeau, whose pet moose got a little too big for comfort; Ollie Matheson, one of the only women to ride in the Williams Lake Stampede's death-defying Mountain Race; Anne Paxton, who tended cattle, guided big-game hunters, ran pack horses and a ranch; Bill Arnold, who could ride "anything that wore hide." Ken takes readers inside sprawling ranches, which were self-contained communities in themselves, and small family-run homesteads scratched out of the wilderness. Like his first book on ranching history, Buckaroos and Mudpups, this is an engaging look at fascinating times and the people who made them so.