Even the briefest glance at an art museum’s holdings or an introductory history textbook demonstrates the profound influence of Christian images and art. From Idols to Icons tells the fascinating history of the dramatic shift in Christian attitudes toward sacred images from the third through the early seventh century. From attacks on the cult images of polytheism to the emergence of Christian narrative iconography to the appearance of portrait-type representations of holy figures, this book examines the primary theological critiques and defenses of holy images in light of the surviving material evidence for early Christian visual art. Against the previous assumption that fourth- and fifth-century Christians simply forgot or ignored their predecessors’ censure and reverted to more alluring pagan practices, Robin M. Jensen contends that each stage of this profound change was uniquely Christian. Through a careful consideration of the cults of saints’ remains, devotional portraits, and pilgrimages to sacred sites, Jensen shows how the Christian devotion to holy images came to be rooted in their evolving conviction that the divine was accessible in and through visible objects.

The Icons came from the sky. They belong to an inhuman enemy. They ended our civilization, and they can kill us. Most of us. Dol, Ro, Tima, and Lucas are the four Icon Children, the only humans immune to the Icon's power to stop a human heart. Now that Los Angeles has been saved, things are more complicated - and not just because Dol has to choose between Lucas and Ro, the two great loves of her life. As she flees to a resistance outpost hidden beneath a mountain, Dol makes contact with a fifth Icon Child, if only through her visions. When Dol and the others escape to Southeast Asia in search of this missing child, Dol's dreams, feelings and fears collide in an epic showdown that will change more than just four lives -- and stop one heart forever. In this riveting sequel to Icons, filled with nonstop action and compelling romance, bestselling author Margaret Stohl explores what it means to be human and how our greatest weakness can be humanity's strongest chance at survival.

Ro murmurs into my ear. "Don't be afraid, Dol. They're not coming for us." Still, he slips his arm around me and we wait until the sky is clear. Because he doesn't know. Not really. Everything changed on The Day. The day the Icon appeared in Los Angeles. The day the power stopped. The day Dol's family dropped dead. The day Earth lost a war it didn't know it was fighting. Since then, Dol has lived a simple life in the countryside with fellow survivor Ro-safe from the shadow of the Icon and its terrifying power. Hiding from the one truth she can't avoid. They're different. They survived. Why? When the government discovers their secret, they are forced to join faint-hearted Tima and charismatic Lucas in captivity. Called the Icon Children, the four are the only humans on Earth immune to the power of the Icons. Torn between brooding Ro and her evolving feelings for Lucas, between a past and a future, Dol's heart has never been more vulnerable. And as tensions escalate, the Icon Children discover that their explosive emotions-which they've always thought to be their greatest weaknesses-may actually be their greatest strengths. Bestselling author Margaret Stohl delivers a thrilling novel set in a haunting new world where four teens must piece together the mysteries of their pasts-in order to save their future.

Christians ought to be leading the way in creativity, but we rarely do. God is the Creator of all things, and He created us in His image. Creativity is woven into the very fabric of our humanity. Therefore, Christians should value and champion creativity as a vital part of our image-bearing role. Instead Christians often don’t know what to do with creatives and creatives don’t know what to do with Christianity. On one side you have Christians who neglect or discount art, imagination, and beauty altogether. On the other, you have artists who make idols out of each of these good things. Ryan Lister, a theology professor, and Thomas Terry, a spoken word artist and founder of Humble Beast, team up to help restore the connection between creativity and theology. Images & Idols is a theological and artistic exploration of creativity in the Christian life. It will help creatives build a strong theological foundation for their art, while challenging the church to embrace a theology of beauty and creativity.

In this useful guidebook, the authors debunk common misconceptions about Orthodox icons and explain how they might enrich the devotional lives of non-Orthodox Christians.

In Orthodox theology both the icon and the name of God transmit divine energies, theophanies, or revelations that imprint God's image within us. In Icons and the Name of God renowned Orthodox theologian Sergius Bulgakov explains the theology behind the Orthodox veneration of icons and the glorification of the name of God. In the process Bulgakov covers two major controversies -- the iconoclastic controversy (sixth to eighth centuries) and the "Name of God" controversy (early twentieth century) -- and explains his belief that an icon stops being merely a religious painting and becomes sacred when it is named. This translation of two essays "The Icon and Its Veneration" and "The Name of God" -- available in English for the first time -- makes Bulgakov's rich thinking on these key theological concepts available to a wider audience than ever before.

Examining how God and eventually Christ are portrayed in early Christian art, Jensen explores questions of the relationship between art and theology, conflicts over idolatry and iconography, and how the Christological controversies affected the portrayals of Christ. Since much of this art comes from ancient Rome, she places her analysis in the context of the history of Roman portraiture. One hundred photographs enhance the discussion.