visual narration of literary tales. In addition to these renowned artists, the book reveals the extraordinary achievements of many lesser-known painters, among them Giambattista Zelorri, Giovanni Antonio Fasolo, and Ludovico Pozzoserrato in the sixteenth century; Luca Ferrari da Reggio, Giovanni Antonio Pellegrini, and Nicolo Bambini in the seventeenth; and ]acopo Guarana, Antonio Balestra, and Giambattista Crosato in the eighteenth." "Distinguished Venetian art historians Filippo Pedrocco, Massimo Favilla, and Ruggero Rugolo skillfully interweave the explanation of the frescoes' iconography with a lively account of the families who commissioned these monumental art works. The Venetian nobility was inordinately proud of its distinguished lineage and frequently directed the artists to paint subject matter that exalted the family name, such as key episodes from Roman mythology, or alternatively incorporate sly visual digs at particular members of the family. Memorably, the patrons --

Historical Dictionary of Rococo Art covers all aspects of Rococo art history through a chronology, an introductory essay, a review of the literature, an extensive bibliography, and over 350 cross-referenced dictionary entries on prominent Rococo painters, sculptors, decorative artists, architects, patrons, theorists, and critics, as well as major centers of artistic production. This book is an excellent access point for students, researchers, and anyone wanting to know more about Rococo art.

The full-length treatment in English of Tiepolo's life and career. Examining in detail the genesis and the achievement of Tiepolo's major accomplishments, and presenting a rich array of illustrations-some never before reproduced - Michael Levey presents the evidence for a deeper understanding and enjoyment of the great Italian artist.

Unveils all the beauty of villas surrounding the area of Venice, Padua, Treviso, and Vicenza. Includes pleasure pavilions and farm buildings, offering aspects unavailable to the casual traveler.

This lavish catalogue presents 150 European paintings, pastels, and drawings from the late fifteenth to the mid-nineteenth century that have been given to the Metropolitan Museum by Mr. and Mrs. Charles Wrightsman or are still held in Mrs. Wrightsman's private collection. These notable works were collected over the past four decades, many of them with the Museum in mind; some were purchased by the Museum through the Wrightsman Fund. Highlights of the book include masterpieces by Vermeer, El Greco, Rubens, Van Dyck, Georges de La Tour, Jacques-Louis David, and Caspar David Friedrich as well as numerous paintings by the eighteenth-century Venetian artists Canaletto, Guardi, and the Tiepolos, father and son, plus a dozen remarkable portrait drawings by Ingres. Each work is reproduced in color and is accompanied by a short essay.