"An unprecedented examination of the impact of fashion on society in France throughout the Great War. This fascinating exploration of French women's fashion during World War I is the first in-depth consideration of the role that fashion played in the upheaval of French society between 1914 and 1918. As the fashion industry-the second largest industry in the country-mobilized to help the war effort, Parisian couture houses introduced new styles, aggressively disseminated information through magazines, and strengthened their propaganda efforts overseas. Women of all social classes adapted their garments to the wartime lifestyle, and practicality was increasingly introduced in the form of pockets and "sportswear" textiles like jersey. While women were heralded for contributing to the war effort, the clothes they wore while doing so often provoked debates, particularly when their attire was seen as too masculine or militaristic. With focused studies of wartime garments such as skirt suits, nurse's uniforms, work overalls, and mourning clothes, this volume brings to life the passionate debates that roiled the French fashion industry and reveals the extent to which fashion was a hotly contested topic and a barometer for social tensions throughout this tumultuous era. Maude Bass-Krueger is postdoctoral fellow at the Center for the Arts in Society at Leiden University. Sophie Kurkdjian is a research fellow at l'Institut d'histoire du temps prâesent (IHTP-CNRS)"--

In 1939, fashion became an economic and symbolic sphere of great importance in France. Invasive textile legislation, rationing and threats from German and American couturiers were pushing the design and trade of Parisian style to its limits. It is widely accepted that French fashion was severely curtailed as a result, isolated from former foreign clients and deposed of its crown as global queen of fashion. This pioneering book offers a different story. Arguing that Paris retained its hold on the international haute couture industry right throughout WWII, eminent dress historians and curators come together to show that, amid political, economic and cultural traumas, Paris fashion remained very much alive under the Nazi occupation – and on an international level. Bringing exciting perspectives to challenge a familiar story and introducing new overseas trade links out of occupied France, this book takes us from the salons of renowned couturiers such as Edward Molyneux and Robert Piguet, French Vogue and Le Jardin des Modes and luxury Lyon silk factories, to Rio de Janeiro, Denmark and Switzerland, and the great American department stores of New York. Also comparing extravagant Paris occupation styles to austerity fashions of the UK and USA, parallel industrial and design developments highlight the unresolvable tension between luxury fashion and the everyday realities of wartime life. Showing that Paris strove to maintain world dominance as leader of couture through fashion journalism, photography and exported fashion forecasting, Paris Fashion and World War Two makes a significant contribution to the cultural history of fashion.

In September 1939, just three weeks after the outbreak of war, Gladys Mason wrote briefly in her diary about events in Europe: 'Hitler watched German siege of Warsaw. City in flames.' And, she continued, 'Had my wedding dress fitted. Lovely.' For Gladys Mason, and for thousands of women throughout the long years of the war, fashion was not simply a distraction, but a necessity - and one they weren't going to give up easily. In the face of bombings, conscription, rationing and ludicrous bureaucracy, they maintained a sense of elegance and style with determination and often astonishing ingenuity. From the young woman who avoided the dreaded 'forces bloomers' by making knickers from military-issue silk maps, to Vogue's indomitable editor Audrey Withers, who balanced lobbying government on behalf of her readers with driving lorries for the war effort, Julie Summers weaves together stories from ordinary lives and high society to provide a unique picture of life during the Second World War. As a nation went into uniform and women took on traditional male roles, clothing and beauty began to reflect changing social attitudes. For the first time, fashion was influenced not only by Hollywood and high society but by the demands of industrial production and the pressing need to 'make-do-and-mend'. Beautifully illustrated and full of gorgeous detail, Fashion on the Ration lifts the veil on a fascinating era in British fashion.

The legacies service in the First World War had on women's lives and the privileges it afforded some of them.

From Vichy to the Sexual Revolution explores the factors that led to such radical changes in French notions of gender roles, family structures, and sexuality. Sarah Fishman follows French women's path toward emancipation from winning suffrage in 1945 to the social movements of 1960s, painting a broad view of shifting habits and ideas about love, courtship, sex, marriage, parenting, childhood, and adolescence. She surveys a wide range of sources, including juvenile court cases, inexpensive guidebooks on marriage and childbirth, and popular magazines--Marie Claire and Elle most notably, where iconic columnists such as Marcelle Auclair and Marcelle Ségal answered readers' letters and dispensed intimate and inspirational advice to millions of women.

In 1944 and 1945, millions of American soldiers took part in the Liberation of France. It was impossible for these GIs, who brought with them freedom, health, and wealth, to avoid fraternizing with French women. Some 6,500 Franco-American marriages would later take place. Many of these women would cross the Atlantic to join their husbands, following the example of their compatriots who had wed doughboys after World War I. This book, a collection of oral histories, tells the story of mademoiselle and the GI by following the destinies of 15 French war brides--three from World War I and 12 from World War II. All of the women encountered cultural shock as they discovered an opulent and open society, but one which was also materialistic and racially segregated. But these women, like the many others who came to America, got on with it and survived. Although about half of the marriages ended in divorce, only about 150 of the women returned to France. Most of them, in their own way, lived the American Dream. Today these women are both French and American. They reflect the image of a successful betrothal between two cultures.

This is the first book (in either English or French) to offer readers an overview of women's experience of the Second World War and its immediate aftermath in France. It examines objectively the part that women played in both collaboration and resistance, synthesising much recent scholarship on the subject in French and English, and drawing on the author's own extensive research (including oral testimony) in Toulouse, Paris, and West Brittany. The findings are complex, and the immensely varied testimony challenges easy generalisation. This will be relevant for courses on French studies, French and European history and Women's studies.