Argues that the inhabitants of Albemarle County (in rural Piedmont Virginia), white, black, and mixed-race treated each other more on the basis of a person's reputations than on the basis of state laws requiring restrictions on black freedom. Examples are drawn from law proceedings, (blacks did testify in courts despite its being against the law), marriages, residence, and other matters.

In his examination of a wide array of court papers from Albemarle County, a rural Virginia slaveholding community, Kirt von Daacke argues against the commonly held belief that southern whites saw free blacks only as a menace. Von Daacke reveals instead a more easygoing interracial social order in Albemarle County that existed for more than two generations after the Revolution—stretching to the mid-nineteenth century and beyond—despite fears engendered by Gabriel’s Rebellion and the Haitian Revolution. Freedom Has a Face tells the stories of free blacks who worked hard to carve out comfortable spaces for existence. They were denied full freedom, but they were neither slaves without masters nor anomalies in a society that had room only for black slaves and free white citizens. A typical rural Piedmont county, Albemarle was not a racial utopia. Rather, it was a tight-knit community in which face-to-face interactions determined social status and reputation. A steep social hierarchy allowed substantial inequalities to persist, but it was nonetheless an intimately interracial society. Free African Americans who maintained personal connections with white neighbors and who participated openly in local society were perceived as far more than stereotypical dangerous blacks. Based on his work building a cross-referenced database containing individual records for nearly five thousand documents, von Daacke reveals a detailed picture of daily life in Albemarle County. With this reinsertion of individual free blacks into the neighborhood, community, and county, he exposes a different, more complicated image of the lives of free people of color.

Affirms, validates, and reiterates the yearning for an orderly, peaceful and just world The old adage “One picture is worth ten thousand words” is definitely true for Faces of Freedom Summer. There are simply not enough words to describe the period in our history that is recorded by the pictures in this book. As this book afirms, the resurgence of overt activities by hate groups—both the old traditional ones (e.g., the Ku Klux Klan) and the new ones (e.g., the Skin Heads)—however much the hard work and sacrifices of the modern civil rights movement humanized American society, much still remains to be done. The modern civil rights movement associated with the 1960s was not in vain, yet it did not eradicate from our society the evils of racism and sexism. While we activists made the United States more of an open society than it has ever been in its history, our vision and desire for the beloved community did not reach into all sectors of American society. “Freedom,” it has been said, “is a constant struggle, a work of eternal vigilance.” Faces of Freedom Summer brings to life that there was such a time and there were such people and, if such a people were once, then they are still among us. Yet, they may only become aware of themselves when they are confronted with visible evidence, such as the evidence contained in the pictures of Herbert Randall.

The Two Faces of American Freedom boldly reinterprets the American political tradition from the colonial period to modern times, placing issues of race relations, immigration, and presidentialism in the context of shifting notions of empire and citizenship. Today, while the U.S. enjoys tremendous military and economic power, citizens are increasingly insulated from everyday decision-making. This was not always the case. America, Aziz Rana argues, began as a settler society grounded in an ideal of freedom as the exercise of continuous self-rule—one that joined direct political participation with economic independence. However, this vision of freedom was politically bound to the subordination of marginalized groups, especially slaves, Native Americans, and women. These practices of liberty and exclusion were not separate currents, but rather two sides of the same coin. However, at crucial moments, social movements sought to imagine freedom without either subordination or empire. By the mid-twentieth century, these efforts failed, resulting in the rise of hierarchical state and corporate institutions. This new framework presented national and economic security as society’s guiding commitments and nurtured a continual extension of America’s global reach. Rana envisions a democratic society that revives settler ideals, but combines them with meaningful inclusion for those currently at the margins of American life.

"I am a fanatic about freedom. And I'm fanatical about coming at you hard in this book." Maybe you're not as free as you think you are. Even worse, you may have been duped into believing that a "balanced" life is the key to happiness (it isn't) or that a relationship with God is about layering on rules and restrictions (nope). Whether it’s media-fueled fear, something a parent or teacher said that you just can’t shake, or even the reality of dark spiritual forces bent on keeping you down, something is holding you back from the full-on freedom God intends for you. The Bible says, "Where the Spirit of the Lord is, there is freedom." Not fear. Not guilt. Not morality. Freedom. You can have the sort of joy you thought only kids could have. The day of freedom is here.

"A profound rumination on the concept of freedom from the New York Times bestselling author of Tribe"--

An album-by-album celebration of the life and music of Mac Miller through oral histories, intimate reflections, and critical examinations of his enduring work. “One of my most vivid memories of him is the way he would look at you while he was playing you a song. He tried to look you right in the eyes to see how you were feeling about it.” —Will Kalson, friend and first manager Following Mac Miller’s tragic passing in 2018, Donna-Claire Chesman dedicated a year to chronicling his work through the unique lens of her relationship to the music and Mac’s singular relationship to his fans. Like many who’d been following him since he’d started releasing mixtapes at eighteen years old, she felt as if she’d come of age alongside the rapidly evolving artist, with his music being crucial to her personal development. “I want people to remember his humanity as they’re listening to the music, to realize how much bravery and courage it takes to be that honest, be that self-aware, and be that real about things going on internally. He let us witness that entire journey. He never hid that.” —Kehlani, friend and musician. The project evolved to include intimate interviews with many of Mac’s closest friends and collaborators, from his Most Dope Family in Pittsburgh to the producers and musicians who assisted him in making his everlasting music, including Big Jerm, Rex Arrow, Wiz Khalifa, Benjy Grinberg, Just Blaze, Josh Berg, Syd, Thundercat, and more. These voices, along with the author’s commentary, provide a vivid and poignant portrait of this astonishing artist—one who had just released a series of increasingly complex albums, demonstrating what a musical force he was and how heartbreaking it was to lose him. “As I’m reading the lyrics, it’s crazy. It’s him telling us that he hopes we can always respect him. I feel like this is a message from him, spiritually. A lot of the time, his music was like little letters and messages to his friends, family, and people he loved, to remind them of who he really was.” —Quentin Cuff, best friend and tour manager