"Originally published in single magazine form in Freedom Fighters 1-12"--Copyright page.

Contributions by David M. Ball, Ian Gordon, Andrew Loman, Andrea A. Lunsford, James Lyons, Ana Merino, Graham J. Murphy, Chris Murray, Adam Rosenblatt, Julia Round, Joe Sutliff Sanders, Stephen Weiner, and Paul Williams Starting in the mid-1980s, a talented set of comics artists changed the American comic book industry forever by introducing adult sensibilities and aesthetic considerations into popular genres such as superhero comics and the newspaper strip. Frank Miller's Batman: The Dark Knight Returns (1986) and Alan Moore and Dave Gibbons's Watchmen (1987) revolutionized the former genre in particular. During this same period, underground and alternative genres began to garner critical acclaim and media attention beyond comics-specific outlets, as best represented by Art Spiegelman's Maus. Publishers began to collect, bind, and market comics as “graphic novels,” and these appeared in mainstream bookstores and in magazine reviews. The Rise of the American Comics Artist: Creators and Contexts brings together new scholarship surveying the production, distribution, and reception of American comics from this pivotal decade to the present. The collection specifically explores the figure of the comics creator—either as writer, as artist, or as writer and artist—in contemporary US comics, using creators as focal points to evaluate changes to the industry, its aesthetics, and its critical reception. The book also includes essays on landmark creators such as Joe Sacco, Art Spiegelman, and Chris Ware, as well as insightful interviews with Jeff Smith (Bone), Jim Woodring (Frank) and Scott McCloud (Understanding Comics). As comics have reached new audiences, through different material and electronic forms, the public's broad perception of what comics are has changed. The Rise of the American Comics Artist surveys the ways in which the figure of the creator has been at the heart of these evolutions.

In a world bedevilled by wars, hunger, inequality, social injustice, racial discrimination and intolerance, almost all of the world's rich societies such as America, the European Union, Australia and Asia set up immigration barriers in order to keep migrants and refugees from coming through their borders and seeking a new and better life, different from the one they knew before, but migrants aren't deterred. They still travel to those countries' frontiers, defying warnings, hoping to make it. In recent years, Germany has taken in many foreign migrants who fled violence, persecution, hunger and death amid a growing atmosphere of resentment, xenophobia, racism and bigotry partly ushered in by the coming to power of the United States of America's dystopian demagogue Hurricane Donald Trump, who endorses politics of hate, ethnic prejudice and religion mostly because these minorities don't look like him. Some of these people pass through hardships into the Sahara Desert. Some are raped while others are used as guinea pigs as their lives are uprooted for transactional purposes. Some are sold and forced into labour while others are killed. Those who survive the ordeal into the Mediterranean Sea lose their lives in unseaworthy boats. What's the end game to this whole global crisis? Will the world cooperate to resolve global issues besieging the world and tackle the forces that enthrone them? Should we still believe in the hope offered the world by the Fall of Berlin Wall, or, should we, in these strange times, believe the Wall has gone right back up?

Written by Jimmy Palmiotti & Justin Gray Art and cover by Daniel Acu�a Collecting the 8-issue miniseries spinning out of INFINITE CRISIS, with art by the sensational Daniel Acu�a! Meet the all-new Phantom Lady, Doll Man, Human Bomb and the Ray - members of the government task force known as SHADE, the country's first line of defense against super-powered threats and terrorists. Advance-solicited; on sale July 11 - 208 pg, FC, $14.99 US

The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)

Articles and seminar papers by an Indian sociologist.

Ending identity conflicts through negotiated agreements is an intractable process that is embedded complexly in the nation-building process. Ariel Hernandez looks on the complexity of the nation-building process in the Philippines and how its social and political context constrains the achievement of a peace agreement that would withhold new challenges as the process unfolds. Mediation as one of the possible modes of intervention to resolve identity conflicts is taken as the self-evident instrument to end the 40 year old conflict between the Filipino society at large and the Bangsamoro. The analysis confirms that mediation and other types of intervention are contributing to the intractability of identity conflicts by bringing in further complexities in the negotiation process. The conceptualization of “stumbling blocks” may provide knowledge based resources to develop strategies to “facilitate” the mediation process that allows negotiating parties to cope with the complexity of the bargaining table.