Ward’s book focuses on the work of the Hungarian philosopher Agnes Heller; prominent member of the Budapest School, a group of students who studied under the Marxist social theorist György Lukács. For both Marx and Heller (albeit in different ways) dissatisfaction emerges as the inevitable result of the expansion of need(s) within modernity and as a catalyst for the development of anthropological wealth (what Marx refers to as the 'human being rich in need'). Ward argues that dissatisfaction and the corresponding category of human wealth–as both motif and method–is central to grasping Heller’s seemingly disparate writings. While Marx postulates a radical overcoming of dissatisfaction, Heller argues dissatisfaction is integral not only to the on-going survival of modernity but also to the dynamics of both freedom and individual life. In this way Heller’s work remains committed to a position that both continually returns and departs, is both with and against, the philosophy of Marx. This book will be of interest to scholars of political philosophy, social theory, critical theory, and sociology.

The Budapest School: Beyond Marxism develops a systematic reconstruction of the post-Marxist projects of the Budapest School. It charts the evolution of these thinkers from their beginnings in the ‘renaissance of Marxism’ through to their contemporary critical theories of modernity.

Presents a new theory of media ethics that is explicitly international.

"Justice is a cultural and historical constant, characterized by plurality and incommensurate theories. This book identifies regulative and critical dimensions in the works of Kant, Hegel, Heller, and Honneth. The significance of the categorical imperative mediating plurality leads to a dynamic idea of justice that resists relativism"--

This thorough examination of Agnes Heller's political thought covers a range of subjects, from Marxian anthropology, through aesthetics, the philosophy of history, ethical socialism, postmodernism, and the political forms of the modern state. Simon Tormey treats Heller's work historically and thematically, placing it in a postmodern, 21st-century context.

Modern Privacies addresses emergent transformations of privacy in western societies from a multidisciplinary and international perspective. It examines social and cultural trends in new media, feminism, law, work and intimacy which indicate that our perceptions, evaluations and enactments of privacy in constant flux.