The story of Hunter S. Thompson's crusade against Richard Nixon and the threat of fascism in America--and the devastating price he paid for it Hunter S. Thompson is often misremembered as a wise-cracking, drug-addled cartoon character. This book reclaims him for what he truly was: a fearless opponent of corruption and fascism, one who sacrificed his future well-being to fight against it, rewriting the rules of journalism and political satire in the process. This skillfully told and dramatic story shows how Thompson saw through Richard Nixon's treacherous populism and embarked on a life-defining campaign to stop it. In his fevered effort to expose institutional injustice, Thompson pushed himself far beyond his natural limits, sustained by drugs, mania, and little else. For ten years, he cast aside his old ambitions, troubled his family, and likely hastened his own decline, along the way producing some of the best political writing in our history. This timely biography recalls a period of anger and derangement in American politics, and one writer with the guts to tell the truth.

The first volume in Hunter S. Thompson’s bestselling Gonzo Papers offers brilliant commentary and outrageous humor, in his signature style. Originally published in 1979, the first volume of the bestselling “Gonzo Papers” is now back in print. The Great Shark Hunt is Dr. Hunter S. Thompson’s largest and, arguably, most important work, covering Nixon to napalm, Las Vegas to Watergate, Carter to cocaine. These essays offer brilliant commentary and outrageous humor, in signature Thompson style. Ranging in date from the National Observer days to the era of Rolling Stone, The Great Shark Hunt offers myriad, highly charged entries, including the first Hunter S. Thompson piece to be dubbed “gonzo”—“The Kentucky Derby Is Decadent and Depraved,” which appeared in Scanlan's Monthly in 1970. From this essay, a new journalistic movement sprang which would change the shape of American letters. Thompson's razor-sharp insight and crystal clarity capture the crazy, hypocritical, degenerate, and redeeming aspects of the explosive and colorful ‘60s and ‘70s.

Gonzo Republic looks at Hunter S. Thompson's complex relationship with America. Thompson was a patriot but also a stubborn individualist. Stephenson examines the whole range of Thompson's work, from his early reporting from the South American client states of the USA in the 1960s to his twenty-first-century internet columns on sport, politics and 9/11. Stephenson argues that Thompson inhabited, but was to some extent reacting against, the tradition of American individualism begun by the Founding Fathers and continued by Emerson and Thoreau. Thompson sought out the edge-the threshold of chaos and insanity-in order to define himself. His characters enact the same quest, travelling through the surreal landscape of his literary America: the Gonzo Republic.

Hunter S. Thompson came home from the 1968 Democratic Convention in Chicago disgusted yet motivated by what he'd seen: protests violently suppressed, riots, corrupt politicians and abusive cops. Back in Aspen, he found more of the same. The local police and sheriff's departments were targeting hippies, charging them with absurd crimes, harassing them on the streets and trying to push them out of town. He knew something had to be done and he realized it had to be done by people like himself. The hippies, intellectuals, and freaks had remained silent long enough. The time had come to organize and seize political power.Freak Power tells the story of Hunter's plan to become Sheriff, take control of Aspen and transform it from a conservative mining town into a mecca for artists, rebels and activists. Through original print material from the campaign, photographs and political art, Freak Power chronicles a little known period in Hunter S. Thompson's life, a period when he wrote prolifically about politics, the environment, drugs and American values. As the conservatives and freaks battled it out, the campaign became fraught with violence, accusations and moments of absurdity that bordered on fiction. As weird a tale as Thompson ever wrote, his own forays into politics may have been his wittiest and most thought-provoking escapade of all.

Hunter S. Thompson came home from the 1968 Democratic Convention in Chicago disgusted yet motivated by what he?d seen: protests violently suppressed, riots, corrupt politicians and abusive cops. Back in Aspen, he found more of the same. The local police and sheriff?s departments were targeting hippies, charging them with absurd crimes, harassing them on the streets and trying to push them out of town. He knew something had to be done and he realized it had to be done by people like himself. The hippies, intellectuals, and freaks had remained silent long enough. The time had come to organize and seize political power.Freak Power tells the story of Hunter?s plan to become Sheriff, take control of Aspen and transform it from a conservative mining town into a mecca for artists, rebels and activists. Through original print material from the campaign, photographs and political art, Freak Power chronicles a little known period in Hunter S. Thompson?s life, a period when he wrote prolifically about politics, the environment, drugs and American values. As the conservatives and freaks battled it out, the campaign became fraught with violence, accusations and moments of absurdity that bordered on fiction. As weird a tale as Thompson ever wrote, his own forays into politics may have been his wittiest and most thought-provoking escapade of all.