Pure, Frank Reilly method of painting by Reilly's student/class monitor Ralph Garafola. The Canvas Awaits - Fill It"Frank J. Reilly - The Elements of Painting" presents the principles and concepts of the craftsmanship involved in the graphic arts. The guidelines presented here will help students, art teachers and professional painters and designers discover and/or further develop their craft.The book is a must read for both the aspiring painter and accomplished artist - and everyone in between. It also assists art teachers and art schools in the instruction of their students and serves well as a college text book of art.◊◊◊Frank J. Reilly was an American painter, illustrator, muralist and teacher. Reilly served as the Commissioner of Art for New York City. Ralph Garafola studied at the Art Students League of New York for seven years with Reilly. Reilly was married with no children and considered his students family. He became both mentor and father-figure for Garafola."To succeed in the realm of graphic arts, like dancing and music, one must acquire knowledge. By practicing and applying that knowledge, one becomes skillful. It was Reilly's logical application which was the basis for developing my craft. After 65 successful years I have never found reason to change the drawing or painting methodology Reilly taught to me. Now through this book I share it with you."Ralph Garafola, author

The teaching program of Frank J. Reilly consisted of communicating an accumulation of knowledge and skills beginning with the elementary and building to the complex. He primarily taught the craft of drawing and then painting the nude figure. Each step in his teaching followed logically upon the step that had been previously taught. This is an honest account of the substance of his teaching as experienced by the author, Doug Higgins, during the four years or so that he was his student and monitor during the 1960s.

"Frank J. Reilly - Outdoor Painting" teaches the principles and concepts in painting nature. Artists will learn how to bring seascape paintings alive by capturing the mood of the ocean by the movement, wind, and various weather conditions. You will also learn the techniques for painting landscapes that portray the time and kind of day; Sunrise, Sunny, Overcast, Fog, Sunset, Moonlight and the seasons. Garafola believed that painting the natural environment puts the viewer inside the painting while realistically depicting what nature has created. https://FrankReillyBooks.com

Fortieth anniversary reissue features improved imagery, materials, and edits, guided by extensive notes by the author, an expert in the Frank J. Reilly method of understanding how color works in realistic lighting conditions.

The function of the painted wooden object ranges from the practical to the profound. These objects may perform utilitarian tasks, convey artistic whimsy, connote noble aspirations, and embody the highest spiritual expressions. This volume, illustrated in color throughout, presents the proceedings of a conference organized by the Wooden Artifacts Group of the American Institute for Conservation of Historic and Artistic Works (AIC) and held in November 1994 at the Colonial Williamsburg Foundation in Williamsburg, Virginia. The book includes 40 articles that explore the history and conservation of a wide range of painted wooden objects, from polychrome sculpture and altarpieces to carousel horses, tobacconist figures, Native American totems, Victorian garden furniture, French cabinets, architectural elements, and horse-drawn carriages. Contributors include Ian C. Bristow, an architect and historic-building consultant in London; Myriam Serck-Dewaide, head of the Sculpture Workshop, Institut Royal du Patrimoine Artistique, Brussels; and Frances Gruber Safford, associate curator of American decorative arts at the Metropolitan Museum of Art in New York. A broad range of professionals—including art historians, curators, scientists, and conservators—will be interested in this volume and in the multidisciplinary nature of its articles.

This comprehensive handbook for drawing the human figure is by a veteran instructor of the Art Students League of New York. Both a guide and a reference, it is suitable for all: novices, students, and professionals. Numerous illustrations with commentary cover the basic structure of the head and body, light and shade, the proper use of line, conveying action, depicting drapery, and much more.