How it happened that technological prowess and national glory (or “radiance,” which also means “radiation” in French) became synonymous in France as nowhere else. In the aftermath of World War II, as France sought a distinctive role for itself in the modern, postcolonial world, the nation and its leaders enthusiastically embraced large technological projects in general and nuclear power in particular. The Radiance of France asks how it happened that technological prowess and national glory (or “radiance,” which also means “radiation” in French) became synonymous in France as nowhere else. To answer this question, Gabrielle Hecht has forged an innovative combination of technology studies and cultural and political history in a book that, as Michel Callon writes in the new foreword to this edition, “not only sheds new light on the role of technology in the construction of national identities” but is also “a seminal contribution to the history of contemporary France.” Proposing the concept of technopolitical regime as a way to analyze the social, political, cultural, and technological dynamics among engineering elites, unionized workers, and rural communities, Hecht shows how the history of France's first generation of nuclear reactors is also a history of the multiple meanings of nationalism, from the postwar period (and France's desire for post-Vichy redemption) to 1969 and the adoption of a “Frenchified” American design. This paperback edition of Hecht's groundbreaking book includes both Callon's foreword and an afterword by the author in which she brings the story up to date, and reflects on such recent developments as the 2007 French presidential election, the promotion of nuclear power as the solution to climate change, and France's aggressive exporting of nuclear technology.

An “engaging, enthusiastic, sympathetic, funny” journey through French history from the New York Times–bestselling author of Absolute Monarchs (The Wall Street Journal). Beginning with Julius Caesar’s conquest of Gaul in the first century BC, this study of French history comprises a cast of legendary characters―Charlemagne, Louis XIV, Napoleon, Joan of Arc, and Marie Antoinette, to name a few―as John Julius Norwich chronicles France’s often violent, always fascinating history. From the French Revolution―after which neither France nor the world would be the same again―to the storming of the Bastille, from the Vichy regime and the Resistance to the end of the Second World War, A History of France is packed with heroes and villains, battles and rebellion—written with both an expert command of detail and a lively appreciation for the subject matter by this “true master of narrative history” (Simon Sebag Montefiore).

A daring young woman will risk her life to find her destiny in this atmospheric, beautifully drawn historical debut novel—a tale of love, hope, and danger set during the First World War. Lady Elizabeth Neville-Ashford wants to travel the world, pursue a career, and marry for love. But in 1914, the stifling restrictions of aristocratic British society and her mother’s rigid expectations forbid Lilly from following her heart. When war breaks out, the spirited young woman seizes her chance for independence. Defying her parents, she moves to London and eventually becomes an ambulance driver in the newly formed Women’s Army Auxiliary Corps—an exciting and treacherous job that takes her close to the Western Front. Assigned to a field hospital in France, Lilly is reunited with Robert Fraser, her dear brother Edward’s best friend. The handsome Scottish surgeon has always encouraged Lilly’s dreams. She doesn’t care that Robbie grew up in poverty—she yearns for their friendly affection to become something more. Lily is the most beautiful—and forbidden—woman Robbie has ever known. Fearful for her life, he’s determined to keep her safe, even if it means breaking her heart. In a world divided by class, filled with uncertainty and death, can their hope for love survive. . . or will it become another casualty of this tragic war? The paperback includes a P.S. section with additional insights from the author, background material, suggestions for further reading, and more.

The founders of the Enlightenment in France are presented in this volume. The author emphasizes the practice as well as practical humanism and examines their fascination with science.

Excursions to flea markets and antiques shops and snapshots of outdoor activities punctuate this luscious book of French country living, which includes home design and ideas plus favorite recipes for Mediterranean-inspired lunches and convivial candlelit dinners.

In 2009, six years after her mother's death, Gully Wells returns to La Migoua, the house in Provence which belonged to her mother - the glamorous, funny, unpredictable and furiously rude American journalist, Dee Wells. Surrounded by the clutter of decades, Gully is taken back to her childhood, to her mother, her adored stepfather - the celebrated, brilliant, womanising Oxford philosopher, A. J. Ayer - and to the rich, sensual memories that the house evokes. Gully's beautiful, rebellious mother Dee fled Boston when she was seventeen to join the Canadian Army, where she became a Sergeant Major. She married, had Gully, divorced and moved to London where she would meet, and fall madly in love with, the icon of logical positivism, Ayer, who she would later persuade to marry her. There they lived in an extraordinary, liberated and intellectual world, with friends and acquaintances including Bobby Kennedy, Mary Quant, Iris Murdoch, Jonathan Miller, George Melly and Bertrand Russell. In the turbulent and vibrant milieu of sixties London, Gully develops from a cautious only child to a studious teenager. She has a childhood infatuation with the aristocratic homosexual Michael Pitt-Rivers, loses her virginity to a Provençal hairdresser and wins a scholarship to St Hilda's at Oxford, where she blossoms, studies French history under Theodore Zeldin, and falls in love with fellow student, Martin Amis. But as the affair ends, Gully moves on, explores love and travel, eventually settling down in New York. La Migoua, perched on a hill above Bandol, halfway between Toulon and Marseilles, is inextricably woven into Gully's existence. Unsentimental and gloriously witty, The House in France is a vivid and moving love letter to a beloved mother, and a celebration of family, of growing up and of the spirit of a cherished house.

What can one man accomplish, even a great man and brilliant scientist? Although every town in France has a street named for Louis Pasteur, was he alone able to stop people from spitting, persuade them to dig drains, influence them to undergo vaccination? Pasteur’s success depended upon a whole network of forces, including the public hygiene movement, the medical profession (both military physicians and private practitioners), and colonial interests. It is the operation of these forces, in combination with the talent of Pasteur, that Bruno Latour sets before us as a prime example of science in action. Latour argues that the triumph of the biologist and his methodology must be understood within the particular historical convergence of competing social forces and conflicting interests. Yet Pasteur was not the only scientist working on the relationships of microbes and disease. How was he able to galvanize the other forces to support his own research? Latour shows Pasteur’s efforts to win over the French public—the farmers, industrialists, politicians, and much of the scientific establishment. Instead of reducing science to a given social environment, Latour tries to show the simultaneous building of a society and its scientific facts. The first section of the book, which retells the story of Pasteur, is a vivid description of an approach to science whose theoretical implications go far beyond a particular case study. In the second part of the book, “Irreductions,” Latour sets out his notion of the dynamics of conflict and interaction, of the “relation of forces.” Latour’s method of analysis cuts across and through the boundaries of the established disciplines of sociology, history, and the philosophy of science, to reveal how it is possible not to make the distinction between reason and force. Instead of leading to sociological reductionism, this method leads to an unexpected irreductionism.