Rudolf Steiner's four mystery dramas are powerful portrayals of the complex laws of reincarnation and karma. They transport us into a landscape of the human soul and spirit, where suprasensory beings are active. Through the perception of these hidden worlds, we are given the opportunity to understand the struggles we face in attempting to apply spiritual knowledge to our everyday lives and relationships. Written between 1910 and 1913 during periods of intense inner and outer work, these dramas are powerful testimonies to Steiner's artistic creativity. By manifesting soul and spirit forms on a stage, they foreshadow a dramatic art for the future. The complete cycle of four plays is reproduced here in the classic translation by Ruth and Hans Pusch. The Four Plays: The Portal of Initiation: A Rosicrucian Mystery, through Rudolf Steiner The Soul's Probation: A Life Tableau in Dramatic Scenes As Sequel to the Portal of Initiation, through Rudolf Steiner The Guardian of the Threshold: Soul Events in Dramatic Scenes, by Rudolf Steiner The Souls' Awakening: Soul and Spirit Events in Dramatic Scenes, by Rudolf Steiner This volume is a translation of Vier Mysteriendramen (vol. 14 of Rudolf Steiner's Complete Works).

Rudolf Steiner wrote four mystery dramas intended to portray the spiritual path of self-knowledge as described by spiritual science, or Anthroposophy. Those plays are not merely symbolic but realistic depictions in a spiritual sense. In this book, Steiner describes how "The Portal of Initiation" (the first of his dramas) portrays the intense and tempestuous inner events of initiation as experienced by a young painter. He explains the spiritual background of this character's "karmic" tests and higher guidance. He also discusses the Rosicrucian nature of this play, as well as the "symbolism and fantasy" of the second drama, "The Soul's Probation." Steiner also emphasizes the power of certain fairy tales and poetry for bridging the gap between the spiritual and material worlds. As one of the mystery dramas shows, this is especially valuable for those who tend to be intellectuals. Rudolf Steiner portrayed much of the wisdom of his spiritual science in the mystery dramas and intended them to graphically depict what he taught all his life. As he said, "If people will exert themselves...to work with the drama, I will not have to give any more lectures for a long time." THE LECTURES: Self-knowledge as Portrayed in the Rosicrucian Mystery, The Portal of Initiation (Basel, Sept. 17, 1910) On the Rosicrucian Mystery, The Portal of Initiation (Berlin, Oct. 31, 1911) Symbolism and Phantasy in Relation to the Mystery Drama The Soul's Probation (Berlin, Dec. 19, 1911)

DigiCat Publishing presents to you this special edition of "Four Mystery Plays" by Rudolf Steiner. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

The Doorway of Initiation – The Trial of the Soul – The Guardian of the Threshold – The Souls Awaken Rudolf Steiner's four modern mystery dramas are powerful portrayals of the complex laws of reincarnation and karma, transporting us to landscapes of soul and spirit where supra-sensory beings are visible, active and influential. Through perception of these hidden worlds, we are given tools to comprehend the background to the struggles we face in everyday life – both in human relationships and in our attempts to practise spiritual development. Written between the years 1910 and 1913, during periods of intense inner and outer work, the dramas are powerful testimonies to Steiner's artistic creativity. By manifesting soul and spirit forms on stage, they foreshadow a dramatic art of the future. Rudolf Steiner planned for all four mystery dramas to be performed in August 1923, but this was no longer possible because of the burning of the first Goetheanum on New Year's Eve, 1922. They were eventually performed together for the first time in 1930 and since then have been staged regularly, in many languages, throughout the world. This fresh rendering into English by Richard Ramsbotham also features an extensive introduction by him. >GA 14

The four Mystery Dramas were created, produced and printed one each year, one after the other, from 1910-1913. They took place in different theatres in Munich but always in the month of August. The writing of the dramas, the creating of the scenery, the making of the costumes, the learning of roles, the general directing, the organization of the printing and all the other inummerable things connected with such a major production happened within a matter of weeks before the main performance. There was a literal whirlwind of activity, and it is reported that often the scenes were written during the night before a scheduled rehearsal, and that at five or six in the morning a boy would come from the press to pick up the manuscript for the printing of the scene for that day's rehearsal. All this activity centered around Rudolf Steiner who gave directions or advice on every aspect of the production down to the smallest details. He not only wrote the dramas themselves, but also indicated how such soul and spiritual pictures could be presented and played on stage. A fifth drama was also planned, which was to include scenes from Ancient Greece and its mystery centers, but the outbreak of the First World War in August 1914 meant that it had to be postponed. Rudolf Steiner's early death in 1925 resulted in it never coming to production, nor ever being written down.

The new novel in the acclaimed Highland Bookshop mystery series finds a true-crime author murdered in the charming seacoast town of Inversgail—can the women of Yon Bonnie Books discover the killer’s identity before he or she strikes again? True crime writer Heather Kilbride arrives in the seacoast town of Inversgail, Scotland, to research a recent murder for her new book. But if that’s true, why does she seem more interested in William Clark, a shadowy lawyer with no connection to the murder? Her nosy questions arouse the suspicions of Constable Hobbs, the members of a local writers’ group, and Janet Marsh and her crew of amateur sleuths at Yon Bonnie Books. Heather’s unconventional research methods prove deadly when Janet discovers her lifeless body. Except the “body” turns out to be a dummy dressed-up to look like Heather. Meanwhile, Heather is sitting at a safe distance observing Janet’s reactions. Then Heather is found dead—again—sprawled at the base of an ancient standing stone; and this time it’s for real. Clutched in her hand is a valuable miniature book last seen at Yon Bonnie Books, and now the police want to know how Heather, the miniature book, and Janet are all connected. But Janet and her group of sleuths have two questions of their own: Who else is interested in knowing that connection—and is that person a cold-blooded killer?