"To think we are really across the Atlantic and have but to look around to find ourselves hurrying to be off the Steamer onto the tug to be brought into Liverpool!" Clarissa Sands Arnold, October 27, 1900. So begins the Diary of a year in the life of one American young woman. The beginning of a journey of wonder as Four Girls and their two female chaperones tour England and the Continent, following the well traveled path of The European Grand Tour. They become part of the throngs of middle class and wealthy Americans trying to acquire some Old World polish while experiencing the ancient history and varied cultures not available back home. Clarissa's account chronicles the experiences and logistics of such a prolonged trip by six women traveling alone, without any male protection. It also serves as a fascinating glimpse into the political and social world of Europe at the beginning of the twentieth century.

A pair of silver Regency candlesticks. Pieces of well-worn family jewelry. More than a thousand documents, letters, and photographs Lotte Meyerhoff's best friends risked their lives in Nazi Germany to safeguard these and other treasured heirlooms and mementos from her family and return them to her after the war. The Holocaust had left Lotte the lone survivor of her family, and these precious objects gave her back a crucial piece of her past. Four Girls from Berlin vividly recreates that past and tells the story of Lotte and her courageous non-Jewish friends Ilonka, Erica, and Ursula as they lived under the shadow of Hitler in Berlin. Written by Lotte's daughter, Marianne, this powerful memoir celebrates the unseverable bonds of friendship and a rich family legacy the Holocaust could not destroy. "What a delightful book, and important, too. It gives us the courage and inspiration to utterly reject the fatalistic idea that fratricide, polemic, and enmity between Christians and Jews is inevitable and unchangeable. Finally, it reminds us never to forget or fail to appreciate those forces of light that bear witness to, and instill hope for, mankind and our world." —Rabbi Yechiel Eckstein, President, International Fellowship of Christians and Jews "Four Girls From Berlin is an evocative story of friendship, challenged in the most sinister environment. For Christians, it echoes the words of Jesus, 'greater love hath no man than to lay down his life for his friends.' The friendship of these four women, three Christians and a Jew, speaks of a greater humanity that in the face of the Nazi horror could not be broken. I strongly recommend men and women of all faiths to learn from it." —The Venerable Lyle Dennen, Archdeacon, London, England

"The Ranch Girls in Europe" by Margaret Vandercook. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

France (1837) was the third volume published in Cooper's Gleanings in Europe series, but first in the chronology of his European experience. Less sequential than his other travel narratives, France distills his impressions of French and European culture during his first two years abroad. Exhibiting many qualities of the familiar essay, it considers a wide range of topics of interest to Cooper, his friends, and potential readers in the United States. As a celebrity thoroughly at home in the brilliant society of Bourbon Paris, Cooper was able to provide fascinating glimpses of personalities, spectacles, institutions, and manners—from his distinctly American perspective. Indeed, as Professor Philbrick remarks, "No other of Cooper's works, perhaps, brings us closer to his speaking voice or puts us more directly in contact with the man himself, with all his idiosyncratic preoccupations, his quick resentments, his restless curiosity, his surprising humor, and his nobility of principle." The reader of this edition is brought even closer to Cooper in the draft of a hitherto unpublished letter, probably intended for this book, which illustrates Cooper's grasp of the still finer points of French customs and attitudes.

Reprint of the original, first published in 1876.

Performative theatre is one of the most important trends of our time. It is emblematic of the work of many European theatrical artists in the early twenty-first century. Annamaria Cascetta does not propose a model or a historical overview, but rather strives to identify the salient features of a significant trend in the theatrical research and transformation of our time by analysing some crucial examples from outstanding works, of great international resonance. She draws on work by artists from different generations, all active between the late twentieth century and the first decades of the twenty-first, and in various European countries, performed in a number of European theatres in recent years. The aim is to apply a method of analysis in depth, bringing out the technical elements of contemporary "performative theatre" in the field, and above all to highlight the close links between it and the urgent and troubled issues and problems of history and society in the phase of cultural and anthropological transition we are experiencing.