Madigan's grandmother rents a room to a handsome stranger. But the stranger has sinister reasons for coming to Maryland, as Madigan soon discovers. Mary Downing-Hahn is the author of The Doll in the Garden.

When Clint, a handsome, mysterious stranger, rents a room in Madigan's grandmother's house, Madigan becomes convinced that he is the father she's never met.

Night time is the right time... Gwendolyn Kidd has met the man of her dreams. He's hot, he's sexy, and what started as a no-names-exchanged night of passion has blossomed into a year and a half-long pleasure fest. Sure, it's a little strange that he only appears in her bed at night, but Gwen is so sure he's the one, she just can't turn him away... Hawk Delgado knows more about Gwen than she could ever imagine. She's gorgeous, headstrong, and skittish about relationships. But Hawk is facing his own demons, demons that keep him from connecting with anyone. Yet when Gwen is drawn into Denver's lethal underground scene, Hawk's protective nature comes out full force. The problem is, when Gwen gets a dose of Hawk's Alpha attitude in the daylight, she's not so sure he's the one anymore.... 130,000 words.

Introducing Marvel's all-new, never-before-seen heroes of the 1930s! With a new evil washing over an unsuspecting New York City, the Operative, the Aviatrix, the Surgeon, the Revenant and Achilles blast through dangers from blood-soaked mob warehouses to monster-infested mansions, and fight to blow the lid off a conspiracy that could bring the nation itself to its knees! Award-winning historical thriller novelist David Liss (Black Panther: The Man Without Fear) and acclaimed artist Patrick Zircher (Spider-Man Noir) weave an edge-of-your-seat and in-continuity adventure intertwined with America's most scandalous crimes! Before the Invaders...before the Twelve...who were the Mystery Men? COLLECTING: MYSTERY MEN 1-5

The Oneiric in the Films of David Lynch is the first systematic book-length study to explore the nature and function of dreams in David Lynch's different phases and audio-visual formats. There is hardly a contemporary film director whose name is as closely linked to the dream(-like) as that of David Lynch. Both popular and academic discourse frequently identify Lynch's films by their dreamlike qualities. However, in the existing literature on Lynch, these qualities tend to remain underspecified in terms of their experiential dimension. Departing from an interest in the phenomenon of dream experience, this is the first systematic book-length study exploring the nature and function of the oneiric in the director's different phases and audio-visual formats. It shows that, over the course of 50 years, Lynch has developed a cinematic aesthetics of the oneiric ? an ensemble of four dream-related dimensions that unfolds its full potential in the dynamic interplay between sensory address and reflective medialization. On the one hand, the Lynchian oneiric presents a markedly sensory-perceptual mode of experience – both characters and viewers are challenged in their perceptual patterns, while at the same time being immersed in the material dream scenario. On the other hand, the Lynchian oneiric provides a mode of both psychological and medial reflection. Not only the characters, but the films themselves are inclined to 'turn back' on themselves in a dream, exploring the preconditions, possibilities, and limitations of their own existence and ability to know the world. The oneiric in Lynch's films is thus of phenomenological, media-theoretical, and philosophical interest.

From his cult classic television series Twin Peaks to his most recent film Inland Empire (2006), David Lynch is best known for his unorthodox narrative style. An award-winning director, producer, and writer, Lynch distorts and disrupts traditional storylines and offers viewers a surreal, often nightmarish perspective. His unique approach to filmmaking has made his work familiar to critics and audiences worldwide, and he earned Academy Award nominations for Best Director for The Elephant Man (1980), Blue Velvet (1986), and Mulholland Drive (2001). Lynch creates a new reality for both characters and audience by focusing on the individual and embracing existentialism. In The Philosophy of David Lynch, editors William J. Devlin and Shai Biderman have compiled an impressive list of contributors to explore the philosophy at the core of the filmmaker’s work. Lynch is examined as a postmodern artist, and the themes of darkness, logic, and time are discussed in depth. Other prominent issues in Lynch’s films, such as Bad faith and freedom, ethics, politics, and religion, are also considered. Investigating myriad aspects of Lynch’s influential and innovative work, The Philosophy of David Lynch provides a fascinating look at the philosophical underpinnings of the famous cult director.

Into the Shadows: The Enemy Inside All of Us By: Valerie E. Henry Into the Shadows: The Enemy Inside All of Us is a gripping novel by Valerie E. Henry. This story is one of greed and power. It explores the bad side of everyone, even those you would least suspect. The small town featured in the story is full of murder, deep secrets, and unexpected alliances. Join the police officers and detectives as they try to solve the small town's murders before it is too late. Follow the clues, meet the unforgettable characters, and put together the pieces of the puzzle to figure out the murders in this well-written thriller.