Flowers through Concrete: Explorations in Soviet Hippieland takes the reader on a journey into the lives and thoughts of Soviet hippies. In the face of disapproval and repression, they created a version of Western counterculture, skillfully adapting to, manipulating, and shaping their late socialist environment. Flowers through Concrete takes its readers into the underground hippieland and beyond, situating the world of hippies firmly in late Soviet reality and offering both an unusual history of the last Soviet decades as well as a case study of transnational youth culture and East-West globalization. Flowers through Concrete is based on over a hundred interviews, declassified documents, and private archives hidden for many decades. It tells the almost forgotten story of how hippie communities sprang up across the Soviet Union in the late-60s, often under the tutelage of the rebellious offspring of privileged households at the heart of the Soviet establishment. It charts how these communities linked up to create an impressive network with elaborate customs and rituals, ensuring its survival for more than two decades. Flowers through Concrete recounts not only a compelling story of survival against the odds - hippies who were harassed by police, shorn of their hair by civilian guards, and confined in psychiatric hospitals by doctors who believed non-conformism was a symptom of schizophrenia - but also advances a surprising argument. It suggests that the land of Soviet hippies and the world of late socialism were not entirely incompatible, but in fact meshed surprisingly well. Ultimately, it was not the KGB but the arrival of capitalism in the 1990s that ended the Soviet hippie sistema.

In the face of disapproval and repression Soviet hippies created a version of Western counterculture, skilfully adapting to, manipulating, and shaping their late socialist environment. This book explores their lives and thoughts.

Creating colour and interest in a small urban garden by growing a range of flowers and other decorative plants brings with it many rewards. Carolyn Dunster shows you what to grow and how to use your own blooms, leaves and berries in a range of indoor displays and hand-tied bouquets. Locally-grown flowers in season is a significant and welcome trend in floristry, and just as eating a tasteless strawberry in December pricks our consciences, so too does purchasing a bouquet of tulips in September, however stunning they may be to look at. The most local, seasonal flowers, which are the most satisfying to give and to display, are the ones you have grown yourself. Carolyn Dunster shows you how to do this in the smallest of spaces.

Add That Certain Je Ne Sais Quoi to Your Home, Effortlessly Rustic and elegant French décor never goes out of style—and with easy yet sophisticated accessories for your home, these 70 projects will transform your space and add that special touch to any room. Jamie Lundstrom’s projects use easy-to-find and recycled objects, as well as new materials, to bring her French vintage style into your life. Projects span every season and category, from sewing to painting and upholstery, including provincial antique baskets, a fantastique Trumeau mirror, a jolie gold leaf frame, boutique plaster of Paris–dipped flowers and a chic antique chair. Featuring simple step-by-step instructions with beautiful photos to help guide you, these projects can be created in just a few hours or less.

"There’s a conviction among many sustainable agriculture advocates that the best way to move agriculture forward is to look back. The hope is to return to an exalted era in agriculture, to the kind of rural scene fit for a Rockwell painting or a Shaker Village—to food grown the old fashioned way. Breaking Through Concrete is not that, which is exactly the point. This ode to urban farming is not nostalgic (those are skyscrapers in the background, not silos), but instructive. It's a beautiful, gritty and very real portrait of the possibilities for the future of food." — Dan Barber, Executive Chef & Co-owner of Blue Hill "A road map to the future of America. A blueprint of possibilities. A book full of remarkable stories of neighborhood visionaries, stories of people who grow community in their gardens. Where others see trouble, they see food and hope." —NPR's Kitchen Sisters "Finally, a book on the full continuum of urban agriculture in America, replete with inspiring images of the people and places behind today's city-grown food. Hanson and Marty tell these stories with such admiration for their subjects you'll want to bestow hero status to city farmers." —Darrin Nordahl, author of Public Produce: The New Urban Agriculture “Breaking Through Concrete will satisfy readers hungry for a broad perspective on urban agriculture. The beautiful stories and photographs of successful programs throughout North America, combined with practical ‘how to’ guides, provides a valued resource for practitioners, advocates, scholars, and gardeners.” —Laura Lawson, author of City Bountiful: A Century of Community Gardening in America

Flowers Cracking Concrete is the first in-depth study of the forty-year career of Eiko & Koma—two artists from Japan who have lived and worked in New York City since the mid-1970s, establishing themselves as innovative and influential modern and postmodern dancers. They continue to choreograph, perform, and give workshops across the United States and around the world. Rosemary Candelario argues that what is remarkable about Eiko & Koma’s dances is not what they signify but rather what they do in the world. Each chapter of the book is a close reading of a specific dance that reveals a choreographic theme or concern. Drawing on interviews, live performance, videos, and reviews, Candelario demonstrates how ideas have kinesthetically and choreographically cycled through Eiko & Koma’s body of work, creating dances deeply engaged with the wider world through an active process of mourning, transforming, and connecting.

“An elegant book” (Wall Street Journal) that opens us up to our own experiences, and encourages us to accept and honor the “divine intersections” where the living meet the dying. “Grieving is as natural as breathing, for if we have lived and loved, surely we will grieve. . . .” Nancy Cobb meets death in the most vital of places—in the lives of everyday people—and in doing so has found a way to infuse this darkest subject with light. Her candor and refreshing perspective make the deaths of those she has loved—and death itself—a subject to explore rather than to avoid. Cobb’s personal experiences become a point of departure for what amounts to a poignant conversation about loss.