In much the same way that views of the earth from the Apollo missions in the late 1960s and early 1970s led indirectly to the inauguration of Earth Day and the modern environmental movement, the dawn of aviation ushered in a radically new way for architects, landscape designers, urban planners, geographers, and archaeologists to look at cities and landscapes. As icons of modernity, airports facilitated the development of a global economy during the twentieth and early twenty-first centuries, reshaping the way people thought about the world around them. Professionals of the built environment awoke to the possibilities offered by the airports themselves as sites of design and by the electrifying new aerial perspective on landscape. In Flights of Imagination, Sonja Dümpelmann follows the evolution of airports from their conceptualization as landscapes and cities to modern-day plans to turn decommissioned airports into public urban parks. The author discusses landscape design and planning activities that were motivated, legitimized, and facilitated by the aerial view. She also shows how viewing the earth from above redirected attention to bodily experience on the ground and illustrates how design professionals understood the aerial view as simultaneously abstract and experiential, detailed and contextual, harmful and essential. Along the way, Dümpelmann traces this multiple dialectic from the 1920s to the land-camouflage activities during World War II, and from the environmental and landscape planning initiatives of the 1960s through today.

"An exploratory journey through the airport"--

A bold, incisive look at race and reparative writing in American fiction, by the author of Your Face in Mine White Flights is a meditation on whiteness in American fiction and culture from the end of the civil rights movement to the present. At the heart of the book, Jess Row ties “white flight”—the movement of white Americans into segregated communities, whether in suburbs or newly gentrified downtowns—to white writers setting their stories in isolated or emotionally insulated landscapes, from the mountains of Idaho in Marilynne Robinson’s Housekeeping to the claustrophobic households in Jonathan Franzen’s The Corrections. Row uses brilliant close readings of work from well-known writers such as Don DeLillo, Annie Dillard, Richard Ford, and David Foster Wallace to examine the ways these and other writers have sought imaginative space for themselves at the expense of engaging with race. White Flights aims to move fiction to a more inclusive place, and Row looks beyond criticism to consider writing as a reparative act. What would it mean, he asks, if writers used fiction “to approach each other again”? Row turns to the work of James Baldwin, Dorothy Allison, and James Alan McPherson to discuss interracial love in fiction, while also examining his own family heritage as a way to interrogate his position. A moving and provocative book that includes music, film, and literature in its arguments, White Flights is an essential work of cultural and literary criticism.

The flight of my imagination is the poetic expression of a very young writer of 8 years. This book is an excellent mix of poems that covers a variety of flavours. It is blended with free verse and Haikus. The author has written a few poems from his personal life experience, while some are fictional poems with innocent imaginary stories. Further, the author has shared his big dreams, hopes and wishes. On the other hand, he showed his care, duty and responsibility for the environment, people and relations around him. Overall, this book is a joy to read, and readers will travel through time, experiencing their childhood all over again

Join Ursula K. Le Guin as she explores a broad array of subjects, ranging from Tolstoy, Twain, and Tolkien to women's shoes, beauty, and family life. With her customary wit, intelligence, and literary craftsmanship, she offers a diverse and highly engaging set of readings. The Wave in the Mind includes some of Le Guin's finest literary criticism, rare autobiographical writings, performance art pieces, and, most centrally, her reflections on the arts of writing and reading.

Grade level: 1, 2, 3, 4, 5, 6, 7, k, p, e, i, t.

Mia and Ben are the very best of friends. They live side by side at the edge of a great, wide lake and together they sail, and swing, and sing. But the thing they love the most is making paper planes. They dream of one day being able to make a plane that will fly all the way across the lake, and their planes become more and more intricate... But one day: terrible news. Ben's family are moving far, far away. How can Mia and Ben stay best friends if they are so far apart? And how will they ever realise their dream of making a plane that can fly across their lake? Find out in this moving, lyrical story of friendship and flight.