This book offers a comprehensive and accessible characterisation of the first-person shooter videogame genre. After providing an overview of the history of the first-person shooter videogame genre, Alberto Oya comments on the various defining peculiarities of this genre, namely the first-person perspective, the shooting gaming mechanics, the heroic in-game narrative or background story, and multiplayer gaming. Oya also argues that educators can use first-person shooter videogames to encourage their students to reflect on historical and philosophical issues.

Science and its philosophical companion, Naturalism, represent reality in wholly nonpersonal terms. How, if at all, can a nonpersonal scheme accommodate the first-person perspective that we all enjoy? In this volume, Lynne Rudder Baker explores that question by considering both reductive and eliminative approaches to the first-person perspective. After finding both approaches wanting, she mounts an original constructive argument to show that a non-Cartesian first-person perspective belongs in the basic inventory of what exists. That is, the world that contains us persons is irreducibly personal. After arguing for the irreducibilty and ineliminability of the first-person perspective, Baker develops a theory of this perspective. The first-person perspective has two stages, rudimentary and robust. Human infants and nonhuman animals with consciousness and intentionality have rudimentary first-person perspectives. In learning a language, a person acquires a robust first-person perspective: the capacity to conceive of oneself as oneself, in the first person. By developing an account of personal identity, Baker argues that her theory is coherent, and she shows various ways in which first-person perspectives contribute to reality.

Originally published in 1966. This book considers the perceived asymmetries between the self and others, or between self and things. An in-depth analysis of scepticism, dualism, belief, knowledge and semantics. A topic which is central to both epistemology but also the whole of contemporary philosophy.

The relationship between story and game, and related questions of electronic writing and play, examined through a series of discussions among new media creators and theorists.

A first-of-its-kind guide for new media times, this book provides practical, step-by-step instructions for writing first-person features, essays, and digital content. Combining journalism techniques with self-exploration and personal storytelling, First-Person Journalism is designed to help writers to develop their personal voice and establish a narrative stance. The book introduces nine elements of first-person journalism—passion, self-reporting, stance, observation, attribution, counterpoints, time travel, the mix, and impact. Two introductory chapters define first-person journalism and its value in building trust with a public now skeptical of traditional news media. The nine practice chapters that follow each focus on one first-person element, presenting a sequence of "voice lessons" with a culminating writing assignment, such as a personal trend story or an open letter. Examples are drawn from diverse nonfiction writers and journalists, including Ta-Nehisi Coates, Joan Didion, Helen Garner, Alex Tizon, and James Baldwin. Together, the book provides a fresh look at the craft of nonfiction, offering much-needed advice on writing with style, authority, and a unique point of view. Written with a knowledge of the rapidly changing digital media environment, First-Person Journalism is a key text for journalism and media students interested in personal nonfiction, as well as for early-career nonfiction writers looking to develop this narrative form.

The Steps from Text to Narrative SermonPresenting biblically centered sermons in a new,creative genrePastors and teachers are always on the lookout for newways to expand the effectiveness of their preaching.Sermons delivered in the first-person point of view canweave the power of story and drama into the biblicalteaching, making familiar—and not-so-familiar—characters and situations come to life. This book helpsstudents and pastors understand how first-personsermons can be preached with biblical integrity. Itextends Haddon Robinson’s “big idea” philosophy ofpreaching to this new genre.J. Kent Edwards takes a practical approach as he walksreaders through the steps needed for creating sermonsthat are faithful to the text and engaging to the listener.Examples and worksheets enable readers to apply thisunique approach to one of their own sermons. The bookincludes a CD-ROM with a video sample of first-personnarrative preaching.

The interest in a better understanding of what is constitutive for being a person is a concern philosophy shares with some of the sciences. The views currently discussed in evolutionary biology and in the neurosciences are very much influenced by traditional philosophical views about the self and self-knowledge, while contemporary philosophical accounts are not considered at all. Such an account will be given by an analysis of three focal elements of the use of the first-person pronoun. These elements have something to do with the faculty of taking a first-person point of view. The conceptual structure of this point of view is explained by comparing it with a second- and third-person point of view. There is an extensive discussion of various views about self-knowledge (Davidson, Bilgrami, Burge), and a new conception of authoritative self-knowledge is established. The first-person point of view is a reflexive attitude which includes various attitudes to one's past and future. These attitudes are necessarily or contingently de se. By bringing into focus the concern for one's future intentions will be discussed as an activity-based attitude, while there are other attitudes, like hope or fear, which are shaped by the acceptance of one's future situations which are not, or not completely under one's control. This view gives rise to a criticism of Frankfurt's notion of Caring.