From the author of the Roswell High series, an “engaging mystery” about a teen who discovers she has a paranormal gift, and a killer on her trail (School Library Journal). Rae can’t tell anyone about the voices she hears in her head. If she does, they’ll lock her up in the hospital again, only this time, they’ll throw away the key. She wouldn’t blame them either. Rae does feel like she’s losing her mind. This is how her insane mother must have felt right before she died. All this makes life at Rae’s private high school lonelier than ever. Anthony might be the only friend she has right now, if she can even call the empathetic stranger in her group therapy session a friend. But when someone sets off a bomb in a bathroom with Rae as the intended target, Anthony is the only person Rae can turn to. Only problem? Anthony is the number one suspect . . . “[A] fast pace and original premise.” —Publishers Weekly

Shows ways to turn fingerprints into animals, birds, or people.

For many designers, creating things by hand is a reaction to too much computer-based design. Since the first Fingerprint was published, ideas that were once on the fringe have begun to thrive in the mainstream. From typography and illustration to book-making and film titles, elements of handcraft have soaked into everyday life. Fingerprint No. 2 reflects the evolution of those ideas. In this second volume, you’ll still find plenty of projects created entirely without the aid of computer technology. But you’ll also discover how designers are beginning to incorporate the two aesthetics—handmade and digital—in order to best communicate their message. A third, hybrid aesthetic is emerging, one that marries the technologies of the past and future into a vibrant, exciting present. Look inside to discover 133 projects and exclusive visual essays from leading designers, including Robynne Raye, Stefan Bucher and Christian Helms. These pieces of work prove that handmade elements are not only vital to excellent design, but often result in exceptional design. Listen for the pulse, which cannot be faked, forged, or falsified. Look for the finger print. It is the key to design’s success.

The idea of The Fingerprint Sourcebook originated during a meeting in April 2002. Individuals representing the fingerprint, academic, and scientific communities met in Chicago, Illinois, for a day and a half to discuss the state of fingerprint identification with a view toward the challenges raised by Daubert issues. The meeting was a joint project between the International Association for Identification (IAI) and West Virginia University (WVU). One recommendation that came out of that meeting was a suggestion to create a sourcebook for friction ridge examiners, that is, a single source of researched information regarding the subject. This sourcebook would provide educational, training, and research information for the international scientific community.

This finger-printing book includes simple, step-by-step instructions for lots of pictures and scenes to create using only fingerprints, and a multi-coloured ink pad is attached to the side of the book, so no extra materials are required. Encourages creativity and manual dexterity.

Instructions for creating a variety of shapes and figures using thumbprints and a few simple lines.

Make biology an interesting subject for little learners through this fun picture book. In this book, we will discuss the features that make you . One of these would be your fingerprint. Did you know that you are the only one with a fingerprint like yours? None of the seven billion people in the world is a duplicate of you! Learn more interesting facts about your body today!