From the award-winning author of All the Broken Pieces and Serafina's Promise comes a breathtaking new novel that is her most transcendent and widely accessible work to date. The day Grace is called from the slave cabins to work in the Big House, Mama makes her promise to keep her eyes down. Uncle Jim warns her to keep her thoughts tucked private in her mind or they could bring a whole lot of trouble and pain. But the more Grace sees of the heartless Master and hateful Missus, the more a rightiness voice clamors in her head-asking how come white folks can own other people, sell them on the auction block, and separate families forever. When that voice escapes without warning, it sets off a terrible chain of events that prove Uncle Jim's words true. Suddenly, Grace and her family must flee deep into the woods, where they brave deadly animals, slave patrollers, and the uncertainty of ever finding freedom. With candor and compassion, Ann E. Burg sheds light on a startling chapter of American history--the remarkable story of runaways who sought sanctuary in the Great Dismal Swamp--and creates a powerful testament to the right of every human to be free.

This book covers all Bernardine Evaristo’s major works: Lara (1997) and Lara (2009), The Emperor’s Babe, Soul Tourists, Blonde Roots and Hello Mum. Each chapter focuses on a particular novel, combining a close analysis of the author’s technique with a penetrating understanding of the basic themes which underlie all of Evaristo’s work. This monograph exposes that Evaristo is not simply interested in “multicultural” issues; to label them as such is to overlook her achievement as a novelist. It shows instead how Evaristo combines apparently disparate elements—for example, historical research with late-twentieth century allusions in a narrative such as The Emperor’s Babe—to show how African-Caribbeans have been coming to Britain for thousands of years. Yet Evaristo is not just interested in the African-Caribbean experience; this book shows how she tries to question those basic concepts—for example “Englishness” or “patriotism”—which lie at the heart of mainstream white culture in contemporary Britain. It argues that Evaristo is interested in alternative constructions—not only of nationalism, but of other basic issues such as race, gender and class. Her books give the chance for hitherto marginalized characters—slaves, women, or victims of a patriarchal world—to tell their stories and postulate alternative views of the world they live in. Above all, this monograph shows how Evaristo refuses to be pigeon-holed; she is not simply “a black British writer,” but someone who focuses on the interconnectedness of society. This book calls for readers to adopt a more enlightened approach, not only to issues of culture and identity, but to the work of Evaristo as a whole.

Stone Barrington is pulled along for the ride when a friend pursues a perilous course of vengeance in the newest novel from #1 New York Times–bestselling author Stuart Woods. In the wake of a personal tragedy, former CIA operative Teddy Fay—now a successful Hollywood film producer known as Billy Barnett—takes a leave of absence to travel and grieve, and lands in Santa Fe in the company of his friends Stone Barrington and Ed Eagle. There, fate hands him an unexpected opportunity to exact quiet revenge for his recent loss, from a man who helped to cover up the crime. But when his enemy wises up to Teddy’s machinations, a discreet game of sabotage escalates to a potentially lethal battle. From the arid splendor of the New Mexico desert to the glamour of Hollywood’s rolling hills, it will take all of Stone Barrington’s diplomacy and skill to maneuver for Teddy’s advantage while keeping innocents out of the crossfire.

With the first online discussions of SPACE 1999 starting in January 1993, this book celebrates the 25th anniversary of Online Alpha. It is edited and told from the perspective of trying to present different types of discussions over the years by focusing on humour, insight, surprise and shared community. There is also a focus on how the discussions have changed and how they continue to change. The book is written on an idealistic basis. It is sold at the lowest price the publisher was willing to accept. A free e-book version can be downloaded at www.lulu.com.

The Cambridge History of the Australian Novel is an authoritative volume on the Australian novel by more than forty experts in the field of Australian literary studies, drawn from within Australia and abroad. Essays cover a wide range of types of novel writing and publishing from the earliest colonial period through to the present day. The international dimensions of publishing Australian fiction are also considered as are the changing contours of criticism of the novel in Australia. Chapters examine colonial fiction, women's writing, Indigenous novels, popular genre fiction, historical fiction, political novels, and challenging novels on identity and belonging from recent decades, not least the major rise of Indigenous novel writing. Essays focus on specific periods of major change in Australian history or range broadly across themes and issues that have influenced fiction across many years and in many parts of the country.

A guide to Aldiss's fictional output from the 50's to the 80's.

Science fiction can be seen as a diagnosis of the present, and a vision of possible futures. It therefore provides an excellent resource with which to interrogate both contemporary organizing processes and organizations as institutions. The marginal activity of science fiction has, however, been largely ignored in writing on organization theory. This international collection is the first book of its kind to explore how science fiction can enrich studies of organization by drawing on perspectives across the arts and social sciences.