40 unusual world festivals and their accompanying costumes are brought to life in stunning illustrations and engaging texts.

The first-ever book exclusively devoted to the history of the Newport Folk Festival, I Got a Song documents the trajectory of an American musical institution that began more than a half-century ago and continues to influence our understanding of folk music today. Rick Massimo’s research is complemented by extensive interviews with the people who were there and who made it all happen: the festival's producers, some of its biggest stars, and people who huddled in the fields to witness moments—like Bob Dylan’s famous electric performance in 1965—that live on in musical history. As folk has evolved over the decades, absorbing influences from rock, traditional music and the singer-songwriters of the ‘60s and ‘70s, the Newport Folk Festival has once again become a gathering point for young performers and fans. I Got a Song tells the stories, small and large, of several generations of American folk music enthusiasts.

A beautifully illustrated compendium of weird and wonderful festival costumes around the world. All around the world there are festivals that reach back through the sands of time to the very roots of civilisation; to agrarian rites and pagan traditions. The festivals in this book are often little known outside their locale and they are all characterised by the most radical and bizarre costumes imaginable. The Kukeri in Bulgaria wear enormous headpieces made of goatskin. Burryman festival in Edinburgh features a man covered from head to toe with burrs and thorns. Paraders in Switzerland’s Silvesterklausen wear vast wood- en doll-masks and hats carved with peasant scenes. Each costume is brought to life in Rob Flower’s joyous, surrealist, urban illustra- tions. Brief, engaging texts describe the festival, its history and the traditions that surround it. From Columbia to Nigeria by way of New Orleans and Romania, this is a delightful book that brings the cultures of the world to life in a fresh new take that will appeal to children an adults alike.

A treasury of ethnic dress, this book ranges from the Amish of Pennsylvania to the Zulu of South Africa. Alphabetical entries cover more than 150 countries and regions, each represented by six or more illustrations. Six hundred drawings include images of men, women, and children. Captions describe the costumes and their associated traditions.

This book presents a history of folk music festivals in the United States, beginning in the 19th century and ending in the early 21st century. The focus is on the proliferation and diversity of festivals in the 20th century.

A history of the Mariposa Folk Festival, from its humble roots in Orillia in 1961 to international acclaim and legendary status as a premier folk music gathering. Mariposa began in the heyday of the early 60s “folk boom.” In its more than fifty-five years, it has seen many of the world’s greatest performers grace its stages: Pete Seeger, Joni Mitchell, Leonard Cohen, Gordon Lightfoot, Buffy Sainte-Marie, Jann Arden, and Serena Ryder. The festival has long held a musical mirror to popular culture in Canada. It thrived during the folk boom years and the singer-songwriter era of the early 70s. Its popularity dipped during the rise of disco and punk as the 70s wore into the early 80s. And it nearly died due to lack of interest in the 90s — the days of grunge and new country, and the golden age of CD sales. Thanks to a recent wave of independent, home-grown music, Mariposa is having a resurgence in the early twenty-first century. Audiences have always come and gone, but the festival has stayed true to its mandate: to promote and preserve folk art in Canada through song, story, dance, and craft.