Fertile Visions conceptualises the uterus as a narrative space so that the female reproductive body can be understood beyond the constraints of a gendered analysis. Unravelling pregnancy from notions of maternity and mothering demands that we think differently about narratives of reproduction. This is crucial in the current global political climate wherein the gender-specificity of pregnancy contributes to how bodies that reproduce are marginalised, controlled, and criminalised. Anne Carruthers demonstrates fascinating and insightful close analyses of films such as Juno, Birth, Ixcanul and Arrival as examples of the uterus as a narrative space. Fertile Visions engages with research on the foetal ultrasound scan as well as phenomenologies, affect and spectatorship in film studies to offer a new way to look, think and analyse pregnancy and the pregnant body in cinema from the Americas.

"Fertile Visions conceptualises the uterus as a narrative space so that the female reproductive body can be understood beyond the constraints of a gendered analysis. Unravelling pregnancy from notions of maternity and mothering demands that we think differently about narratives of reproduction, which is crucial in the current global political climate wherein the gender-specificity of pregnancy contributes to how bodies that reproduce - i.e., women - are marginalised, controlled, and criminalised. Anne Carruthers demonstrates fascinating and insightful close analyses of films such as Juno, Birth, and Arrival as examples of uterus as a narrative space. Fertile Visions engages with empirical research on the foetal ultrasound scan as well as phenomenologies, affect and spectatorship in film studies to offer a new way to look, think and analyse pregnancy and the pregnant body in contemporary cinema from the Americas."--

Irene Diamond has written a passionate and provocative book that challenges the feminist movement to step beyond its preconceptions. . . . We desperately need this synthesis. -from the Foreword by Starhaw In a wide-ranging critique of Western thought and practice, ecofeminist Irene Diamond raises unsettling questions about the ethic of control that permeates how we think about fertility, sexuality, agriculture, and the environment.

The religious life of Native Americans is a panorma featuring an immense diversity of beliefs, cermonies, and ways of life. Native Religions of North Ameria reflects this rich tradition as it admirably distills a complex subject in a practical and engaging manner. Through concise expression and careful choice of examples, Hultkrantz identifies the diversity and continuities in American Indian spirituality. He introduces the hunters and farmers, the past and presents, and the physical contexts and the sublime speculations of tribal religions, even the subtle shades of meaning within an Indian community. --

Women battling infertility is a familiar though still harrowing story these days. Women using yoga to reduce stress and become more aware of its body and its rhythms is another. So it comes as no surprise that yoga is helping women to cope with the physical and emotional stress of infertility and its treatments.

An intensely personal novel that plays itself out in a closed and intimate circle. It is a study of jealousy, suspicion and love within a family. The most explosive passions are presented with the greatest delicacy and most consummate artistry.

Marriage, Performance, and Politics at the Jacobean Court constitutes the first full-length study of Jacobean nuptial performance, a hitherto unexplored branch of early modern theater consisting of masques and entertainments performed for high-profile weddings. Scripted by such writers as Ben Jonson, Thomas Campion, George Chapman, and Francis Beaumont, these entertainments were mounted for some of the most significant political events of James's English reign. Here Kevin Curran analyzes all six of the elite weddings celebrated at the Jacobean court, reading the masques and entertainments that headlined these events alongside contemporaneously produced panegyrics, festival books, sermons, parliamentary speeches, and other sources. The study shows how, collectively, wedding entertainments turned the idea of union into a politically versatile category of national representation and offered new ways of imagining a specifically Jacobean form of national identity by doing so.