Includes Internet access card bound inside front matter.

This anthology addresses the experiences of third-wave feminists in the construction and reformulation of spirituality. It is a useful resource for any course on women and/or feminism and religion.

Industrial modernity's worship of rationality had a profound effect on women’s ways of knowing, marginalizing them along with other alternate forms of knowledge such as the imagination and the unconscious. Feminist Spirituality under Capitalism discusses the importance of women’s spiritual knowledge throughout history and under the current socio-economic consensus. Within a critical analysis of the subjugation of certain knowledges, it investigates in particular the role that psychology and psychiatry have played in the repression of women. Aimed at students and researchers in the social sciences, the book will also appeal to anyone interested in critical psychology, politics, activism and social change.

Key writings in feminist spirituality drawing on the great diversity of women's experience.

In the twenty-first century, American popular culture increasingly makes visible the performance of African spirituality by black women. Disney’s Princess and the Frog and Pirates of the Caribbean franchise are two notable examples. The reliance on the black priestess of African-derived religion as an archetype, however, has a much longer history steeped in the colonial othering of Haitian Vodou and American imperialist fantasies about so-called ‘black magic’. Within this cinematic study, Martin unravels how religious autonomy impacts the identity, function, and perception of Africana women in the American popular imagination. Martin interrogates seventy-five years of American film representations of black women engaged in conjure, hoodoo, obeah, or Voodoo to discern what happens when race, gender, and African spirituality collide. She develops the framework of Voodoo aesthetics, or the inscription of African cosmologies on the black female body, as the theoretical lens through which to scrutinize black female religious performance in film. Martin places the genre of film in conversation with black feminist/womanist criticism, offering an interdisciplinary approach to film analysis. Positioning the black priestess as another iteration of Patricia Hill Collins’ notion of controlling images, Martin theorizes whether film functions as a safe space for a racial and gendered embodiment in the performance of African diasporic religion. Approaching the close reading of eight signature films from a black female spectatorship, Martin works chronologically to express the trajectory of the black priestess as cinematic motif over the last century of filmmaking. Conceptually, Martin recalibrates the scholarship on black women and representation by distinctly centering black women as ritual specialists and Black Atlantic spirituality on the silver screen.

Criticizes the patriarchal world view, outlines the historical realities that have produced a culture that glorifies violence and domination, and argues for a worldview that recognizes the full humanity of women.

Taking a critical look at feminism and exploring its explicit and implicit spiritual dimensions, this revised and updated new edition of Women and Spirituality engages in a reflective dialogue with contemporary women's voices. It asks to what extent patriarchal oppression and androcentric thinking are inherent not only in Christianity but in all religious beliefs, practices and institutions. This is the only book which provides a comprehensive survey of current discussions in feminist theology and spirituality and offers a wide-ranging account of women and world religions and raising thought-provoking questions about the spiritual dimensions of human life.