Continuing the reissue of the classic Phillips Collection of Traditional American Fiddle Tunes - Volume 2, Favorite American Polkas and Jigs for Fiddle presents over one hundred classic and lesser known fiddle tunes in hornpipe style from all parts of the United States, some with multiple versions. All the pieces are transcribed from performances of the greatest traditional fiddlers of the past and present including: Jehile Kirkhuff, Mark O'Connor, Ed Haley, Hugh Farr, Ruthie Dornfeld, Pete Sutherland, Becky Tracy, Stuart Williams and many more. Bowings and chord accompaniment are included.

Continuing the reissue of the classic Phillips Collection of Traditional American Fiddle Tunes - Volume 2, Favorite American Listening Pieces, Two Steps and Marches for Fiddle presents over 120 classic and lesser-known fiddle tunes from all parts of the United States, some with multiple versions.This treasure trove gathers many of mysterious and lonesome sounding, sometimes twisty, but always beautiful melodies that don't neatly fit into the typical fiddle categories, yet are some of the melodies most beloved by fiddlers.All the pieces are transcribed from performances of the greatest traditional fiddlers of the past and present including Kenny Kosek, Pete Sutherland, Eck Robertson, Bruce Greene, Hoyt Ming, Jere Canote, Luther Strong, John Salyer, Clark Kessinger, Kenny Baker, Howdy Forrester, John Hartford, and dozens more.Bowings and chord accompaniment are included.This book will also be of value to students of classical music and Suzuki trained children. the tunes can serve as fun changes-of-pace from the drudgery of scales and arpeggios. and they illustrate America's great tradition of fiddling.

Adam Granger self-published the first edition of Granger’s Fiddle Tunes for Guitar in 1979. A second edition was published in 1994. Now, in 2022, Mel Bay Publications presents the third edition of the book now in standard notation. This 248-page book is the most extensive and best-documented collection of fiddle tunes in existence, and includes reels, hoedowns, hornpipes, rags, breakdowns, jigs and slip-jigs, presented in Southern, Northern, Irish, Canadian, Texas and Old-time styles. There are 508 fiddle tunes referenced under 2500 titles and alternate titles. The titles are fully indexed, making the book doubly valuable as a reference book and a source book. The book comes with a link which gives access to MP3 recordings by Adam of all 508 tunes, each played once at a moderate tempo, with rhythm on one channel and lead on the other. Also included in The Granger’s Collection are descriptions of tune types presented in the book, and primers on traditional flatpicking and rhythm guitar. Additionally, there are sections on timing, ornamentation, technique, and fingering, as well as information on tune sources and a history of the collection.

A set of 14 folk tunes arranged for acoustic instruments and suitable for ensembles ranging from duos to small orchestras. Each tune has three written parts – melody, countermelody, and bass line – as well as chords shown beneath the melody line. In addition to technical tips, there is a video performance of each tune by Moonrakers, played at a steady pace. Suitable for intermediate/advanced players.

This book provides instruction in both plucking and strumming techniques for 5 and 10-string Finnish kanteles. Explanation of musical notation, rhythm, and other elements of music theory are provided for the novice, yet the exercises are scaffolded to provide motivating material for the more experienced musician. In addition to the instructional materials, a number of traditional Finnish tunes are included as well as many familiar melodies. Plus, over twenty arrangements playable by mixed kantele groupings and detailed appendices of chords and chord transitions make this book a solid foundation for learning to play the kantele. Includes access to online audio.

In this generous collection, Nova Scotian fiddler Bill Guest presents standard notation of easy to intermediate-level traditional tunes, some of his own more complex original compositions plus works by twenty-one of his Canadian fiddling contemporaries. The collection offers approximately 120 dance tunes including: waltzes, hornpipes, jigs, polkas, two-steps, airs, breakdowns, reels, swing tunes, and a few 4/4 melodies for slow dancers. “The Irish Washerwoman” is presented in 3 versions with different time signatures, and five selections are arranged as duets. The salient feature of this book, however, is the enjoyment and multifaceted musical perspective gained from playing the work of so many fiddlers from across the vast commonwealth of Canada.

Appalachian fiddle music, based on the musical traditions of the people who settled in the mountainous regions of the southeastern United States, is widely-known and played throughout North America and parts of Europe because of its complex rhythms, its catchy melodies, and its often-ancient-sounding stylistic qualities. The authors explore the lives and music of 43 of the classic Appalachian fiddlers who were active during the first half of the 20th century. Some of them were recorded commercially in the 1920s, such as Gid Tanner, Fiddlin’ John Carson, and Charlie Bowman. Some were recorded by folklorists from the Library of Congress, such as William Stepp, Emmett Lundy, and Marion Reece. Others were recorded informally by family members and visitors, such as John Salyer, Emma Lee Dickerson, and Manco Sneed. All of them played throughout most of their lives and influenced the growth and stylistic elements of fiddle music in their regions. Each fiddler has been given a chapter with a biography, several tune transcriptions, and tune histories. To show the richness of the music, the authors make a special effort to show the musical elements in detail, but also acknowledge that nothing can take the place of listening. Many of the classic recordings used in this book can be found on the web, allowing you to hear and read the music together.