On July 25, 1943, news of Mussolini's resignation and subsequent arrest stunned Italians leaving them dumbfounded. After two decades, fascism had fallen without any advance warning. As festive events marked the incredible outcome and reminders of the past were destroyed, an uncontainable joy seemed to pervade Italians. But what did people actually celebrate? How did they understand the bygone dictatorship, which was soon to be reincarnated in the Italian Social Republic (RSI)? Drawing on more than one hundred diaries written by ordinary citizens (and some prominent figures as well) and inspired by Raymond Williams's concept of structures of feeling, the book examines Italians' perspectives on fascism at a very critical moment in their history. With the country mired in a devastating war further complicated by the September 8, 1943 armistice with the Allies and subsequent German occupation--followed by the eruption of an Italian-against-Italian conflict, the switching of alliances, and the declaration of war against Germany on October 13, 1943--the fast pace of history seemed to deflect Italians' attention from their immediate past. Amidst the daily experience of bombings, hunger, displacement, and death, coming to terms with twenty years of dictatorship turned out to be an arduous enterprise. Whether those who had lived under the fascist regime wished 'not to think of it and not to speak any more about it' as philosopher Benedetto Croce maintained, it is hard to ascertain. In truth, little is known of what Italians felt and thought about fascism after its precipitous demise. This book remedies the gap in historical scholarship by assessing how Italians confronted their present and negotiated their past during the two years from the fall of the regime to the definitive defeat of the RSI and the end of the world war in May 1945. By bringing to life the cultural imaginaries and practices of the past, the book raises ostensibly intractable questions on the epochal impact of what often appears as inconsequential: the typically unseen and seemingly banal power of everyday experiences.

From the invasion of Ethiopia in 1935 through to the waning months of the World War II in 1945, Fascist Italy was at war. This Fascist decade of war comprised an uninterrupted stretch of military and political engagements in which Italian military forces were involved in Abyssinia, Spain, Albania, France, Greece, the Soviet Union, North Africa and the Middle East. As a junior partner to Nazi Germany, only entering the war in June 1940, Italy is often seen as a relatively minor player in World War II. However, this book challenges much of the existing scholarship by arguing that Fascist Italy played a significant and distinct role in shaping international relations between 1935 and 1945, creating a Fascist decade of war.

This book is a long overdue in-depth study of the Italian Social Republic. Set up in 1943 by Hitler in the town of Salò on Lake Garda and ruled by Mussolini, this makeshift government was a last-ditch effort to ensure the survival of Fascism, ending with the murder of Mussolini by partisans in 1945. The RSI was a loosely organized regime made up of professed patriots, apostles of law and order, and rogue militias who committed atrocities against presumed and real enemies. H. James Burgwyn narrates the history of the RSI, with vivid portraits of key figures and thoughtful analysis of how radical fascists managed to take the Salò regime from a dictatorship in Italy to a Continental nazifascismo, hand in hand with the Third Reich. This book stands as an essential bookend to the life of Mussolini, with new insights into the man who duped the Italian people and provoked a war that ended in catastrophic defeat.

The dramatic story of Mussolini's fall from power in July 1943, illuminating both the causes and the consequences of this momentous event. Morgan shows how Italians of all classes coped with the extraordinary pressures of wartime living, both on the military and home fronts, and how their experience of the country at war eventually distanced them from the dictator and his fascist regime.Looking beyond Mussolini's initial fall from power, Morgan examines how the Italian people responded to the invasion, occupation, and division of their country by Nazi German and Anglo-American forces - and how crucial the experience of this period was in shaping Italy's post-war sense of nationhood and transition to democracy.

Historians regard the Italian home front during the Second World War as an observation post from which to study the relationship between Fascism and society during the years of the collapse of the Mussolini regime. Yet the role of propaganda in influencing that relationship has received little attention. The media played a crucial role in setting the stage for the regime's image under the intense pressures of wartime. The Ministry of Popular Culture, under Mussolini's supervision, maintained control not only over the press, but also over radio, cinema, theatre, the arts and all forms of popular culture. When this Fascist media narrative was confronted by the sense of vulnerability among civilians following the first enemy air raids in June 1940, it fell apart like a house of cards. Drawing on largely unexplored sources such as government papers, personal memoirs, censored letters and confidential reports, Staging the Fascist War analyses the crisis of the regime in the years from 1938 to 1943 through the perspective of a propaganda programme that failed to bolster Fascist myths at a time of total war.

This thoroughly revised and updated edition provides a critical and comprehensive overview of the origins of Fascism and the movement's taking and consolidation of power. Philip Morgan focuses on the workings of the first ever 'totalitarian' system and its impacts on the lives and outlooks of ordinary Italians. Morgan gives an explanation and interpretation of Fascism which locates its place in contemporary history and takes account of the recent controversial historiographical debates on the nature of the phenomenon.

Roy Domenico describes and evaluates the controversial efforts in Italy to punish Fascists after the overthrow of Mussolini in 1943 and the more violent efforts to do so after the liberation of German-occupied northern Italy in 1945. He focuses on the trials and bureaucratic purges of Fascists and illuminates the political struggles between those who favored the sanctions and those who opposed them. According to Domenico, sanctions against Fascists were complicated by a widespread inability to define and place blame. Those most likely to be tried, he argues, were symbolic or strategic figures who were prominent in the dictatorship or were otherwise closely identified in the public's mind with the regime and whose prosecution would make a dramatic impression. The scope of sanctions was restricted further by focusing on those who served Mussolini's collaborationist Salo regime and away from the Fascists of the 1922-43 dictatorship. The British and Americans were ambivalent about prosecuting the Fascists in part, says Domenico, because they did not look upon Italian fascism as nearly as objectionable as German nazism. In theory, they wanted the most notorious Fascists to be investigated and punished, but in practice, they did not want to create bureaucratic chaos in what was left of the weak Italian state or to strengthen the far Left. Further, the outbreak of the civil war in liberated Greece in the winter of 1944-45 alarmed many, who feared that civil war might erupt in northern Italy as well. Domenico concludes that although Italy dismantled a dictatorship and became a democratic republic in the space of three years, the Italian experience nevertheless illustrates the resilience of the old order and its tenacity in maintaining influence. Originally published in 1991. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.