The founder of Utne Reader chronicles his adventures on the frontlines of American culture—from the Vietnam era to the age of Trump—as a spiritual seeker, antiwar activist, and minor media celebrity. “Fascinating . . . a remarkable piece of social history.”—Bill McKibben, author of Falter: Has the Human Game Begun to Play Itself Out? Far Out Man is the story of a life-long seeker who was occasionally a finder as well. In 1984, Eric Utne founded Utne Reader, a digest of new ideas and fresh perspectives percolating in the arts, culture, politics, business, and spirituality. With the tag line “The Best of the Alternative Press,” the magazine was twice a finalist for a National Magazine Award and grew to more than 300,000 paid circulation. In the nineties, the magazine promoted the Neighborhood Salon Association to revive the endangered art of conversation and start a revolution in people’s living rooms. More than 18,000 people joined, comprising nearly 500 salons across North America. Utne devoted the magazine to bringing people together to help make the world a “little greener and a little kinder.” Far Out Man serves as a chronicle of both an individual life and a generation, covering the conflicts of the Vietnam era, the hopes and excesses of the sexual revolution and the Me Decade, the idealism and depredations of the entrepreneurial eighties and nineties, and the promise and perils of the digital age. Ultimately, Far Out Man is the story of Eric Utne’s lifelong search for hope, how he lost it, and what he found on the other side that sustains him in his darkest moments. It is a book dedicated to helping all seekers become finders.

His eyes are pale and expressionless. His intent is deadly. The Far Away Man kills with an antique; an 1891 single-shot target pistol. A single shot is all that he needs. His first victim is a shoe-shine man of no fixed abode. His second, an aristocratic naval officer. His third, a Chinese fortune teller. The only thing that ties the crimes together: a bundle of faded cholera vaccination certificates. And the killing is far from over. A case this bizarre calls for the colourful detectives of Yellowthread Street. This time things are going to get personal. Join them on an investigation that will send Christopher O’Yee digging deep in Hong Kong’s dark underbelly, and Harry Feiffer into his own forgotten past. The ninth book in William Marshall’s classic series is one of his most intimate, an examination of gun violence and remorse laced with his trademark humour and surrealism. Praise for the Yellowthread Street series: “Marshall has the rare gift of juggling scary suspense and wild humor and making them both work.” Washington Post Book World “Marshall’s style – blending the hilarious, the surreal, and the poignant – remains inimitable and not easily resisted.” San Francisco Chronicle “Marshall has few peers as an author who melds the wildest comedy and tragedy in narratives of nonstop action.” Publishers Weekly “Marshall is building a growing, iconoclastic body of work that mixes weird fantasy [and] wayward characterization . . . to produce a subtle, charged, atmospheric, lush fiction hybrid sure to satisfy those with a taste for mysteries on the far edges.” Philadelphia Inquirer “Despite the wild humor, Marshall’s stories contain excellent police procedure, real suspense, and fine irony . . . incessantly scary.” Chicago Tribune “Among the best police procedural series on the market.” Detroit Free Press “As an inspired poet of the bizarre, [Marshall] orchestrates underlying insanity into an apocalyptic vision of the future.” New York Times Book Review “Marshall’s novels feature seemingly supernatural events that turn out to have logical, if not precisely rational, origins. He has savage fun with police procedure.” TIME “Nobody rivals Marshall’s ability to expose the links between comic hysteria and the most mundane human foibles, from greed to cowardice to simple funk.” Kirkus Reviews “Moves at the speed of a bullet; don’t read it aloud or you’ll run out of breath.” Chicago Sun-Times

The founder of Utne Reader chronicles his adventures on the frontlines of American culture—from the Vietnam era to the age of Trump—as a spiritual seeker, antiwar activist, and minor media celebrity. “Fascinating . . . a remarkable piece of social history.”—Bill McKibben, author of Falter: Has the Human Game Begun to Play Itself Out? Far Out Man is the story of a life-long seeker who was occasionally a finder as well. In 1984, Eric Utne founded Utne Reader, a digest of new ideas and fresh perspectives percolating in the arts, culture, politics, business, and spirituality. With the tag line “The Best of the Alternative Press,” the magazine was twice a finalist for a National Magazine Award and grew to more than 300,000 paid circulation. In the nineties, the magazine promoted the Neighborhood Salon Association to revive the endangered art of conversation and start a revolution in people’s living rooms. More than 18,000 people joined, comprising nearly 500 salons across North America. Utne devoted the magazine to bringing people together to help make the world a “little greener and a little kinder.” Far Out Man serves as a chronicle of both an individual life and a generation, covering the conflicts of the Vietnam era, the hopes and excesses of the sexual revolution and the Me Decade, the idealism and depredations of the entrepreneurial eighties and nineties, and the promise and perils of the digital age. Ultimately, Far Out Man is the story of Eric Utne’s lifelong search for hope, how he lost it, and what he found on the other side that sustains him in his darkest moments. It is a book dedicated to helping all seekers become finders.

From the first days of his life, Mike begins to doubt and question authority. From Santa Claus to the Catholic Church to the Selective Service. His quest eventually leads to a dramatic ending in the courts.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

This is a story of migration from rural Gujarat to Nairobi, Kenya and the impact of the struggles for independence from British rule on a traditional Hindu Gujarati family, and finally to London in 1949. Here, the family navigated a life in between two cultures maintaining and imbibing the best of both. Hemkunver lived a life of bhakti – devotion. Manilal, her husband, followed a life of engaging with the world but spiritually grounded in his love for Indian classical music and philosophy. These characteristics were passed on to the main protagonist Viram, who from a very early age fell in love with Indian classical music. His abilities and interests were varied though – so he did not mind playing his sitar with jazz, or playing with Jimmy Page on Led Zeppelin or composing for films, TV and radio, whilst also developing a successful career in business. His desire to create awareness for one of the most sophisticated music systems of the world, led him to become an authority as a performer, advocate and producer of Indian music throughout the UK and Europe, creating around one hundred iconic events per year. He overcame the prejudice he faced from the British arts elite and jealous Indians by embarking on a journey into Vedantic philosophy to find his freedom.