Exposes the pretension and fraud that surrounds the faith healer business, revealing how alleged faith healers prey on the insecurities and vulnerabilities of the people they preach to.

In this darkly lyrical tale of a traveling faith healer roaming through Scotland and Wales with his wife and his manager, the author has created a metaphorical portrait of the artist as both creator and destroyer. The Broadway production starred James Mason.--From publisher description.

Manuel Mu�oz's dazzling second collection finds the author returning, once again, to the small towns of California's Central Valley. Set in a neighborhood with characters whose lives often intersect with each other, The Faith Healer of Olive Avenue offers ten stories about a wide range of lives: a mother coping with a mortally injured son after his motorcycle accident; a single father returning from San Francisco and attempting a reconciliation with an estranged sister; a young woman trying to provide safe haven to her cousin fleeing a vicious boyfriend; and a teenager who sees himself in the trials of the town's most-gossiped-about resident. How these characters cross paths reveal a neighborhood shaped by misunderstandings and long-held secrets, and show how a community can be both embracing and unforgiving, revealing a truth about the nature of home: you always live with its history.Stories from The Faith Healer of Olive Avenue were previously published in Epoch, Glimmer Train (marking Manuel's third appearance in this literary journal), Rush Hour, and Swink. His work has appeared in many other journals, including The Massachusetts Review, The Colorado Review, Boston Review, and Puerto del Sol, and has also been broadcast on National Public Radio's Selected Shorts.

This history of evangelical faith healing in nineteenth-century America examines the nation’s shifting attitudes about sickness, suffering, and health. Faith in the Great Physician tells the story of how participants in the divine healing movement transformed the ways Americans coped with physical affliction and pursued bodily wellbeing. Heather D. Curtis offers critical reflection on the theological, cultural, and social forces that come into play when one questions the purpose of suffering and the possibility of healing. Belief in divine healing ran counter to a deep-seated Christian ethic that linked physical suffering with spiritual holiness. By engaging in devotional disciplines and participating in social reform efforts, proponents of faith cure embraced a model of spiritual experience that endorsed active service, rather than passive endurance, as the proper Christian response to illness and pain. Emphasizing the centrality of religious practices to the enterprise of divine healing, Curtis sheds light on the relationship among Christian faith, medical science, and the changing meanings of suffering and healing in American culture. Recipient of the Frank S. and Elizabeth D. Brewer Prize of the American Society of Church History for 2007

Collects the thoughts of pastors, counselors, doctors, and health researchers on the efficacy and practice of prayer

In Refugia Faith, Debra Rienstra explores nature's refugia--places where life endures in a crisis--and applies this model to faith. Drawing from theology, nature writing, and science, she examines how Christian spirituality and practice must adapt for a climate-altered planet.

[This play] concerns Ulrich Michaelis, an occult healer whose power is lost when he gains the earthly love of Rhoda Williams, but regained when he purifies his love in a higher, unselfish realization that her anguish, like that of the whole world, needs healing. --www.ecyclopedia.com.