Experiencing Power, Generating Authority offers a cross-cultural comparison of the cosmic ideology and political structure of kingship in ancient Egypt and Mesopotamia.

Taking up the challenge of understanding power in its complexity, this volume returns to and revitalises the concept of ‘authority’. It provides a powerful analysis of the ways that relationships of trust, attachment, governance and inequality become possible when subjectivities and bodies are invested in the life of power. The collection offers a vibrant new analysis of the biopolitical, arguing that ‘experience of life’ has become equated with ‘objectivity’ in contemporary culture and has thus become a primary basis of authority. ‘Biopolitical’ or ‘experiential’ authority can be generated through reference to a variety of experiences, performances or intensities of life including creativity, radicalism, risk-taking, experimentation, inter-relation, suffering and proximity to death. The authority-producing capacities of community and aesthetics are key issues, pointing to vexed relationships between politics and policing, inventiveness and violence. The contributors develop their theoretical analyses through discussion of a range of specific sites including mental-health service user and survivor politics, biological knowledge, refugee activism, stories of suffering, urban art, anarchism, neo-liberal community politics and marketization. Authority, Experience & the Life of Power challenges thinking on what ‘the political’ is and isn’t, pushing against the all too easy equivocation of revolutionary break and empowerment. This book was published as a special issue of the Journal of Political Power.

This book presents a new analysis of the organization, structure and changes of the pharaonic state through three millennia of its history. Moreno García sheds new light on this topic by bringing to bear recent developments in state theory and archaeology, especially comparative study of the structure of ancient states and empires. The role played by pharaonic Egypt in new studies often reiterates old views about the stability, conservatism and 'exceptionalism' of Egyptian kingship, which supposedly remained the same across the Bronze and Iron Ages. Ancient Egypt shared many parallels with other Bronze and Iron Age societies as can be shown by an analysis of the structure of the state, of the limits of royal power, of the authority of local but neglected micro-powers (such as provincial potentates and wealthy non-elite), and of the circulation and control of wealth. Furthermore, Egypt experienced deep changes in its social, economic, political and territorial organization during its history, thus making the land of the pharaohs an ideal arena in which to test applications of models of governments and to define the dynamics that rule societies on the longue durée. When seen through these new perspectives, the pharaonic monarchies appear less exceptional than previously thought, and more dependent on the balance of power, on their capacity to control the kingdom's resources and on the changing geopolitical conditions of their time.

Addressing the relationship between religion and ideology, and drawing on a range of literary, ritual, and visual sources, this book reconstructs the cultural discourse of Assyria from the third through the first millennium BCE. Ideology is delineated here as a subdiscourse of religion rather than as an independent category, anchoring it firmly within the religious world view. Tracing Assur's cultural interaction with the south on the one hand, and with the Syro-Anatolian horizon on the other, this volume articulates a "northern" cultural discourse that, even while interacting with southern Mesopotamian tradition, managed to maintain its own identity. It also follows the development of tropes and iconic images from the first city state of Uruk and their mouvance between myth, image, and royal inscription, historiography and myth, and myth and ritual, suggesting that, with the help of scholars, key royal figures were responsible for introducing new directions for the ideological discourse and for promoting new forms of historiography.

This book presents a reassessment of the governmental systems of the Late Babylonian period—specifically those of the Neo-Babylonian and early Persian empires—and provides evidence demonstrating that these are among the first to have developed an early form of administrative law. The present study revolves around a particular expression that, in its most common form, reads ḫīṭu ša šarri išaddad and can be translated as “he will be guilty (of an offense) against the king.” The authors analyze ninety-six documents, thirty-two of which have not been previously published, discussing each text in detail, including the syntax of this clause and its legal consequences, which involve the delegation of responsibility in an administrative context. Placing these documents in their historical and institutional contexts, and drawing from the theories of Max Weber and S. N. Eisenstadt, the authors aim to show that the administrative bureaucracy underlying these documents was a more complex, systematized, and rational system than has previously been recognized. Accompanied by extensive indexes, as well as transcriptions and translations of each text analyzed here, this book breaks new ground in the study of ancient legal systems.

A poem for the ages, freshly and accessibly translated by an international rising star, bringing together scholarly precision and poetic grace Gilgamesh is a Babylonian epic from three thousand years ago, which tells of King Gilgamesh’s deep love for the wild man Enkidu and his pursuit of immortality when Enkidu dies. It is a story about love between men, loss and grief, the confrontation with death, the destruction of nature, insomnia and restlessness, finding peace in one’s community, the voice of women, the folly of gods, heroes, and monsters—and more. Millennia after its composition, Gilgamesh continues to speak to us in myriad ways. Translating directly from the Akkadian, Sophus Helle offers a literary translation that reproduces the original epic’s poetic effects, including its succinct clarity and enchanting cadence. An introduction and five accompanying essays unpack the history and main themes of the epic, guiding readers to a deeper appreciation of this ancient masterpiece.