In contemporary Anglo-Caribbean literature, the dialectic interrelations of “exile” and “return” are essential for conveying meta-reflections on literature and language, as well as the role they play in the construction of personal and collective identities. While this volume focuses on the specificity of a cultural area whose history is marked by colonialism, diaspora, slavery and racial conflicts, it also raises epistemological questions surrounding the complexity of literature, and its function in a world which is ever more composite, hybrid and transcultural. By developing a new, systematic approach which combines post-colonial studies, theories of intertextuality and philosophy of language, it explores how contemporary literary texts reflect, elaborate and redefine the experiences of societies that are currently dealing with ever-growing global interdependencies and newly-formed cultural and semiotic context.

This volume offers a snapshot of current perspectives on translation studies within the specific historical and socio-cultural framework of Anglo-Italian relations. It addresses research questions relevant to English historical, literary, cultural and language studies, as well as empirical translation studies. The book is divided into four chapters, each covering a specific research area in the scholarly field of translation studies: namely, historiography, literary translation, specialized translation and multimodality. Each case study selected for this volume has been conducted with critical insight and methodological rigour, and makes a valuable contribution to scientific knowledge in the descriptive and applied branches of a discipline that, since its foundation nearly 50 years ago, has concerned itself with the description, theory and practice of translating and interpreting.

At times of crisis and revolution such as ours, diagnoses of crucial junctures and ruptures – ‘turning points’ – in the continuous flow of history are more prevalent than ever. Analysing literary, cinematic and other narratives, the volume seeks to understand the meanings conveyed by different concepts of turning points, the alternative concepts to which they are opposed when used to explain historical change, and those contexts in which they are unmasked as false and over-simplifying constructions. Literature and film in particular stress the importance of turning points as a sensemaking device (as part of a character’s or a community’s cultural memory), while at the same time unfolding the constructive and hence relative character of turning points. Offering complex reflections on the notion of turning points, literary and filmic narratives are thus of particular interest to the present volume.

Studying the literature written in the West Indies as a regionally unified corpus with its own identity, this analysis examines the recurring thematic motifs and formal devices that Caribbean literary artists have drawn from during the last six decades. The dynamic study isolates the writers' engagements with language, religion, and history as primary components of their cultural discourse and argues that West Indian literary texts contain clues to their own explication. Including authors from the Dominican Republic, Barbados, and Haiti, this volume is one of the few that explores the writing of all Caribbean language regions. Revised to include updated criticism of three featured poets--Kamau Brathwaite, Pedro Mir, and Rene Depestre--this insightful and profound discussion presents a truly multicultural approach to literature.

Alien-Nation and Repatriation examines the emergence and transformations in representations of national identity in Anglophone Caribbean literary traditions. Beginning with the short fiction of C. L. R. James, Alfred Mendes, and Albert Gomes, this study examines the extent to which gender, migration, and female sexuality frame the earliest representations of Caribbean identity in literature by West Indian authors. The study develops chronologically to examine the works of George Lamming, Paule Marshall, Erna Brodber, M. Nourbese Philip, and Elizabeth Nunez. Alien-Nation and Repatriation emphasizes the processes of alienation that marginalize women from discourses of citizenship and belonging, both of which are integral aspects of nationalist literature. This text also argues that for Caribbean women writers engaged in discourses on citizenship, 'return' is not focused on reclaiming the nation-state. Instead Saunders argues that closer examinations of discourses on Caribbean identity reveal the ways in which the female body has been disciplined, through form and content, into silence in colonial and post-colonial Caribbean literary traditions.

The period from the 1970s to the present day has produced an extraordinarily rich and diverse body of Caribbean writing that has been widely acclaimed. Caribbean Literature in Transition, 1970-2020 traces the region's contemporary writings across the established genres of prose, poetry, fiction and drama into emerging areas of creative non-fiction, memoir and speculative fiction with a particular attention on challenging the narrow canon of Anglophone male writers. It maps shifts and continuities between late twentieth century and early twenty-first century Caribbean literature in terms of innovations in literary form and style, the changing role and place of the writer, and shifts in our understandings of what constitutes the political terrain of the literary and its sites of struggle. Whilst reaching across language divides and multiple diasporas, it shows how contemporary Caribbean Literature has focused its attentions on social complexity and ongoing marginalizations in its continued preoccupations with identity, belonging and freedoms.

George Lamming (born 8 June 1927) is a Barbadian novelist, essayist and poet and an important figure in Caribbean literature. In 1951 he became a broadcaster for the BBC Colonial Service. His collection of essays, The Pleasures of Exile (1960), is a pioneering non-fiction that attempts to define the place of the West Indian in the post-colonial world, re-interpreting Shakespeare's The Tempest and the characters of Prospero and Caliban in terms of personal identity and the history of the Caribbean. In fact, this literary work is a postcolonialist, postrealist and postnationalist counter-discourse because it gives us Lamming's glimpse of the complex issues of identity contained within the Caribbean island-states that were largely shaped by the European colonial practice from the late-fifteenth century up to the late twentieth century. My research questions in this critical study are-"How are the nations of the Caribbean and/or the West Indies originated? How are they represented by canonical discourses and how is their identity constructed? What about its impact throughout different times and spaces? Is it possible to deconstruct and reconstruct their identity through counter-discourse?"-with a view to exploring George Lamming's endeavor in The Pleasures of Exile from postcolonial perspective to answer these questions with fact and fiction. In fact, the uprooting of the natives and importation of the African slaves to toil in sugar plantations, the introduction of the Indian and the Chinese indentured laborers to replace the African slaves after the abolition of slavery, as well as the presence of the European colonizers led to the creation of hybrid Caribbean communities of immigrants or exiled people, all with broken cultures and history. I have tried to establish that as the canonical discourses like The Tempest, the then media BBC etc. construct the Caribbean's mythologized identities negatively with biased perspectives for their colonial 'civilizing mission', Lamming has tried to deconstruct or decentralize their canonical position counter-discursively to reconstruct his national identity. I have also focused on the problems of the Caribbean hyphenated identities that imply double heredity. So, the region seems to be a no man's land where people lack an autonomous and homogenous identity. At the end of my interpretation, I have tried to establish that-by reviewing colonial history, dismantling the textual unconscious of The Tempest as a poststructuralist critic and rejecting the stereotype identities created by other legitimizing Western discourses, Lamming's The Pleasures of Exile functions as a counter-discursive signifier of the post-colonial Caribbean's metamorphosis into some cross-cultural identities, identities that are experienced between the Caribbean and the West.