On a distant island, reality show contestants battle for bragging rights and a slot on next week's episode. They've perfected their dramatic roles and are prepared to do whatever it takes to win. There's the take–no–prisoners Marine sergeant, the gay hairdresser, the ruthless lawyer, the brainy poet. But one player refuses to compete—Gloria Hamm, a sullen dental hygienist, voted least likely to win by the show's crew. The higher–ups are desperate for ratings and sensational twists to trump the plots of seasons past. But the producer—haunted by personal tragedies all too real—is losing control of the show and its crew. While he obsesses about Gloria, the crew plots mutiny, a contestant dances with insanity, and disease threatens to halt the show completely. When real catastrophes strike, the producer finds it harder and harder to navigate his surreal landscape, where boundaries of the real, imagined, and orchestrated have blurred beyond recognition. Deus Ex Machina deconstructs our notions of narrative, revealing how tricky it is for any auteur to disappear from his creation. In an age when people will seemingly do anything to be on television, it asks what is the true nature of "reality," and what is its cost?

Science fiction thrills collide with explosive political drama in this critically acclaimed tale from renowned writer Brian K. Vaughan and legendary artist Tony Harris--assembled in a single hardcover volume! When a strange accident gives Mitchell Hundred the ability to control machinery, he uses his newfound powers to become the world's first superhero. But the thrill of risking his life simply to help maintain the status quo eventually wears thin, leading Mitch to retire from masked crime-fighting in order to run for mayor of New York City. And that's when the real weirdness begins! Collects the Eisner Award-winning series Ex Machina #1-50 and Ex Machina Special #1-4.

In this last deluxe EX MACHINA hardcover, Mayor Mitchell Hundred descends into the NYC sewers to learn why he was given the strange powers that helped him become the heroic Great Machine while a powerful new foe reveals a terrifying plan that's been in the works since the series began.

We are about to experience the equivalent of a major tectonic shift where the functional plates of sales, marketing, and technology will shear and, in some cases, smash against one another. Functions that were once the domain of salespeople will be transformed, subsumed, or obliterated.

A theatrical murder shocks ancient Athens, in this mystery that “manages to effortlessly integrate laugh-out-loud humor into a fairly clued puzzle” (Publishers Weekly, starred review). Athens, 459 BC: It’s the time of the Great Dionysia, the largest arts festival of the ancient world, held each year in honor of Dionysos, the god of wine. But there’s a problem: A ghost is haunting Athens’s grand theater. Nicolaos and the priestess Diotima, his clever partner in sleuthing (and now in matrimony), are hired to exorcise the ghost, but secretly suspect that a human saboteur is operating behind the scenes. Then, one of the actors is found hanged from the machine used to carry actors through the air when they play the part of gods. It’s quite a dramatic murder, and as Nico and Diotima dig into the actor’s past, they discover enough suspects to fill a theater. As the festival approaches and pressure mounts on all sides, can they hunt down the killer in time? Or will they simply have to hope for a deus ex machina?

A neuroscientist and a linguist show how evolution could have given rise to structured language. A machine for language? Certainly, say the neurophysiologists, busy studying the language specializations of the human brain and trying to identify their evolutionary antecedents. Linguists such as Noam Chomsky talk about machinelike "modules" in the brain for syntax, arguing that language is more an instinct (a complex behavior triggered by simple environmental stimuli) than an acquired skill like riding a bicycle. But structured language presents the same evolutionary problems as feathered forelimbs for flight: you need a lot of specializations to fly even a little bit. How do you get them, if evolution has no foresight and the intermediate stages do not have intermediate payoffs? Some say that the Darwinian scheme for gradual species self-improvement cannot explain our most valued human capability, the one that sets us so far above the apes, language itself. William Calvin and Derek Bickerton suggest that other evolutionary developments, not directly related to language, allowed language to evolve in a way that eventually promoted a Chomskian syntax. They compare these intermediate behaviors to the curb-cuts originally intended for wheelchair users. Their usefulness was soon discovered by users of strollers, shopping carts, rollerblades, and so on. The authors argue that reciprocal altruism and ballistic movement planning were "curb-cuts" that indirectly promoted the formation of structured language. Written in the form of a dialogue set in Bellagio, Italy, Lingua ex Machina presents an engaging challenge to those who view the human capacity for language as a winner-take-all war between Chomsky and Darwin.

Ex Machina d20 is the ultimate cyberpunk genre and setting book for the d20 System! In addition to an extensive treatment of cyberpunk role-playing rules and options, this hardcover book features four dynamic and distinct settings that range from the grim-and-gritty far future to a dystopian world 90 minutes from now.