The purpose of this book is to bring into context and greater accessibility the knowledge of the plants used in the Santeria Religion. Many books have been written about said plants, but there seems to be no standardized version where the plant in question can be narrowed down to a more common name and proper scientific taxonomy. When I say that this book is "Ewe for the New Diaspora" it is because we are now in a "New Diaspora". The first great diaspora that occurred was when the natives from Africa were brought to the "New World" as slaves of the Spanish, Portuguese, English, etc. These natives brought with them a very ample religious macrocosm and an intimate knowledge of the plants that surrounded them. This knowledge was used in the "New World" by their ability to find equal or similar plants that had been used in Africa. Although people have moved between the United States and countries of Central and South America for centuries; the coming of Fidel Castro in Cuba caused a massive outflow of people and their religious beliefs. Since then, other nationalities have emigrated to the United States causing what can be called a "New Diaspora". With this "New Diaspora", unknown religious beliefs have been brought to the shores of the United States. Now, it is not unusual to find "Botanicas" (stores that cater to the Afro-Caribbean religious beliefs) in most big cities in the United States (or the world). Since the basis of this book is "El Monte" by Lydia Cabrera, most of the plant listings are from there with an updating as to the uses, the name of the Orisha that is the tutelary owner of the herbs/plants, the Odun from Ifá associated with it, and the names and usage in Brazil (with tutelary Orisha in the different sects). It should be noted that I have not offered an opinion on the tutelary Orisha or the usage of any of these plants. This is just a compilation of available information on each of these plants from available sources. It is the responsibility of the person using this book to get guidance from their elders as to what is the proper use of these plants and the tutelary Orisha it belongs to.

First published in 1998. This book charts the connections between migrations crises and the formation and demise transnational communities, looking at 10 contemporary migration crises around the world, in Africa, the Middle East, Asia, Europe, Central America and the Caribbean.. It examines the factors that are accelerating- and constraining- the growth of the transnational communities in an ever more volatile world migration order.

The purpose of this book is to bring into context and greater accessibility the knowledge of the plants used in the Santeria Religion. Many books have been written about said plants, but there seems to be no standardized version where the plant in question can be narrowed down to a more common name and proper scientific taxonomy. When I say that this book is "Ewe for the New Diaspora" it is because we are now in a "New Diaspora". The first great diaspora that occurred was when the natives from Africa were brought to the "New World" as slaves of the Spanish, Portuguese, English, etc. These natives brought with them a very ample religious macrocosm and an intimate knowledge of the plants that surrounded them. This knowledge was used in the "New World" by their ability to find equal or similar plants that had been used in Africa. Although people have moved between the United States and countries of Central and South America for centuries; the coming of Fidel Castro in Cuba caused a massive outflow of people and their religious beliefs. Since then, other nationalities have emigrated to the United States causing what can be called a "New Diaspora". With this "New Diaspora", unknown religious beliefs have been brought to the shores of the United States. Now, it is not unusual to find "Botanicas" (stores that cater to the Afro-Caribbean religious beliefs) in most big cities in the United States (or the world). Since the basis of this book is "El Monte" by Lydia Cabrera, most of the plant listings are from there with an updating as to the uses, the name of the Orisha that is the tutelary owner of the herbs/plants, the Odun from Ifá associated with it, and the names and usage in Brazil (with tutelary Orisha in the different sects). It should be noted that I have not offered an opinion on the tutelary Orisha or the usage of any of these plants. This is just a compilation of available information on each of these plants from available sources. It is the responsibility of the person using this book to get guidance from their elders as to what is the proper use of these plants and the tutelary Orisha it belongs to.

The African Diaspora presents musical case studies from various regions of the African diaspora, including Africa, the Caribbean, Latin America, and Europe, that engage with broader interdisciplinary discussions about race, gender, politics, nationalism, and music.

Charles Burnett's 1977 film, Killer of Sheep is one of the towering classics of African American cinema. As a deliberate counterpoint to popular blaxploitation films of the period, it combines harsh images of the banality of everyday oppression with scenes of lyrical beauty, and depictions of stark realism with flights of comic fancy. From Street to Screen: Charles Burnett's Killer of Sheep is the first book-length collection dedicated to the film and designed to introduce viewers to this still relatively unknown masterpiece. Beginning life as Burnett's master's thesis project in 1973, and shot on a budget of $10,000, Killer of Sheep immediately became a cornerstone of the burgeoning movement in African American film that came to be known variously as the LA School or LA Rebellion. By bringing together a wide variety of material, this volume covers both the politics and aesthetics of the film as well as its deeper social and contextual histories. This expansive and incisive critical companion will serve equally as the perfect starting point and standard reference for all viewers, whether they are already familiar with the film or coming to it for the first time.

“Provocative and well written . . . a must-read for any scholar interested in African identity, the transatlantic slave trade, and resistance.” —American Historical Review Although they came from distinct polities and peoples who spoke different languages, slaves from the African Gold Coast were collectively identified by Europeans as “Coromantee” or “Mina.” Why these ethnic labels were embraced and how they were utilized by enslaved Africans to develop new group identities is the subject of Walter C. Rucker’s absorbing study. Rucker examines the social and political factors that contributed to the creation of New World ethnic identities and assesses the ways displaced Gold Coast Africans used familiar ideas about power as a means of understanding, defining, and resisting oppression. He explains how performing Coromantee and Mina identity involved a common set of concerns and the creation of the ideological weapons necessary to resist the slavocracy. These weapons included obeah powders, charms, and potions; the evolution of “peasant” consciousness and the ennoblement of common people; increasingly aggressive displays of masculinity; and the empowerment of women as leaders, spiritualists, and warriors, all of which marked sharp breaks or reformulations of patterns in their Gold Coast past. “One of the book’s greatest strengths is the ways in which Rucker painstakingly traces how ethnic labels were appropriated, recast, and ultimately employed as a means to establish community bonds and resist oppression . . . Chapters that focus on the creation of the Gold Coast diaspora, religion, and women make for a captivating text that will be of interest to graduate students and specialist readers. Recommended.” —Choice