New York Times Bestseller: An “enthralling,” prize-winning novel of a love triangle among three young archaeologists in 1930s New Guinea (Vogue). Winner of the Kirkus Prize Winner of the New England Book Award for Fiction Finalist for the National Book Critics Circle Award Named a Best Book of the Year by: The New York Times Book Review, Time, NPR, Washington Post, Entertainment Weekly, Newsday, Vogue, New York Magazine, Seattle Times, San Francisco Chronicle, Wall Street Journal, Boston Globe, Kirkus Reviews, Publishers Weekly, Oprah.com, Salon From the author of Writers & Lovers and Five Tuesdays in Winter, Euphoria follows three young, gifted anthropologists caught in a passionate love triangle that threatens their bonds, their careers, and, ultimately, their lives. Inspired by events in the life of revolutionary anthropologist Margaret Mead, Euphoria is “dazzling . . . suspenseful . . . brilliant . . . an exhilarating novel” (The Boston Globe). “A thrilling read.” —Publishers Weekly (starred review) “Atmospheric and sensual.” —NPR “A taut, witty, fiercely intelligent tale of competing egos and desires in a landscape of exotic menace. . . . Exquisite.” —The New York Times Book Review

Ever since the witch cursed Babs, she turns invisible sometimes. She has her mum and her dog, but teachers and classmates barely notice her. Then, one day, Iris can see her. And Iris likes what they see. Babs is made of fire. Iris grew from a seed in the ground. They have friends, but not human ones. Not until they meet Babs. The two of them have a lot in common: they speak to dryads and faeries, and they're connected to the magic that's all around them. There's a new boy at school, a boy who's like them and who hasn't yet found his real name. Soon the three of them are hanging out and trying spellwork together. Magic can be dangerous, though. Witches and fae can be cruel. Something is happening in the other realm, and despite being warned to stay away, the three friends have to figure out how to deal with it on their own terms. Anyone who loves the work of Francesca Lia Block and delights in Studio Ghibli films will be entranced by this gorgeous and gentle young adult novel about three queer friends who come into their power.

GENDER EUPHORIA: a powerful feeling of happiness experienced as a result of moving away from one’s birth-assigned gender. So often the stories shared by trans people about their transition centre on gender dysphoria: a feeling of deep discomfort with their birth-assigned gender, and a powerful catalyst for coming out or transitioning. But for many non-cisgender people, it’s gender euphoria which pushes forward their transition: the joy the first time a parent calls them by their new chosen name, the first time they have the confidence to cut their hair short, the first time they truly embrace themself. In this groundbreaking anthology, nineteen trans, non-binary, agender, gender-fluid and intersex writers share their experiences of gender euphoria: an agender dominatrix being called ‘Daddy’, an Arab trans man getting his first tattoos, a trans woman embracing her inner fighter. What they have in common are their feelings of elation, pride, confidence, freedom and ecstasy as a direct result of coming out as non-cisgender, and how coming to terms with their gender has brought unimaginable joy into their lives.

Euphoria is F.s. Yousaf's first collection of poetry, filled with emotions that some rarely witness. This includes self-refections, stories, dialogues with God, dealing with mental illness, and so much more. Also included are never before seen poems.

Hailey Langley refuses to be a victim and has moved on from her traumatic past. But her marriage problems worsen when a deadly illicit drug threatens to draw her into the life she left behind. Mark Langley has allowed his job to interfere with his marriage, but he never suspected the secrets in Hailey's past might hold the key to solving both of his current investigations. Together, they must unravel the mystery of the drug called Euphoria and find a way to save not only their marriage, but countless lives, before it's too late.

The world-renowned economist offers "dourly irreverent analyses of financial debacle from the tulip craze of the seventeenth century to the recent plague of junk bonds." —The Atlantic. With incomparable wisdom, skill, and wit, world-renowned economist John Kenneth Galbraith traces the history of the major speculative episodes in our economy over the last three centuries. Exposing the ways in which normally sane people display reckless behavior in pursuit of profit, Galbraith asserts that our "notoriously short" financial memory is what creates the conditions for market collapse. By recognizing these signs and understanding what causes them we can guard against future recessions and have a better hold on our country's (and our own) financial destiny.

Thirtysomething Cara Foster is, one might say, eco-anxious—perhaps even eco-neurotic. She eats out of dumpsters (not because she wants to but because it’s the right thing to do), does laundry as seldom as possible, takes navy showers every couple of days, and is reevaluating her boyfriend for killing a spider instead of saving a life. Cara has never met her six (soon to be seven) nephews and nieces because she doesn’t fly domestic (unless it’s an emergency) or international (ever). She longs for a carbon footprint so light you’d hardly know she exists. Then, during a mimosa-soaked Sunday brunch, she meets her boyfriend’s alluring mother, Millie, and Cara finds herself mesmerized. Millie represents everything Cara’s against: She eats meat, has cowhide rugs, drives a car the size of a small yacht, and blithely travels the world by boat, plane, and train—without any guilt whatsoever. In fact, Cara soon admits this may be why she finds herself so drawn to Millie. As they begin spending time together, getting pedicures and drinking sixteen-olive martinis, Cara becomes hooked on Millie and this new freedom from the harsh realities of life in the twenty-first century. Yet before long, Cara risks losing everything to be close to the mundane extravagance of Millie’s world—her career, her best friend, and her identity all hang in the balance as she struggles to disentangle from this intoxicating muse. Irreverent, witty, and provocative, My Days of Dark Green Euphoria is a satirical novel of how a life on the edge of eco-anxiety can spiral wildly out of control, as well as how promising and inspiring a commitment to saving our planet can be.