This book explains the roots, politics, and legacy of Korean ethnic nationalism, which is based on the sense of a shared bloodline and ancestry. Belief in a racially distinct and ethnically homogeneous nation is widely shared on both sides of the Korean peninsula, although some scholars believe it is a myth with little historical basis. Finding both positions problematic and treating identity formation as a social and historical construct that has crucial behavioral consequences, this book examines how such a blood-based notion has become a dominant source of Korean identity, overriding other forms of identity in the modern era. It also looks at how the politics of national identity have played out in various contexts in Korea: semicolonialism, civil war, authoritarian politics, democratization, territorial division, and globalization.

Campbell deftly weaves the narratives of her subjects with the wider theoretical literature on nationalism and identity.... A great read. --Andrew I. Yeo, Catholic University of America An important contribution to the literature on nationalism and contemporary Korean studies. --Nora Kim, University of Mary Washington Why have traditional views of national identity in South Korea¿views that for years drove a demand for reunification¿been challenged so dramatically in recent years? What explains the growing ambivalence and even antagonism of South Korean young people toward unification with North Korea? Emma Campbell addresses these related puzzles, exploring the emergence of a new kind of nationalism in South Korea and considering what this development means for the country¿s future. Emma Campbell is visiting fellow at the Strategic and Defence Studies Centre, College of Asia and the Pacific, Australian National University.

The unprecedented economic success of South Korea since the 1990s has led in turn to a large increase in the number of immigrants and foreign workers in Korean industries. This book describes and explains the experiences of discrimination and racism that foreigners and ‘new’ Koreans have faced in a multicultural South Korea. It looks at how society has treated the foreigners and what their experiences have been given that common discourse about race in Korea surrounds issues of Korean heterogeneity and pure blood nationalism. Starting with critiques of Korean scholarship and policy framework on multiculturalism, this book argues for the need to revisit the most fundamental aspect of multiculturalism: the host population’s ability to respect new comers rather than discriminate against them. The author employs a critical realist understanding of racism and attempts to identify long-lasting institutional factors which make Korean society less than welcoming ‘new’ or temporary Koreans. A large number of new reportages are identified and systematically analysed based on the principles of grounded theory method. The findings show that nouveau-riche nationalism and pure-blood nationalism are widely practised when Koreans deal with ‘foreigners’. As a newly industrialised and highly successful nation, Korean society is still in transition and treats foreigners according to economic standard of their countries of origin. As one of the very first books in English about foreigners’ experiences of Korean nationalism, multiculturalism and discrimination, it will be of great interest to students and scholars of Sociology, Ethnic studies, Asian studies, Korean studies, Media studies and Cultural studies.

Korea Between Empires chronicles the development of a Korean national consciousness. It focuses on two critical periods in Korean history and asks how key concepts and symbols were created and integrated into political programs to create an original Korean understanding of national identity, the nation-state, and nationalism. Looking at the often-ignored questions of representation, narrative, and rhetoric in the construction of public sentiment, Andre Schmid traces the genealogies of cultural assumptions and linguistic turns evident in Korea's major newspapers during the social and political upheavals of the late nineteenth and early twentieth centuries. Newspapers were the primary location for the re-imagining of the nation, enabling readers to move away from the conceptual framework inherited from a Confucian and dynastic past toward a nationalist vision that was deeply rooted in global ideologies of capitalist modernity. As producers and disseminators of knowledge about the nation, newspapers mediated perceptions of Korea's precarious place amid Chinese and Japanese colonial ambitions and were vitally important to the rise of a nationalist movement in Korea.

While most studies on Korean nationalism centre on textual analysis, Aesthetic Constructions of Korean Nationalism offers a different approach. It looks at expositions, museums and the urban built environment at particular moments in both colonial and postcolonial eras and analyses their discursive relations in the construction of Korean nationalism. By linking concepts of visual spectacle, urban space and governmentality, this book explores how such notions made the nation imaginable to the public in both the past and the present; how they represented a new modality of seeing for the state and contributed to the shaping of collective identities in colonial and postcolonial Korea. The author further examines how their different modes were associated with the change in governmentality in Korea. In addressing these questions, the book interprets the politics behind the culture of displays and shows both the continuity and the transformation of spectacles as a governing technology in twentieth-century Korea. Aesthetic Constructions of Korean Nationalism is a significant contribution to a study of the politics of visual culture in colonial and postcolonial Korea. The book will be of interest to students and scholars of Korean Studies, Culture and Heritage Studies and Asian Studies.

A Representation of Nationhood in the Museum examines how the National Museum of Korea, as a national repository of material culture and the state’s premier exhibition facility, has shaped and been shaped by Korean nationalism. Exploring the processes by which the museum has discovered and interpreted material culture, using concepts of ethnic nationalism in the historical and political contexts of South Korean society, the book analyses how this nationalist interpretation has regulated South Koreans’ understanding of their material culture. Issues considered include: cultural and political relations with China; Japanese colonial rule, cultural imperialism and its legacy; the division of Korea since 1945; the Korean War and nation building since liberation in 1945; and domestic political upheavals, including military coups in 1961 and in 1979. Demonstrating that authoritarian regimes’ emphasis on the promotion of national unity drove national museums to establish national identity through material culture, Jang argues that international political and diplomatic factors also affect the process of the formation of national identity in a specific political context. Concerning itself with issues such as the relationship between politics and identity, museums and authoritarian regimes, this book should be essential reading for academics, researchers and postgraduate students in museum studies, nationalism studies, Asian studies and history departments.

This accessible introduction to comparative politics offers a fresh, state-centered perspective on the fundamentals of political science.