Toni Morrison: An Ethical Poetics situates Toni Morrison as a writer who writes about writing as much as about racialized, engendered, and sexualized African American, and therefore American, experience. In foregrounding the ethics of fiction writing, the book resists any triumphalist reading of Morrison's achievement in order to allow the meditative, unsettled, and unsettling questions that arise throughout her long labor at the nexus of language and politics, where her fiction interrogates representation itself.Moving between close reading and critical theory, Toni Morrison: An Ethical Poetics reveals the ways in which Morrison's primary engagement with language has been a search for how and what language is made to communicate, and for how and what speaks in and from generation to generation. There is no easy escape fromsuch legacy, no escape into a pure language free of the burdens of racialized agendas. Rather, there is the example of Morrison's commitment to writerly, which is to say readerly, wakefulness.At a time when sustained study devoted to single authors has become rare, this book will be an invaluable resource for readers, scholars, and teachers of Morrison's work.

Since at least the time of Plato’s Republic, the relationship between poetry and ethics has been troubled. Through the prism of what has been called the “new” ethical criticism, inspired by the work of Emmanuel Levinas, G. Matthew Jenkins considers the works of Objectivists, Black Mountain poets, and Language poets in light of their full potential to reshape this ancient relationship. American experimental poetry is usually read in either political or moral terms. Poetic Obligation, by contrast, considers the poems of Louis Zukofsky, Charles Reznikoff, George Oppen, Edward Dorn, Robert Duncan, Susan Howe, and Lyn Hejinian in terms of the philosophical notion of ethical obligation to the Other in language. Jenkins's historical trajectory enables him to consider the full breadth of ethical topics that have driven theoretical debate since the end of World War II. This original approach establishes an ethical lineage in the works of twentieth-century experimental poets, creating a way to reconcile the breach between poetry and the issue of ethics in literature at large. With implications for a host of social issues, including ethnicity and immigration, economic inequities, and human rights, Jenkins's imaginative reconciliation of poetry and ethics will provide stimulating reading for teachers and scholars of American literature as well as advocates and devotees of poetry in general. Poetic Obligation marshals ample evidence that poetry matters and continues to speak to the important issues of our day.

Overwrite: Ethics of Knowledge Poetics of Existence is about writing differently in order to situate oneself in the world differently. It is a book about how new truths are produced when a subject takes responsibility for his/her thinking, experiences and conflicts. When a subject rewrites and overwrites itself, it becomes an other, transforming the world in the process

Did the Gulf War defend moral principle or Western oil interests? Is violent pornography an act of free speech or an act of violence against women? In Casuistry and Modern Ethics, Richard B. Miller sheds new light on the potential of casuistry—case-based reasoning—for resolving these and other questions of conscience raised by the practical quandaries of modern life. Rejecting the packaging of moral experience within simple descriptions and inflexible principles, Miller argues instead for identifying and making sense of the ethically salient features of individual cases. Because this practical approach must cope with a diverse array of experiences, Miller draws on a wide variety of diagnostic tools from such fields as philosophy of science, legal reasoning, theology, literary theory, hermeneutics, and moral philosophy. Opening new avenues for practical reasoning, Miller's interdisciplinary work will challenge scholars who are interested in the intersections of ethics and political philosophy, cultural criticism, and debates about method in religion and morality.

Care Ethics and Poetry is the first book to address the relationship between poetry and feminist care ethics. The authors argue that morality, and more specifically, moral progress, is a product of inquiry, imagination, and confronting new experiences. Engaging poetry, therefore, can contribute to the habits necessary for a robust moral life—specifically, caring. Each chapter offers poems that can provoke considerations of moral relations without explicitly moralizing. The book contributes to valorizing poetry and aesthetic experience as much as it does to reassessing how we think about care ethics.

Bringing together international scholars interested in the ethics of fiction, this book extends the rich field of ethical literary criticism that has emerged in the last twenty years. New ground is broached in that the authors explore literariness itself as constitutive of ethical intimations about the pluralistic community and about egalitarian modes of communication. The epistemological point of departure is the ethical thought of modernity as filtered through Hegelian recognition as infinite social responsibility. The structure of the anthology reflects this anchoring as the authors investigate modalities of recognition and social regeneration via literary language, which effects the transvaluation of values, of the collective imaginary, and of intermediality. This collection is generally concerned with the immanence of intersubjectivity in literature and with how from this immanence new modes of ethical communication are generated. The authors of Ethics and Poetics clarify how modern narratives, in ways akin to, yet different from, political interrogations such as deconstruction, psychoanalysis, Marxism and gender studies, refine the understanding of the recursive process of recognition, thereby disclosing ethico-political dimensions of the reading experience. The chapters in this anthology share an interest in ethico-literary responses to shifts within modernity from communal to transnational imagination. All the articles explore how modalities of recognition in modern and contemporary literature deeply affect and potentially regenerate real social spaces.

A brilliant and witty postmodern critique of ethics, framed as a contemporary restaging of Kierkegaard’s Fear and Trembling. John D. Caputo undertakes a passionate, poetic, and satiric search for the basis of an ethics in the postmodern situation. Restaging Kierkegaard’s Fear and Trembling, Caputo defends the notion of obligation without ethics, of responsibility without the support of ethical foundations. Retelling the story of Abraham and Isaac, he strikes the pose of a postmodern-day Johannes de Silentio, accompanied by communications from such startling figures as Johanna de Silentio, Felix Sineculpa, and Magdalena de la Cruz. In dialogue with the thought of Kierkegaard, Nietzsche, Derrida, and Lyotard, Caputo forges a challenging, original account of what is possible and what is not possible for a continentalist ethics today. “Against Ethics is a bold work. . . . A counterethics whose multiple voices will be heard long after the trivializing arguments of many analytic ethicists have vanished and the arcane formulations of many postmoderns have been jettisoned.” —Edith Wyschogrod “Caputo provides a brilliant new analysis of the limits of ethics. . . . Essential reading for anyone concerned with the philosophical issues raised in postmodernity.” —Drucilla Cornell “One of the most important works on philosophical ethics written in recent years. . . . Caputo speaks with a passion and concern that are rare in academic philosophy.” —Mark C. Taylor “Against Ethics is beautifully written, clever, learned, thought-provoking, and even inspiring.” —Theological Studies “Writing in the form of his ideas, Caputo offers the reader a truly exquisite reading experience. . . . His iconic style mirrors a truly refreshing honesty that draws the reader in to play.” —Quarterly Journal of Speech