Noted German architect photographed American cityscapes in the 20s. New York's Times Square, Fifth Avenue, Brooklyn Bridge, Trinity Church, many other sites. Chicago's Michigan Avenue, Tribune Building, Federal Reserve Bank. Also buildings and locales in Buffalo and Detroit. Striking, dramatic views by trained observer. Newly translated introduction and captions. Reprinted from rare original edition.

An essential exploration of how Russian ideas about the United States shaped architecture and urban design from the czarist era to the fall of the U.S.S.R. Idealized representations of America, as both an aspiration and a menace, played an important role in shaping Russian architecture and urban design from the American Revolution until the fall of the Soviet Union. Jean-Louis Cohen traces the powerful concept of “Amerikanizm” and its impact on Russia’s built environment from early czarist interest in Revolutionary America, through the spectacular World’s Fairs of the 19th century, to department stores, skyscrapers, and factories built in Russia using American methods during the 20th century. Visions of America also captivated the Russian avant-garde, from El Lissitzky to Moisei Ginzburg, and Cohen explores the ongoing artistic dialogue maintained between the two countries at the mid-century and in the late Soviet era, following a period of strategic competition. This first major study of Amerikanizm in the architecture of Russia makes a timely contribution to our understanding of modern architecture and its broader geopolitics.

Erich Mendelsohn, the most well-known of the Expressionist architects, first published this book, his Complete Works, in 1930 (the title is something of a misnomer, as it does not include his later, less successful work). It encompasses his wartime sketches, some of them no larger than a postage stamp, the seminal Einstein Observatory, and his splendid commercial work of the 1920s and 30s, including factories, office buildings, theaters, housing, and department stores. Over 50 projects are shown through period photographs, including interiors, sketches, drawings, and models. Reproduced here in full are all of the sketches Mendelsohn made when he was a soldier on the Russian front during the First World War, fine examples of his early work and some of the most intensely personal drawings to come out of his period. Also included is the first English translation of two lectures Mendelsohn delivered on his own unique vision of architecture and society.

Richard Neutra's landmark publication Survival Through Design, in print again for the first time in decades, is a cycle of essays providing insights far ahead of their time. With a new introduction by Dr. Barbara Lamprecht and foreword by Dr. Raymond Neutra, it is richly illustrated and intended as a reference for years to come. Neutra's themes are wide-ranging and he extensively plumbs through history to develop his insights, however, the general theme of man-made environment and its impact on human physiological, neurological, emotional states over time, and the designer's potential role as mediator of these conditions, is a constant throughout Survival Through Design with ever greater relevance for the present day. Richard Neutra's landmark publication Survival Through Design, in print again for the first time in decades, is a cycle of essays providing insights far ahead of their time. With a new introduction by Dr. Barbara Lamprecht and foreword by Dr. Raymond Neutra, it is richly illustrated and intended as a reference for years to come.

Hendrik Petrus Berlage, the Dutch architect and architectural philosopher, created a series of buildings and a body of writings from 1886 to 1909 that were among the first efforts to probe the problems and possibilities of modernism. Although his Amsterdam Stock Exchange, with its rational mastery of materials and space, has long been celebrated for its seminal influence on the architecture of the 20th century, Berlage's writings are highlighted here. Bringing together Berlage's most important texts, among them "Thoughts on Style in Architecture", "Architecture's Place in Modern Aesthetics", and "Art and Society", this volume presents a chapter in the history of European modernism. In his introduction, Iain Boyd Whyte demonstrates that the substantial contribution of Berlage's designs to modern architecture cannot be fully appreciated without an understanding of the aesthetic principles first laid out in his writings.

"After the Bauhaus's closing in 1933, many of its protagonists movd to the United States, where their acceptance had to be cultivated. In this book Margret Kentgens-Craig shows that the fame of the Bauhaus in America was the result not only of the inherent qualities of its concepts and products, but also of a unique congruence of cultural supply and demand, of a consistent flow of information, and of fine-tuned marketing. Thus the history of the American reception of the Bauhaus in the 1920s and 1930s foreshadows the paterns of fame-making that became typical of the post-World War II art world."--BOOK JACKET.