In the boundless expanse of time, where the past, present, and future weave an intricate tapestry, lies a world unlike any we know. In this realm of wonders, the marvels of technology have unlocked the enigmatic gates of time travel, allowing daring souls to traverse the ages and glimpse history's most profound moments. It is a world where the ephemeral and the eternal dance in an eternal waltz, where love and destiny intertwine across centuries. Welcome to "Ephemeral Eternity", a tale that transcends time itself. Here, in the nexus of past and future, we encounter Dr. Nevaeh Sinclair, a visionary historian from the distant future, whose life takes an unforeseen turn when she finds herself inexplicably transported to the 19th century. Lost in time, she meets the passionate and enigmatic artist, Lennox Westwood, whose skepticism stands as a formidable barrier between them. As Nevaeh navigates the complexities of a foreign era, her heart becomes entangled with the vibrant artist. But in a world where they are separated by decades, the question arises: Is love destined to be but a fleeting moment, a mere brushstroke in the grand canvas of time? Will Nevaeh and Lennox defy the very essence of time itself to be eternally united, or will they learn to treasure the ephemeral beauty of each cherished second they share? Join us as we embark on an extraordinary journey through history and emotion, witnessing the clash of two souls from different epochs, who must choose between the allure of an everlasting bond and the captivating allure of ephemeral love. In "Ephemeral Eternity", we explore the essence of love, the enigma of time, and the eternal longing of the human heart. As the pages turn, be prepared to witness a love story that defies the limits of time and touches the deepest recesses of our souls.

Embark on an interstellar odyssey with Alex and Maya, two souls entwined in a cosmic love story that defies the boundaries of space and time. In a universe teeming with celestial wonders and challenges, the couple navigates the vast expanse, facing planetary triumphs, galactic serendipity, and cosmic reckonings that test the very fabric of their connection. As they traverse the stars, their love story unfolds amidst intergalactic promises, climactic confrontations, and a cosmic culmination that propels them into the heart of an eternal bond. Through stellar redemption, galactic celebrations, and celestial enlightenment, Alex and Maya's journey becomes a testament to the enduring power of love—a love that transcends the cosmos itself.

Conservative religious figures routinely warn against the dangers of secularization, just as proponents of the modern secular state decry the theocratic tendencies of religion. Both sides assume that the sacred and the secular are diametrically opposed. Gabriel Vahanian rightly calls such misbegotten assumptions into question. The problem lies elsewhere. In the light of the biblical dialectic of holiness and the secular, Praise of the Secular deftly "vindicates" the secular, weaving together philosophy, history, and theology in fine Derridean, yet reinforced, deconstructionist fashion. Vahanian argues that religion, far from being opposed to the secular, finds its fulfillment in the secular world. Armed with a compelling interpretation of Christ's incarnation, he claims that "we have not grasped John's notion of the word become flesh, even of God as wording, until or unless we realize it must so expand as to demand the worlding of that very word, extending it into secular relevance." In other words the holy, if not the sacred, demands its own secularization. In this poetically written and profoundly life-affirming work, Vahanian reinvigorates the secular against the claims of fundamentalism, which makes the relative absolute, and against the ideology of a kind of atheism ("secularism" is his term), which makes the absolute relative.

The domain of spirituality, separated from its theological overburden, believes in the existence of a spiritual self, presumed to be distinctly separate from the psychological self. The spiritual eternal self, also known as the soul or spirit (sometimes supported by an overarching Spirit), is asserted to be operating behind the ephemeral self. This book takes a contrarian stance; it argues that the premise of the soul concept is obtained through the magic of language, maintained through the marvel of the brain’s biochemistry, and sustained through the mirage of the psychological juggernauts of the brain. The magic, the marvel and the mirage, together, bring about subtle shifts as the linguistic brain suppresses many psychological details, habitually applies mental templates such as inversions and dichotomies, and enhances its language by coining religious and spiritual metaphors. The consequence of these changes is that the usual flickering self begins to be impressed by itself, believing it is buttressed by something transcendental and eternal within: the soul or the spirit. The self, although indoctrinated during its formative years, also begins to assimilate and accept the opinion that the overwhelming weight of religious doctrines and dogmas, the overburden, signifies as the legitimate proof for the eternal soul.

Stories provide a melancholic and introspective look into the life and the complexities of human interaction.

What is an event? From a philosophical perspective, events are irregular occurrences--moments of change and interruption--categorized by human perception, language, and thought. While philosophers have pored over the subject of events extensively in recent years, The Event: Literature and Theory seeks to ground it: What is literature's approach to the event? How does literature produce and give testimony to events? Ilai Rowner's study not only revisits some of the most important thinkers of our time, including Maurice Blanchot, Gilles Deleuze, Jacques Derrida, and Martin Heidegger, it also develops a critical approach to literature that questions the meaning of the literary event through examinations of literary works by Marcel Proust, Louis-Ferdinand C�line, and T. S. Eliot. Rowner offers a new method of thinking about the particular characteristics of the event within literary works and defines the creative value of literature as the aspiration toward the un-happening within the happening. In this study the experience of literature--as an act of both writing and reading--becomes the struggle to capture the excessive movement of the event while also revealing the creative energy within that work of literature.