Science fiction authors offer original tales of relationships in a future world of evolving technology. In a future world dominated by the technological, people will still be entangled in relationships—in romances, friendships, and families. This volume in the Twelve Tomorrows series considers the effects that scientific and technological discoveries will have on the emotional bonds that hold us together. The strange new worlds in these stories feature AI family therapy, floating fungitecture, and a futuristic love potion. A co-op of mothers attempts to raise a child together, lovers try to resolve their differences by employing a therapeutic sexbot, and a robot helps a woman dealing with Parkinson's disease. Contributions include Xia Jia's novelette set in a Buddhist monastery, translated by the Hugo Award-winning writer Ken Liu; a story by Nancy Kress, winner of six Hugos and two Nebulas; and a profile of Kress by Lisa Yaszek, Professor of Science Fiction Studies at Georgia Tech. Stunning artwork by Tatiana Plakhova—"infographic abstracts” of mixed media software—accompany the texts. Contributors James Patrick Kelly, Mary Robinette Kowal, Nancy Kress, Rich Larson, KenLiu, Sam J. Miller, Annalee Newitz, Suzanne Palmer, Tatiana Plakhova, Cadwell Turnbull, Nick Wolven, Xia Jia, Lisa Yaszek

From 2004 to 2006 the Osage Nation conducted a contentious governmental reform process in which sharply differing visions arose over the new government's goals, the Nation's own history, and what it means to be Osage. The primary debates were focused on biology, culture, natural resources, and sovereignty. Osage anthropologist Jean Dennison documents the reform process in order to reveal the lasting effects of colonialism and to illuminate the possibilities for indigenous sovereignty. In doing so, she brings to light the many complexities of defining indigenous citizenship and governance in the twenty-first century. By situating the 2004-6 Osage Nation reform process within its historical and current contexts, Dennison illustrates how the Osage have creatively responded to continuing assaults on their nationhood. A fascinating account of a nation in the midst of its own remaking, Colonial Entanglement presents a sharp analysis of how legacies of European invasion and settlement in North America continue to affect indigenous people's views of selfhood and nationhood.

To this day, women face barriers in entering scientific professions, and in earlier eras the challenges were greater still. But in Botanical Entanglements, Anna Sagal reveals how women’s active participation in scientific discourses of the eighteenth century was enabled by the manipulation of social and cultural conventions that have typically been understood as limiting factors. By taking advantage of the intersections between domesticity, femininity, and nature, the writers and artists studied here laid claim to a specific authority on naturalist subjects, ranging from botany to entomology to natural history more broadly. Botanical Entanglements pairs studies of well-known authors—Eliza Haywood, Charlotte Lennox, Maria Edgeworth, and Charlotte Smith—with authors and artists who receive less attention in this context—Priscilla Wakefield, Maria Jacson, Elizabeth Blackwell, Henrietta Maria Moriarty, and Mary Delany—to offer a nuanced portrait of the diverse strategies women employed to engage in scientific labor. Using socially acceptable forms of textual production, including popular periodicals, didactic texts, novels, illustrated works, craftwork, and poetry, these women advocated for more substantive and meaningful engagement with the natural world. In parallel, the book also illuminates the emotional and physical intimacies between women, plants, and insects to reveal an early precursor to twenty-first-century theorizing of plant intelligence and human-plant relationships. Recognizing such literary and artistic "entanglement" facilitates a more profound understanding of the multifaceted relationship between women and the natural world in eighteenth-century England.

Twelve visions of the future—by turns hilarious, frightening, and relevant—from new and established voices in science fiction. In this book, new and established voices in science fiction come together to offer original stories of the future. Ken Liu writes about a virtual currency that hijacks our empathy; Elizabeth Bear shows us a smart home tricked into kidnapping its owner; Clifford V. Johnson presents, in a graphic novella, the story of a computer scientist seeing a new side of the AIs she has invented; and J. M. Ledgard describes a 28,000-year-old AI who meditates on the nature of loneliness. We encounter metal-melting viruses, vegetable-based heart transplants, search-and-rescue drones, and semi-automated sailing ships. Sometimes hilarious, sometimes frightening, and always relevant, Twelve Tomorrows offers compelling visions of potential futures. Originally launched in 2011 by MIT Technology Review, the Twelve Tomorrows series explores the future implications of emerging technologies through the lens of fiction. Featuring a diverse collection of authors, characters, and stories rooted in contemporary real-world science, each volume in the series offers conceivable and inclusive stories of the future, celebrating and continuing the genre of “hard” science fiction pioneered by authors such as Isaac Asimov, Arthur C. Clarke, and Robert Heinlein. Twelve Tomorrows is the first volume of the series to be published in partnership with the MIT Press. Contributors Elizabeth Bear, SL Huang, Clifford V. Johnson, J. M. Ledgard, Liu Cixin, Ken Liu, Paul McAuley, Nnedi Okorafor, Malka Older, Sarah Pinsker, Alastair Reynolds

How do artistic experiments with artificial intelligence problematize human-centered notions of creative agency, authorship, and ownership? Offering a wide-ranging discussion of contemporary digital art practices, philosophical and technical considerations of AI, posthumanist thought, and emerging issues of intellectual property and the commons, this book is firmly positioned against the anthropomorphic spectacle of "creative AI." It proposes instead the concept of the posthumanist agential assemblage, and invites readers to consider what new types of creative practice, what reconfigurations of the author function, and what critical interventions become possible when AI art provokes tactical entanglements between aesthetics, law, and capital.

Presents strikingly original and contemporary answers to the most traditional philosophical problems in epistemology, ethics, aesthetics, and political theory. A work of maximally ambitious scope with a foundation in humility, Entanglements sets out a philosophical system of the sort rarely seen over the past century. In a discipline marked by greater and greater specialization and the narrowing of increasingly insular traditions and approaches, Crispin Sartwell has spent his career engaging widely across philosophical topics and texts. Here he brings together his philosophical positions in a unified system that is coherent across the issues and subdisciplines in the field. In addition to presenting his own theories of truth, knowledge, free will, beauty, and the political state, Sartwell’s criticisms of other figures and movements provide an overview of the history of philosophy. The project of presenting an overarching philosophical system is a resolutely old-fashioned one, and in undertaking it, Sartwell is not only encapsulating an extraordinarily unique and productive career but also nudging philosophy back to its broader aims of explaining the world and our place in it. “One of the greatest strengths of this book is its breadth, not just in topics but in the range of ideas drawn on—it’s unusual to find a scholar who can move effortlessly from J. L. Austin to Heidegger to Emerson. Original, engaging, and accessible, there’s nothing else like it.” — Roderick T. Long, Auburn University

Military-civilian encounters are multiple and diverse in our times. Contributors to this volume demonstrate how military and civilian domains are constituted through entanglements undermining the classic civil-military binary and manifest themselves in unexpected places and manners. Moreover, the essays trace out the ripples, reverberations and resonations of civil-military entanglements in areas not usually associated with such ties, but which are nevertheless real and significant for an understanding of the roles war, violence and the military play in shaping contemporary societies and the everyday life of its citizens.