"Explores the intersections between monarchy, gender, and art through an investigation of the visual and architectural culture of the eighteenth-century Habsburg empress Maria Theresa"--Provided by publisher.

A major new biography of the iconic Austrian empress that challenges the many myths about her life and rule Maria Theresa (1717–1780) was once the most powerful woman in Europe. At the age of twenty-three, she ascended to the throne of the Habsburg Empire, a far-flung realm composed of diverse ethnicities and languages, beset on all sides by enemies and rivals. Barbara Stollberg-Rilinger provides the definitive biography of Maria Theresa, situating this exceptional empress within her time while dispelling the myths surrounding her. Drawing on a wealth of archival evidence, Stollberg-Rilinger examines all facets of eighteenth-century society, from piety and patronage to sexuality and childcare, ceremonial life at court, diplomacy, and the everyday indignities of warfare. She challenges the idealized image of Maria Theresa as an enlightened reformer and mother of her lands who embodied both feminine beauty and virile bellicosity, showing how she despised the ideas of the Enlightenment, treated her children with relentless austerity, and mercilessly persecuted Protestants and Jews. Work, consistent physical and mental discipline, and fear of God were the principles Maria Theresa lived by, and she demanded the same from her family, her court, and her subjects. A panoramic work of scholarship that brings Europe's age of empire spectacularly to life, Maria Theresa paints an unforgettable portrait of the uncompromising yet singularly charismatic woman who left her enduring mark on the era in which she lived and reigned.

The 300th birthday of Empress Maria Theresa provides an opportunity to examine her outstanding interest in the fine arts. At the invitation of the reforming monarch a large number of painters, sculptors and other artists in Austria and abroad found a wealth of work opportunities. Correspondingly, this era has left its mark on the countries of the former Habsburg monarchy to this day. Maria Theresa pursued an individual approach with regard to cultural policy. She was interested in reform not only in education, but also in the field of art. She commissioned contemporary artists and helped portrait painting to a new upswing, leading not least to the international consolidation of the newly formed House of Habsburg-Lorraine. This was the function also fulfilled by the allegorical paintings and ceiling frescoes for which impressive cartoons have survived. Landscape painting was highly esteemed, and finally outstanding masterpieces were produced in sculpture and three-dimensional works, for example by Balthasar Ferdinand Moll and Franz Xaver Messerschmidt. Exhibition: Unteres Belvedere, Vienna, Austria (30.06.-05.11.2017).

The 300th birthday of Empress Maria Theresa provides an opportunity to examine her outstanding interest in the fine arts. At the invitation of the reforming monarch a large number of painters, sculptors and other artists in Austria and abroad found a wealt h of work opportunities. Correspondingly, this era has left its mark on the countries of the former Habsburg monarchy to this day. Maria Theresa pursued an individual approach with regard to cultural policy. She was interested in reform not only in educati on, but also in the field of art. She commissioned contemporary artists and helped portrait painting to a new upswing, leading not least to the international consolidation of the newly formed House of Habsburg - Lorraine. This was the function also fulfilled by the allegorical paintings and ceiling frescoes for which impressive cartoons have survived. Landscape painting was highly esteemed, and finally outstanding masterpieces were produced in sculpture and three - dimensional works, for example by Balthasar Fe rdinand Moll and Franz Xaver Messerschmidt.

The vibrant, sprawling saga of Empress Maria Theresa—one of the most renowned women rulers in history—and three of her extraordinary daughters, including Marie Antoinette, the doomed queen of France. Out of the thrilling and tempestuous eighteenth century comes the sweeping family saga of beautiful Maria Theresa, a sovereign of uncommon strength and vision, the only woman ever to inherit and rule the vast Habsburg Empire in her own name, and three of her remarkable daughters: lovely, talented Maria Christina, governor-general of the Austrian Netherlands; spirited Maria Carolina, the resolute queen of Naples; and the youngest, Marie Antoinette, the glamorous, tragic queen of France, and perhaps the most famous princess in history. Unfolding against an irresistible backdrop of brilliant courts from Vienna to Versailles, embracing the exotic lure of Naples and Sicily, this epic history of Maria Theresa and her daughters is a tour de force of desire, adventure, ambition, treachery, sorrow, and glory. Each of these women’s lives was packed with passion and heart-stopping suspense. Maria Theresa inherited her father’s thrones at the age of twenty-three and was immediately attacked on all sides by foreign powers confident that a woman would to be too weak to defend herself. Maria Christina, a gifted artist who alone among her sisters succeeded in marrying for love, would face the same dangers that destroyed the monarchy in France. Resourceful Maria Carolina would usher in the golden age of Naples only to face the deadly whirlwind of Napoleon. And, finally, Marie Antoinette, the doomed queen whose stylish excesses and captivating notoriety have masked the truth about her husband and herself for two hundred and fifty years. Vividly written and deeply researched, In the Shadow of the Empress is the riveting story of four exceptional women who changed the course of history.

When Edward Crankshaw's Maria Theresa was published in 1969, it was the first full length study of Maria Theresa to be written in English for sixty years. Called to the throne in 1740, at the age of twenty-three, Maria Theresa was wholly unprepared for the events that were to confront her, and trusting in the honour of her fellow monarchs, the young queen found herself with a virtually nonexistent army at the head of a bankrupt and disaffected empire - an empire shortly to be set upon by half Europe intent on shattering the Habsburg power for ever. Married to an amiable but ineffectual husband whom she adored, surrounded by shortsighted advisers senile to the point of decrepitude, her only weapons were her charm, her unbreakable will, and her almost reckless courage. With these, and by her own immense exertions, she first held her powerful enemies at bay; then, choosing new advisers with astonishing skill, and discovering in herself a fund of commonsense amounting almost to genius, she instituted wide-reaching reforms which were to unify the Empire's bewildering mixture of lands and peoples, and bring it to the threshold of the revolutionary age. With all this she remained a wife and a mother - most touchingly so in her vast correspondence with her many children.