Introduction / Mikko Salmela and Verena Mayer -- Part I: Authenticity, emotions, and the self -- Self-love and the structure of personal values / Bennett W. Helm -- The self of shame / Julien A. Deonna and Fabrice Teroni -- Authenticity and self-governance / Monika Betzler -- Part II: Ramifications of emotional authenticity -- Picturing the authenticity of emotions / Felicitas Kraemer -- Status, gender, and the politics of emotional authenticity / Leah R. Warner and Stephanie A. Shields -- How to be emotional / Verena Mayer -- Authenticity and occupational emotions : a philosophical study / Mikko Salmela -- Part III: Emotional authenticity in ethics and moral psychology -- Is emotivism more authentic than cognitivism? : some reflections on contemporary research in moral psychology / Craig M. Joseph -- Emotions, ethics, and authenticity : emotional authenticity as a central basis of moral psychology / Ralph Ellis -- Authentic emotions as ethical guides : a case for scepticism / Helena Flam -- Emotional optimality and moral force / Kristján Kristjánsson.

Authenticity has become a widespread ethical ideal that represents a way of dealing with normative gaps in contemporary life. This ideal suggests that one should be true to oneself and lead a life expressive of what one takes oneself to be. However, many contemporary thinkers have pointed out that the ideal of authenticity has increasingly turned into a kind of aestheticism and egoistic self-indulgence. In his book, Varga systematically constructs a critical concept of authenticity that takes into account the reciprocal shaping of capitalism and the ideal of authenticity. Drawing on different traditions in critical social theory, moral philosophy and phenomenology, Varga builds a concept of authenticity that can make intelligible various problematic and potentially exhausting practices of the self.

Understanding emotions is becoming ever more valuable in design, both in terms of what people prefer as well as in relation to how they behave in relation to it. Approaches to conceptualising emotions in technology design, how emotions can be operationalised and how they can be measured are paramount to ascertaining the core principles of design. Emotions in Technology Design: From Experience to Ethics provides a multi-dimensional approach to studying, designing and comprehending emotions in design. It presents emotions as understood through basic human-technology research, applied design practice, culture and aesthetics, ethical approaches to emotional design, and ethics as a cultural framework for emotions in design experience. Core elements running through the book are: cognitive science – cognitive-affective theories of emotions (i.e., Appraisal); culture – the ways in which our minds are trained to recognise, respond to and influence design; and ethics – a deep cultural framework of interpretations of good versus evil. This ethical understanding brings culture and cognition together to form genuine emotional experience. This book is essential reading for designers, technology developers, HCI and cognitive science scholars, educators and students (at both undergraduate and graduate levels) in terms of emotional design methods and tools, systematic measurement of emotion in design experience, cultural theory underpinning how emotions operate in the production and interaction of design, and how ethics influence basic (primal) and higher level emotional reactions. The broader scope equips design practitioners, developers and scholars with that ‘something more’ in terms of understanding how emotional experience of technology can be positioned in relation to cultural discourse and ethics.

Today, authenticity is considered an essential part of manifold interpersonal relationships, actions, and agreements. Authenticity’s association with sincerity, honesty, and reliability not only normatively charges the term in the context of social coexistence, but also makes it a demand which we impose on ourselves: The success of our lives is measured decisively by whether we live in harmony with our own convictions, wishes and needs. In philosophy, authenticity has also become the focus of interest, both in the context of the mechanisms of self-knowledge, as well as of personal development. The anthology aims to expand the cooperation across disciplines, in order to develop a comprehensive and profound understanding of authenticity, not by over-simplifying the highly complex subject, but by approaching the underlying concept from different scientific perspectives.

The rapidly growing recognition of the importance of emotion in understanding all aspects of organizational life is facilitating the development of focused areas of scholarship. This volume includes articles, which represent a selection of the papers presented at the sixth International Conference on Emotions and Organizational Life.

True Emotions discusses several key problems in emotion research. The question about the true nature of emotions focuses on the role of cognition in human emotions at different levels of analysis: functional role, types of processes and representations, and neural implementation. Truth to the self, or authenticity, has two meanings, psychological and normative, where the latter is analyzed as coherence between the evaluative content of an emotion and the subject’s internally justified beliefs and values. Truth to the world is argued to be a matter of correct evaluative representation of the emotional object on the one hand, and the existence of the object, or the actuality or accurate probability of the represented situation on the other hand. Finally, authenticity and truth are applied to analyses of the authenticity of occupational emotions and the constitution of sentimental values, respectively. Recommended reading for philosophers, psychologists, sociologists, and gender researchers.

Amidst prevailing debates that construe rationality and emotionality as polar opposites, this book explores the manner in which emotions shape not only prevailing conceptions of rationality, but also culture in general terms, making room for us to speak of an 'emotional culture' specific to late-modern societies. Presenting case studies involving cultural artefacts, narratives found in fictional and non-fictional literature and television programs, speech patterns and self-talk, fashion, and social networking practices, The Emotions and Cultural Analysis sheds light on the relationship between emotion and culture and the ways in which emotion can be harnessed for the purposes of cultural analysis. An interdisciplinary volume containing the latest research from sociology, philosophy, literary studies, linguistics, and communication, this book will be of interest to those working on the sociology and philosophy of emotion, cultural studies, and cultural theory.