Examining human-animal relations among the reindeer hunting and herding Dukha community in northern Mongolia, this book focuses on concepts such as domestication and wildness from an indigenous perspective. By looking into hunting rituals and herding techniques, the ethnography questions the dynamics between people, domesticated reindeer, and wild animals. It focuses on the role of the spirited landscape which embraces all living creatures and acts as a unifying concept at the center of the human and non-human relations.

The book ‘Embracing the landscapes’ shares about a set of principles and strategies in landscape architecture on which the practice of Landscape Architects 49 has been founded since 1989. It also encapsulates the spirit that seeks for alternative ways for harmony, beauty, and the formation of atmospheres that could enrich and localize the works of landscape architecture in the context.

Barry Gealt's nature paintings, with their thick layers of pigment and saturated colors, evoke the drama of place—purple waves splashing over shell-pink sands, mossy rocks protruding among twisting water surfaces, the windless mists of Indiana mornings, and the hush and rustle of winter woods. This beautiful retrospective catalog presents forty of Gealt's works, mostly large oil-on-panel paintings, from 1985 through 2012. Rachel Berenson Perry traces Gealt's art-making life from his early experiments with figurative painting through the evolution of his abstract, forceful, almost sculptural landscape style. Perry also discusses Gealt's long career as a dedicated teacher and mentor to his many students in the painting program at Indiana University from 1969 until his retirement in 2007.

In this multi-authored book, senior practitioners and researchers offer an international overview of landscape character approaches for those working in research, policy and practice relating to landscape. Over the last three decades, European practice in landscape has moved from a narrow, if relatively straightforward, focus on natural beauty or scenery to a much broader concept of landscape character constructed through human perception, and transcending any of its individual elements. Methods, tools and techniques have been developed to give practical meaning to this idea of landscape character. The two main methods, Landscape Character Assessment (LCA) and Historic Landscape Characterisation (HLC) were applied first in the United Kingdom, but other methods are in use elsewhere in Europe, and beyond, to achieve similar ends. This book explores why different approaches exist, the extent to which disciplinary or cultural specificities in different countries affect approaches to land management and landscape planning, and highlights areas for reciprocal learning and knowledge transfer. Contributors to the book focus on examples of European countries – such as Sweden, Turkey and Portugal – that have adopted and extended UK-style landscape characterisation, but also on countries with their own distinctive approaches that have developed from different conceptual roots, as in Germany, France and the Netherlands. The collection is completed by chapters looking at landscape approaches based on non-European concepts of landscape in North America, Australia and New Zealand. This book has an introductory price of £125/$205 which will last until 3 months after publication - after this time it will revert to £140/$225.

For more than a decade, Victoria Sambunaris (born 1964) has crossed the United States with her five-by-seven wooden field camera and sheets of color negative film. Traveling seemingly every road nationwide, Sambunaris has described herself as having "an unrelenting curiosity to understand the American landscape and our place in it." This first monograph on Sambunaris' work consists of two handsome hardback volumes. The first includes a retrospective selection of her images from 2000 to 2013; the second documents the artist's collected professional ephemera as a photographer and researcher. Included in this fascinating assortment of documents are images of books on geology and history, maps, artifacts such as mineral specimens, journals and road logs, as well as her small photographic sketches. An essay from MOCP Director Natasha Egan provides an insightful overview of this ardent chronicler of contemporary America.

An examination of the big picture of ecological patterns and processes through a detailed case study of the vast managed forest region of Ontario. The book synthesizes ecological landscape knowledge, explores gaps in understanding, and offers suggestions for future directions.