Elizabeth Severn: The ‘Evil Genius’ of Psychoanalysis chronicles the life and work of Elizabeth Severn, both as one of the most controversial analysands in the history of psychoanalysis, and as a psychoanalyst in her own right. Condemned by Freud as "an evil genius", Freud disapproved of Severn’s work and had her influence expelled from the psychoanalytic mainstream. In this book, Rachman draws on years of research into Severn to present a much needed reappraisal of her life and work, as well as her contribution to modern psychoanalysis. Arnold Rachman’s re-discovery, restoration and analysis of the Elizabeth Severn Papers – including previously unpublished interviews, books, brochures and photographs – suggests that, far from a failure, that the analysis of Severn by Ferenczi constitutes one of the great cases in psychoanalysis, one that was responsible a new theory and methodology for the study and treatment of trauma disorder, in which Severn played a pioneering role. Elizabeth Severn should be of interest to any psychoanalyst looking to glean fresh light on Severn’s progressive views on clinical empathy, self-disclosure, countertransference analysis, intersubjectivity and the origins of relational analysis.

This biography of Joseph Severn (1793-1879), the best known but most controversial of Keats's friends, is based on a mass of newly discovered information, much of it still in private hands. Severn accompanied the dying Keats to Italy, nursed him in Rome and reported on his last weeks there in a famous series of moving letters. After Keats's death in relative obscurity, Severn pressed hard for an early biography and a more fitting memorial in the Protestant Cemetery in Rome. In the nineteenth century Severn's friendship with Keats was seen as a model of devoted masculine companionship and he was reburied by popular acclaim next to Keats in 1882. In the twentieth century, by contrast, he was denigrated as an unreliable, self-promoting witness. Sue Brown's book fills a major gap in studies of Keats and his circle. It reassesses Severn's character, friendship with Keats, and influence on the posthumous development of the poet's fame and provides new information on Keats's death. The significance of Severn's artistic career has previously been downplayed. This book offers the first full assessment of his work and of his turbulent spell as British Consul in Rome from 1860 to 1871. Keats was not Severn's only famous friend. For most of his adult life Severn was at the heart of the large, lively British community in Rome welcoming amongst others Gladstone, who became his most important patron, Ruskin, Walter Scott, Wordsworth, Turner, Samuel Palmer, David Wilkie, and many more. He maintained long friendships with Leigh Hunt, Mary Shelley, Charles Eastlake, Richard Monckton Milnes, amongst others, and enjoyed a rich family life.

This is the first modern scholarly edition of the letters and memoirs of Joseph Severn, English painter and deathbed companion of John Keats. It includes letters from a remarkable collection of never-before-published correspondence held by descendants of the Severn family. Scott's unprecedented access to hundreds of new letters has resulted in a major revisionist work that challenges traditional ideas about Severn's life and character. The edition includes new information about Severn's early artistic success in Italy, an extraordinarily thorough record of his day-to-day activities as a working artist in England, and surprising details about his experience as British Consul in Rome. The volume represents a significant work of recovery, printing in full three important memoirs that have until now appeared only in inaccurate excerpts and offering thirty-three illustrations that demonstrate the range of Severn's talents as a painter. Scott makes a compelling case for a revaluation of Severn, whose friends also included Charles Eastlake, William Gladstone, Leigh Hunt, John Ruskin, and Mary Shelley. This collection will prove valuable not only to literary biographers and Keats scholars, but also to art and cultural historians of the Romantic and Victorian eras. Adding significantly to the volume's usefulness are a detailed chronology of Severn's life and artwork, and appendices containing an index of the newly discovered letters and a ledger of Severn's patrons, paintings and commissions.

Elizabeth Severn: The 'Evil Genius' of Psychoanalysis chronicles the life and work of Elizabeth Severn, both as one of the most controversial analysands in the history of psychoanalysis, and as a psychoanalyst in her own right. Condemned by Freud as "an evil genius," Freud disapproved of Severn's work and had her influence expelled from the psychoanalytic mainstream. In this book, Rachman draws on years of research into Severn to present a much needed reappraisal of her life and work, as well as her contribution to modern psychoanalysis. Arnold Rachman's re-discovery, restoration and analysis of the Elizabeth Severn Papers - including previously unpublished interviews, books, brochures and photographs - suggests that, far from a failure, that the analysis of Severn by Ferenczi constitutes one of the great cases in psychoanalysis, one that was responsible a new theory and methodology for the study and treatment of trauma disorder, in which Severn played a pioneering role. Elizabeth Severn should be of interest to any psychoanalyst looking to glean fresh light on Severn's progressive views on clinical empathy, self-disclosure, countertransference analysis, intersubjectivity and the origins of relational analysis.

Elizabeth Severn, known as "R.N." in Sandor Ferenczi’s Clinical Diary, was Ferenczi’s analysand for eight years, the patient with whom he conducted his controversial experiment in mutual analysis, and a psychoanalyst in her own right who had a transformative influence on his work. The Discovery of the Self is the distillation of that experience and allows us to hear the voice of one of the most important patients in the history of psychoanalysis. However, Freud branded Severn Ferenczi’s "evil genius" and her name does not appear in Ernest Jones’s biography, so she has remained largely unknown until now. This book is a reissue of Severn’s landmark work of 1933, together with an introduction by Peter L. Rudnytsky that sets out the unrecognized importance of her thinking both for the development of psychoanalysis and for contemporary theory. Inspired by the realization that Severn has embedded disguised case histories both of herself and of Ferenczi, as well as of her daughter Margaret, Rudnytsky shows how The Discovery of the Self contains "the other side of the story" of mutual analysis and is thus an indispensable companion volume to the Clinical Diary. A full partner in Ferenczi’s rehabilitation of trauma theory and champion of the view that the analyst must participate in the patient’s reliving of past experiences, Severn emerges as the most profound conduit for Ferenczi’s legacy in the United States, if not in the entire world. Lacking any institutional credentials and once completely marginalized, Elizabeth Severn can at long last be given her due as a formidable psychoanalyst. Newly available for the first time in more than eighty years, The Discovery of the Self is simultaneously an engaging introduction to psychotherapy that will appeal to general readers as well as a sophisticated text to be savored by psychoanalytic scholars and clinicians as a "prequel" to the works of Heinz Kohut and a neglected classic of relational psychoanalysis.

Winner of the 2016 Gradiva Award for Edited Book The Legacy of Sándor Ferenczi, first published in 1993 & edited by Lewis Aron & Adrienne Harris, was one of the first books to examine Ferenczi’s invaluable contributions to psychoanalysis and his continuing influence on contemporary clinicians and scholars. Building on that pioneering work, The Legacy of Sándor Ferenczi: From Ghost to Ancestor brings together leading international Ferenczi scholars to report on previously unavailable data about Ferenczi and his professional descendants. Many—including Sigmund Freud himself—considered Sándor Ferenczi to be Freud’s most gifted patient and protégé. For a large part of his career, Ferenczi was almost as well known, influential, and sought after as a psychoanalyst, teacher and lecturer as Freud himself. Later, irreconcilable differences between Freud, his followers and Ferenzi meant that many of his writings were withheld from translation or otherwise stifled, and he was accused of being mentally ill and shunned. In this book, Harris and Kuchuck explore how newly discovered historical and theoretical material has returned Ferenczi to a place of theoretical legitimacy and prominence. His work continues to influence both psychoanalytic theory and practice, and covers many major contemporary psychoanalytic topics such as process, metapsychology, character structure, trauma, sexuality, and social and progressive aspects of psychoanalytic work. Among other historical and scholarly contributions, this book demonstrates the direct link between Ferenczi’s pioneering work and subsequent psychoanalytic innovations. With rich clinical vignettes, newly unearthed historical data, and contemporary theoretical explorations, it will be of great interest and use to clinicians of all theoretical stripes, as well as scholars and historians.

In this richly nuanced assessment of the various dimensions of mutuality in psychoanalysis, Aron shows that the relational approach to psychoanalysis is a powerful guide to issues of technique and therapeutic strategy. From his reappraisal of the concepts of interaction and enactment, to his examination of the issue of analyst self-disclosure, to his concluding remarks on the relational import of the analyst's ethics and values, Aron squarely accepts the clinical responsibilities attendant to a postmodern critique of psychoanalytic foundations.