This edited book provides a comprehensive survey of the modern state of the art in forensic linguistics. Part I of the book focuses on the role of the linguist as an expert witness in common law and civil law jurisdictions, the relation of expert witnesses and lawyers, ethics standards, and courtroom interaction. Part II deals with some of the major areas of expertise of forensic linguistics as the scientific study of language as evidence, namely authorship identification, speaker identification, text authentication, deception and lie detection, plagiarism detection, and cyber language crimes. This book is intended to be used as a reference for academics, students and practitioners of Linguistics, Forensic Linguistics, Law, Criminology, and Forensic Psychology, among other disciplines.

Selección de aproximadamente cincuenta cuentos de autores nórdicos de nuestro siglo, traducidos por especialistas de cada uno de los cinco países. Una breve introducción presenta a cada cultura, representada por un cuento de cada uno de los autores más significativos del siglo XX.

A revised edition of this major writer's complete poetical work And I who was walking with the earth at my waist, saw two snowy eagles and a naked girl. The one was the other and the girl was neither. -from "Qasida of the Dark Doves" Federico García Lorca was the most beloved poet of twentieth-century Spain and one of the world's most influential modernist writers. His work has long been admired for its passionate urgency and haunting evocation of sorrow and loss. Perhaps more persistently than any writer of his time, he sought to understand and accommodate the numinous sources of his inspiration. Though he died at age thirty-eight, he left behind a generous body of poetry, drama, musical arrangements, and drawings, which continue to surprise and inspire. Christopher Maurer, a leading García Lorca scholar and editor, has brought together new and substantially revised translations by twelve poets and translators, placed side by side with the Spanish originals. The seminal volume Poet in New York is also included here in its entirety. This is the most comprehensive collection in English of a poet who—as Maurer writes in his illuminating introduction—"spoke unforgettably of all that most interests us: the otherness of nature, the demons of personal identity and artistic creation, sex, childhood, and death."

A generous selection and fresh translation of Lorca's suites, work that might have taken its place beside Songs (1927) and Poem of the Deep Song (1931) as a trilogy of Lorca's early modernist lyric. More personal than the other two works, Lorca's suites explore a 'heart without echo' in his time.

"La Música de Haydn en la "Creación" no es patética como la de Haendel en sus Oratorios: tiene siempre ese verdor de primavera, esa sutileza que entrega la línea ondulante en la danza de la Corte, esa inspiración de frescura y optimismo que sólo se encuentra en algunos pintores del Renacimiento y en los poetas bucólicos de la Hélade y del Lacio."