A century after his death, Egon Schiele continues to stun with his contorted lines, distorted bodies, and eroticism. This XXL-sized book features the complete catalogue of his paintings from 1909-1918. Nearly 600 illustrations are presented, many of them newly photographed, alongside expert insights and Schiele's personal writings in this...

Best known for his depictions of the human form, Schiele was also interested in portraying the beauty and structure of the world he inhabited. This volumes proves that Schiele's mastery extends beyond his radical renditions of the human figure and reveals themes that appear throughout his work.

An exploration of the influences that have shaped the Austrian Expressionist.

Egon Schiele (18901918) was one of the most popular and influential painters to emerge from turn-of-the-century Vienna. Before his premature death at 28, he managed to be thrown in prison on a morals charge and also to create a strongly erotic body of work, both deeply expressive drawings and sublimely beautiful paintings. This enfant terrible of pre-WWI Vienna worked in the shadows of Klimt and Freud, but he found his own voice, and his own nude body was his best model. Egon Schiele delves into both his controversial sexual themes and neglected aspects of Schieles art, notably his formal experiments and his later expressionistic portraits and allegorical paintingsworks that reveal much about the importance of his short career. Egon Schiele (18901918) was one of the most popular and influential painters to emerge from turn-of-the-century Vienna. Before his premature death at 28, he managed to be thrown in prison on a morals charge and also to create a strongly erotic body of work, both deeply expressive drawings and sublimely beautiful paintings. This enfant terrible of pre-WWI Vienna worked in the shadows of Klimt and Freud, but he found his own voice, and his own nude body was his best model. Egon Schiele delves into both his controversial sexual themes and neglected aspects of Schieles art, notably his formal experiments and his later expressionistic portraits and allegorical paintingsworks that reveal much about the importance of his short career.

Egon Schiele lived in Vienna during the last years of the declining Habsburg Empire. Rejected by his family, hounded by society for his interest in young girls, he expressed through his art a deep and bewildering loneliness and an obsession with sexuality, death and decay. He was only twenty-eight when he died, yet he left behind him a body of work that sustains a huge public reputation--and a myth. This book sets out to examine both. 151 illus., 20 in color.

Egon Schiele was a meteor that flashed across the galaxy of Viennese art at the beginning of the last century. Although he lived only twenty-eight years-dying quite suddenly of influenza in 1918 just as World War I came to an end-he left a stunning pictorial oeuvre. Schiele's obsession with sexuality, his own and that of others, made him at once a voyeur and a participant in that sexual imperative which Freud was simultaneously plumbing with such unsettling results. The disturbing revelations of Schiele's unmasking portraiture and of the new science of psychology disclosed a collective cultural anxiety during the last years of the crumbling Austrian empire. As a seer into the souls of his sitters, Schiele redefined portraiture in the age of Angst. Alessandra Comini is University Distinguished Professor of Art History Emerita at Southern Methodist University, where she taught for thirty-one years after having served on the faculty at Columbia University for ten years. She is the author of eight books, one of which, "Egon Schiele's Portraits," was nominated for the National Book Award. The Republic of Austria extended her its Grand Decoration of Honor in 1990. This is her third book on the artist; she has also published "Schiele in Prison," an extended essay and English translation of the 1912, makeshift diary Schiele kept during his twenty-four days in a provincial prison cell-a forgotten cell which she discovered and photographed in 1963. The cell is now part of a Schiele Museum in the village of Neulengbach. Her 2014 Megan Crespi mystery novel, "Killing for Klimt," is followed by "The Schiele Slaughters."