Here's a book that will get the whole family laughing—now with lighthearted Read & Listen narration. When a large family of ferrets and their precocious baby take a chaotic trip to the supermarket, mom can't keep track of the groceries, the shopping cart . . . or even the kids! Baby Edwin tries to help, but everyone thinks he's just babbling. Little do they know that he really has all the answers. Full of fun-to-say nonsense words this is a perfect storytime book and a great read-aloud. April Stevens, author of Waking Up Wendell, is accompanied by Ezra Jack Keats Award winner Sophie Blackall for a matchup that is sure to delight. This ebook includes Read & Listen audio narration.

Here's a book that will get the whole family laughing, illustrated by the Caldecott Medal winner Sophie Blackall. When a large family of ferrets and their precocious baby take a chaotic trip to the supermarket, mom can't keep track of the groceries, the shopping cart . . . or even the kids! Baby Edwin tries to help, but everyone thinks he's just babbling. Little do they know that he really has all the answers. Full of fun-to-say nonsense words this is a perfect storytime book and a great read-aloud.

Perfect for fans of Jennifer L. Holm's The Fourteenth Goldfish and Holly Goldberg Sloan's Counting by 7s, and called "nothing short of magical" by The New York Times, this heartfelt, deeply moving middle-grade debut features an offbeat girl who learns that she can remain true to herself while also letting others in. Eleven-year-old Frances is an observer of both nature and people, just like her idol, the anthropologist Margaret Mead. She spends most of her time up on the rocks behind her house in her "rock world," as Alvin, her kindhearted and well-read school bus driver, calls it. It's the one place where Frances can truly be herself, and where she doesn't have to think about her older sister, Christinia, who is growing up and changing in ways that Frances can't understand. But when the unimaginable happens, Frances slowly discovers that perhaps the world outside her rugged, hidden paradise isn't so bad after all, and that maybe--just maybe--she can find connection and camaraderie with the people who have surrounded her all along. Original, accessible, and deeply affecting, April Stevens's middle-grade debut about an unforgettable girl and an unlikely friendship will steal your heart.

When his father leaves to fight in World War I, Mikey joins the Central Park Knitting Bee to help knit clothing for soldiers overseas.

Early in the morning, a bird begins to sing at number One Fish Street, waking the man next door and his dog, and before long, as one noise leads to another, everyone on the street is awake.

PULITZER PRIZE FINALIST • NATIONAL BESTSELLER • A wondrous and shattering award-winning novel that follows twelve characters from Native communities: all traveling to the Big Oakland Powwow, all connected to one another in ways they may not yet realize. A contemporary classic, this “astonishing literary debut” (Margaret Atwood, bestselling author of The Handmaid’s Tale) “places Native American voices front and center” (NPR/Fresh Air). One of The Atlantic’s Great American Novels of the Past 100 Years Among them is Jacquie Red Feather, newly sober and trying to make it back to the family she left behind. Dene Oxendene, pulling his life together after his uncle’s death and working at the powwow to honor his memory. Fourteen-year-old Orvil, coming to perform traditional dance for the very first time. They converge and collide on one fateful day at the Big Oakland Powwow and together this chorus of voices tells of the plight of the urban Native American—grappling with a complex and painful history, with an inheritance of beauty and spirituality, with communion and sacrifice and heroism A book with “so much jangling energy and brings so much news from a distinct corner of American life that it’s a revelation” (The New York Times). It is fierce, funny, suspenseful, and impossible to put down--full of poetry and rage, exploding onto the page with urgency and force. There There is at once poignant and unflinching, utterly contemporary and truly unforgettable. Don't miss Tommy Orange's new book, Wandering Stars!

The co-founder and longtime president of Pixar updates and expands his 2014 New York Times bestseller on creative leadership, reflecting on the management principles that built Pixar’s singularly successful culture, and on all he learned during the past nine years that allowed Pixar to retain its creative culture while continuing to evolve. “Might be the most thoughtful management book ever.”—Fast Company For nearly thirty years, Pixar has dominated the world of animation, producing such beloved films as the Toy Story trilogy, Finding Nemo, The Incredibles, Up, and WALL-E, which have gone on to set box-office records and garner eighteen Academy Awards. The joyous storytelling, the inventive plots, the emotional authenticity: In some ways, Pixar movies are an object lesson in what creativity really is. Here, Catmull reveals the ideals and techniques that have made Pixar so widely admired—and so profitable. As a young man, Ed Catmull had a dream: to make the first computer-animated movie. He nurtured that dream as a Ph.D. student, and then forged a partnership with George Lucas that led, indirectly, to his founding Pixar with Steve Jobs and John Lasseter in 1986. Nine years later, Toy Story was released, changing animation forever. The essential ingredient in that movie’s success—and in the twenty-five movies that followed—was the unique environment that Catmull and his colleagues built at Pixar, based on philosophies that protect the creative process and defy convention, such as: • Give a good idea to a mediocre team and they will screw it up. But give a mediocre idea to a great team and they will either fix it or come up with something better. • It’s not the manager’s job to prevent risks. It’s the manager’s job to make it safe for others to take them. • The cost of preventing errors is often far greater than the cost of fixing them. • A company’s communication structure should not mirror its organizational structure. Everybody should be able to talk to anybody. Creativity, Inc. has been significantly expanded to illuminate the continuing development of the unique culture at Pixar. It features a new introduction, two entirely new chapters, four new chapter postscripts, and changes and updates throughout. Pursuing excellence isn’t a one-off assignment but an ongoing, day-in, day-out, full-time job. And Creativity, Inc. explores how it is done.