"The long and illustrious career of Edouard Vuillard spans the fin-de-siecle and the first four decades of the twentieth century, during which time the French painter, printmaker, and photographer created an extraordinary body of work. This is the first volume to explore Vuillard's rich and varied career in its totality, presenting nearly 350 works that demonstrate the full range of his subject matter and reveal both the public and private sides of this quintessentially Parisian artist." "In a series of illustrated essays and catalogue entries, the authors explore Vuillard's complex and diverse artistic development, beginning with his academic training in Paris in the late 1880s and the innovative Nabi paintings of the 1890s for which he is best known, including his provocative, disquieting middle-class interiors and his work associated with the avant-garde theatre. The authors also examine Vuillard's splendid but lesser known large-scale decorations, his luminous landscapes, and the elegant portraits from the last decades of his career. In addition to paintings, the volume includes a substantial selection of drawings and graphics, together with a large group of striking photographs by the artist, many of which are published here for the first time." "This illustrated catalogue accompanies the most comprehensive exhibition ever devoted to the work of Edouard Vuillard (1868-1940). The exhibition opens at the National Gallery of Art in Washington and travels to the Montreal Museum of Fine Arts, the Galeries nationales du Grand Palais in Paris, and the Royal Academy of Arts, London."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

"Marvelous, beautifully illustrated."--Wall Street Journal Édouard Vuillard was so secretive that he berated himself for betraying his emotions in conversation. He was a reticent, impassioned man, at once a timid stalker and a social climbing anarchist, caught in conflicting desires. From the 1880s until the advent of World War II, using styles from academic to pointillist to Nabi to Fauve, Vuillard's abundant paintings revealed his turmoil of love and hatred: models pose beside a plaster torso cast from the Venus of Milo, women appear without faces, anxiety radiates from many masterpieces--while other works were left unfinished for months or years. Drawing on insights and images from Vuillard's still unpublished diaries, Julia Frey takes us into Vuillard's private world of cabarets, experimental theaters, holiday resorts, and intimate boudoirs, showing how his art reflects his fraught personal relations and his artistic struggles. Frey highlights many of his finest works, from his famous intimate interior scenes to book illustrations and poster designs, and she examines his complex relationships with iconic friends like Pierre Bonnard, Henri de Toulouse-Lautrec, Stéphane Mallarmé, and Felix Vallotton, as well as with the women he loved--his mother and sister, penniless models, and rich men's wives.

"This book has been published in conjunction with the exhibition Edouard Vuillard: a painter and his muses, 1890-1940, organized by The Jewish Museum, New York, May 4-September 23, 2012"--T.p. verso.

Edouard Vuillard (1868-1940), one of the most admired post-impressionist artists, is best-known for his small easel paintings and their charming portrayals of everyday life. However, a major part of his work during his early life was the painting of large decorative panels in the Parisian homes of wealthy private patrons, produced between 1892 and 1912. These panels - some fifty in total - have been little studied, due principally to the inaccessibility of many of them and the impossibility of their being included in exhibitions.

Born to Polish parents, the first 11 years of Andrzej Jackowski's life were spent in a post-war refugee camp, and The Remembered Present delves into the resulting themes of alienation, family, childhood and nationality that are ever-present in the artist's work. As one of the leading figurative painters of his generation, the work of Andrzej Jackowski is mostly biographical, based on his early childhood memories, recollections of a family history in Poland and the feelings of alienation and enclosure that these experiences roused. Using powerful, insistent images from his past Jackowski explores ideas of human memory and psyche both on a personal and more collective level. As such, his paintings and drawings have come to be imbued with some of the defining imagery of modern European history, reflecting a generations feeling towards concentration camps, war and the displacement of populations. The Remembered Present is the first profile on his hugely intriguing artist and includes essays by Gabriel Josopovici, Timothy Hyman and Professor Michael Tucker. Images of dispossession, loss and identity are continually addressed, bringing ideas such as invasion, betrayal, childhood and nationality to the forefront of current debates concerning painting. Whether personal or private in intention, his work is an embodiment of contemporary historical painting. AUTHOR: Timothy Hyman is an English painter and writer, and is a frequent contributor to The Times Literary Supplement, London Magazine, Artscribe and Modern Painter Gabriel David Josipovici is a British novelist, short story writer, critic, literary theorist, and playwright. Besides short fiction and 14 novels he has published a substantial body of literary criticism, over a dozen plays and radio plays. He also serves as a regular reviewer for The Times Literary Supplement. Professor Michael Tucker has curated extensively and published widely in the fields of visual art, music and poetry. In 1998 he was awarded the Degree of Doctor of Letetrs by the University of Sussex for "distinguished contributions to the advancement of learning". SELLING POINTS: As one of the leading figurative painters of his generation, the work of Andrzej Jackowski is largely biographical, based on early childhood memories in a post-war refuge camp, recollections of a family history in Poland and the feelings of alienation and enclosure that these experiences roused. The subject matter draws on his childhood memories and the inherited memories of his family's background conveyed to him through his father's storytelling and the family's photographic albums. The Remembered Present is the first book given over to the entirety of Jackowski's work, which includes drawings, prints and paintings and extends back to works that he undertook as a student through to his most recent work. ILLUSTRATIONS 140 colour & b/w illustrations *

Madame Vuillard is a particular focus of the work produced during the initial decade of Edouard Vuillard's (1868 - 1940) career, the 1890s, when Vuillard was a member of the Nabis and forging an artistic identity as part of the Parisian avant-garde. During this period Vuillard and his widowed mother shared a series of modest rented apartments in central Paris in which the artist sustained a works-on-paper and (from 1897) amateur photographic practice out of his 'studio-bedroom', whilst in the dining room Madame Vuillard ran the corsetry business employing a handful of seamstresses including Vuillard's sister. In these apartments Vuillard and Madame Vuillard operated mutually supportive, parallel working practices, to the extent that Vuillard put his mother and the fabric of her atelier 'in the picture' whilst she posed for his pencil and camera or developed his photographs in the kitchen. Their Parisian co-habitation, and Vuillard's portrayal of his mother across a range of pictorial media, lasted until Madame Vuillard's death as an elderly woman in 1928.00Exhibition: The Barber Institute of Fine Arts, Birmingham, UK (19.10.2018 - 20.01.2019).

"The advent of the Kodak camera in 1888 made photography accessible to amateurs as well as to professionals. Artists were not immune to its allure, and many began experimenting with the camera as a means of capturing images as studies for final works and of observing the world and the people in it. Snapshot investigates seven Post-Impressionist painters and printmakers: Pierre Bonnard, George Hendrik Breitner, Maurice Denis, Henri Evenepoel, Henri Riviere, Felix Vallotton, and Edouard Vuillard. Although celebrated for their works on canvas and paper, these artists also made many personal and informal snapshots. Depicting interiors, city streets, nudes, and portraits, these photographs were kept private and never exhibited. As a result, most have never been published. Juxtaposing personal photographs with the related paintings and prints by these Post-Impressionist artists, Snapshot offers a new perspective on early photography and on the synthesis of painting and photography at the end of the 19th century"--